2025 #14 Birnam Wood (Catton)

 

Birnam Wood by Eleanor Catton
My rating: 3 of 5 stars

3.75 stars
It wasn't until after I read the book that I noted the "A savagely satirical thriller" description provided by a reviewer. This book made me rethink my general strategy of not reading about a book before engaging, although I may have taken that to the extreme here, since the description says "A gripping psychological thriller" so I shouldn't have been in the dark.

And speaking of dark...this book is just that. And it is not *just* a "psychological" thriller, so I feel that isn't exactly a fair description. I enjoyed the book, but felt it lacked subtlety. The (truly) bad guy is so evil that he spells out his nefarious plans for us, while we have to watch as he dupes the other characters in the book. His hand is shown too early on -- I started to feel just a general sense of dread waiting for it all to come to a head. We also are treated to a lot of narration about his scheming (as a personality trait):

"His goal had been to become so ambidextrous when it came to action and reaction, move and countermove, that he would reach the point where half the games he played were won by white, and half by black; only then, he'd told himself, could he really call himself a master."

Overwrought chess analogies aside, the description says "it is an unflinching examination of the human impulse to ensure our own survival" -- that's fair, although there's quite a bit of flinching going on in some respects. There are some real chances for character and relationship development that are stymied by the ending. Mira, the main protagonist, is a fascinating character:

"Like all self-mythologizing rebels, Mira preferred enemies to rivals, and often turned her rivals into enemies, the better to disdain them as secret agents of the status quo."

Catton reveals Mira's layers through passages like this and the complexity of her character pushed the book toward four stars for me. The pacing is frustrating -- slow and leisurely at the beginning and then accelerando at the end. The catalyst for the accelerando makes for a fun (?) plot point, however, and we do get quite some classic suspense moves, and a game of cat and mouse with several mice and several loops.

The premise engages with politics in New Zealand and environmental issues and I felt myself wanting to know a bit more (as a reader not wholly familiar with New Zealand), and not especially via bickering characters. The writing is beautiful and descriptive, and overall gives a great sense of the delicate balance (imbalance, perhaps) in which we operate as a society.

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2025 #13 Last Night in Montreal (Mandel)

 

Last Night in Montreal by Emily St. John Mandel
My rating: 4 of 5 stars

Melancholy and poignant, Last Night in Montreal invites the reader into an exploration of "not all who wander are lost" by expanding the meaning of being lost, and the meaning of wandering. Lilia is a wanderer, lost in her own forgetting, but not moving without aim. Eli wanders aimlessly in his own life, until his journey takes him to Montreal in search of something he didn't know he was looking for. Abduction and rescue are blurred, as are concepts of lost and found. The book is centered around the development of the characters, and while the plot is slow (by traditional standards), that's not the focus of the book. That said, I found myself a bit frustrated at the predictability of some of the plot points, although the point is not about the happening, but the secrecy and the invisible hold these events have on different characters. The juxtaposition of the father-daughter duos: Lilia and her father, and Christopher and Michaela, is artful and the dipping in and out of the past lends a much needed diversity to the plot, which could otherwise be subsumed (in the second half) by a perceived stalemate between Eli and Michaela. The book is heavy, cast in a sense of longing and learning lessons the hard way, but also very beautiful in its language and the way it lays bare human frailty (and strength).

I quibble quietly with a few characterizations, e.g. Eli's incompetence in French --one does not get to the level of writing a dissertation on dead languages with absolutely NO familiarity with French (or at least its roots). It is a bit frustrating to have so little backstory as to Lilia's scars, only because the act of violence is offered almost as an afterthought. I wanted to know more about Simon, the quiet hero.

It might be called a mystery, but more a mystery of the soul, rather than of plot. The book does not resort to clichés in the end (thank you), but the end of the novel feels a bit like an epilogue that tries hard to "tidy up" some of the loose threads. Still, one is well-advised to read (or listen) without worrying about the destination, as it truly is about the journey (with apologies for my own cliché).

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2025 #12 Every Day I Write the Book: Notes on Style (Kumar)

 

Every Day I Write the Book: Notes on Style by Amitava Kumar
My rating: 4 of 5 stars

Kumar captures the quirks as well as the slings and arrows of writing in academia through a mish-mosh of anecdotes, short essays, and what feels at times to be scrapbooking (in a good way). The book is divided into nine parts: I) Self-Help; II) Writing A Book: A Brief History; III) Credos; IV) Form; V) Academic Interest; VI) Style; VII) Exercises; VIII) The Groves of Academe and IX) Materials.

Those interested in a writing "guide" can just skip to Appendix A: "Ten Rules of Writing", but as the strikeout text on the book's cover implies, this is not a guide (in the traditional sense) nor a report on style. Instead, it is a memoir (in parts) of a writing life, interspersed with nuggets of widsom, dry humor. Fans of Anne Lamott's Bird by Bird may recognize Kumar's small pencil and folded index card that he carries in his pocket, and indeed many of his recommendations align with Lamott's, albeit with a slightly less sardonic tone.

While one would expect Kumar to be "well-read," he shares his knowledge pragmatically, without pomp, and always with clarity of meaning. We don't just get a vast bibliography shared through an eclectic set of "notes", but actual motivation to read those essays and books. There's an earthiness and honesty in Kumar's voice, that manages to critique academia while still acknowledging his own role within. A few bits felt more self-indulgent than instructive, although sometimes the shortest offerings packed a punch, such as the final note of part III: "Credos remain meaningless abstractions unless put to use." (68). He reminds us that one can read endlessly about writing, but to be a writer, one must... write. And let's face it -- reading about writing provides comfort, as if filling our brains with what we ought to do is a substitute for actually doing it (and is a better alternative to binge-watching television).

