2025 #2: Bird by Bird (Lamott)

 

Bird by Bird: Some Instructions on Writing and Life by Anne Lamott
My rating: 5 of 5 stars

I've read many books about writing. I honestly cannot remember how or why this audiobook wound up on my list, but I'm so glad it did. While much of Lamott's advice is geared toward writers of fiction, the book is invaluable for anyone who writes (or frankly, reads). And if you want to get caught up in the eccentricities of broccoli as metaphor, that's fine, but...please, allow yourself to enjoy the comedy. Some of it is fairly irreverent and may not land 100% in 2025 social mores, but most of it is a lot less offensive than a lot of what comes flying out of the mouths of stand-up comedians. If you've understood life's absurdity through grieving someone close, you'll get it. Lamott's reading is perfect--think Lily Tomlin's character "Frankie" without the woo-woo stuff. And in between the quips and the sometimes a-bit-too-long tongue-in-cheek tirades, lo and behold--there are some sound lessons about "...being militantly on your own side," and how you don't want to "look at your feet to see if you're doing it right--just dance!". Lamott learned through trial and much error perhaps the biggest lesson of all: "being enough was going to have to be an inside job." Mic drop.

Proponents of mindfulness will value Lamott's observations such as: "You get your intuition back when you make space for it and stop the chatter of the rational mind." That seems key to a lot of art and creativity, not just writing. Truly, one of my favorite read-by-the-author audiobooks (sharing company with Anthony Bourdain reading Kitchen Confidential and Stanley Tucci's reading of Taste), and Lamott keeps you laughing while you nod your head in affirmation of the book's wisdom. If you find yourself in a slump (of any kind), give it a listen. Lamott's tell-it-like-it-is isn't doom-and-gloom, but instead very life-affirming. I've got a post-it note on my monitor now that reminds me: "bird by bird!"

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2025 #1 Call Us What We Carry (Gorman)

 Happy New Year. This might have been the perfect book to pick back up at the end of 2024 and to finish in these early days of 2025. I also want to note that I am partaking in two challenges this year: a 25 for 25 Follow the Leader Challenge (technically this means my next book title should start with the letter Y) and a "serious about series" challenge wherein I read one book