Struggling academic writers would be well-advised to keep this book close at hand, as even picking one bit of it at random might help jolt you out of a slump. It can also be read in small doses, rather than cover to cover, and I might even suggest out of order, depending on your need at one moment (although there's a certain joy to the sections Kumar offers, and fun little surprises such as the wit about credos mentioned above).


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FTL2025 3B challenge Every Day I write the BooK-----> Kindred by Octavia Butler

2025 #11 The Between (Due)

 

The Between by Tananarive Due
My rating: 4 of 5 stars

With excellent voicing by Kevin Kenerly, The Between manages to be chilling, touching, and thought-provoking. Hilton James is a bit of an Everyman figure in that he loves his family deeply, works hard, and is loved in return by friends and family. He survived a drowning accident as a small child, and that survival was both magical and tragic. In adulthood, Hilton's wife, the only elected African American judge in Dade County, Florida, becomes a target as she receives threatening and extremely disturbing hate mail. Hilton's dreams began to blur the line between fantasy and reality, and he is torn between the "shoulds" and the "coulds" of living life on two planes of existence.

Due expertly shapes Hilton's character , and we feel incredible tension between Hilton's lived experiences and how they are perceived by those around him. Hilton is an empathetic character, even at his lowest, but there is plenty of compassion for those in his orbit as well.

It would not be fair to say the ending is predictable, because that implies a sort of easy out, and this is not the kind of book where that matters much. It is very much about the journey, but there were moments when I could feel myself growing impatient (much like Hilton!) and wanted to get moving. That said, while the narrative has its slower moments, there are also times where the plot picks up speed and you can hardly put it down. It is truly a wonderful read and I recommend it to anyone who enjoys reading about contemporary issues intertwined with a dose of magical realism and even a bit of thriller.

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2025 #10 Council of the Cursed (Tremayne) - Sister Fidelma #19

 

The Council of the Cursed by Peter Tremayne
My rating: 4 of 5 stars

The historical backdrop for this installment is the Council of Autun (in present-day France)-- c. 670-- that was convened under Bishop Leodegarius (Leodegar) to regulate the implementation of Benedictine Rule. The Bishop is a character in the story. Most significantly, a central area of focus was banning the compatres (special companions/spouses) for monks, a practice we know from Fidelma was still accepted in Ireland (Hibernia), although not without challenge. In the historical note, Tremayne defends his interpolation of wives of clerics being sold into slavery, albeit citing much later actions by Popes Leo IX and Urban II.

Some of the characters felt a bit overwritten -- the imperious Abbess Audofleda and Lady Beretrude, especially. Valretrade, on the other hand, often faded into the scenery, which was unfortunate given her role in the story.

However, this particular volume excelled in parsing regional differences not just in beliefs, but also customs, not just between Celtic regions and France, but even Franks vs. Burgunds. King Clotaire (aka King Clothar III) is another historical figure, who Tremayne only gives voice to toward the end, but it is effective.

Returning characters include Abbot Segdae, and from the previous book, Verbas of Peqini, who some may recall did not part company with Fidelma on good terms.

The mystery itself follows a fairly common formula (used several times in the series) wherein Fidelma is called to investigate a murder that seems obvious, but is not in the least (hence, a story). The reveal at the end was blissfully short relative to Fidelma's usual dramatic and drawn out conclusions, and Tremayne seems to be getting more comfortable in allowing the main protagonists (we can include Eadulf, sometimes) to be in harm's way as the series progresses.

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2025 #9 Bones of Echo Lake (James) - Jake Cashen #3

 

Bones of Echo Lake by Declan James
My rating: 4 of 5 stars

This had moments that are riveting, and another great performance by Alexander Cendese. By now, in the third installment of the series, James has settled in to some of the recurring characters, so they are less contrived and more dimensional --this particularly applies to Gemma, Jakes's older sister, who still occasionally becomes a caricature, but is definitely more likeable. Anya, on the other hand, is less sympathetic than I would have expected, especially given her role in this particular story.

Unlike the other two that have a niche area of interest at their core (wrestling for no. 1, and hunting for no. 2), this one feels a bit more like an old-fashioned mystery (in a good way) -- human remains are unearthed and we have a town with lots of secrets to hide. This one involved introducing considerable backstory and James does it fairly well, although it did get a bit tiresome trying to keep track of the victim's various "involvements." But throw in some juicy scandal and there's a great story.

As for the culprit? I was sure I had it figured out from the get-go, but let's just say I was very, very close. And that's good -- I don't like to be right in this case (and the actual murderer was plausible, as opposed to bringing in a bunch of material right at the end to justify it). I'm looking forward to Red Sky Hill up next.

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2025 #8 The Egg and Other Stories (Weir)

 

The Egg and Other Stories by Andy Weir
My rating: 4 of 5 stars

This quirky little collection of stories is entertaining and occasionally unexpectedly emotional, and every once in a while, groan-inducing (of the "response to a dad joke" variety). It would be hard to pin down a theme, and those who know Weir for his sci-fi will appreciate stories like the titular "The Egg," "Bored World" and perhaps "anti-Anthoxiant." I won't call out too many of the others because several rely on the somewhat-clichéd-but-you-will-still-smile PLOT TWIST! endings. But the humor in Project Hail Mary is here, and if you've got an hour of laundry to do and a bathroom to clean, this is a great listen to make the time less dreary.

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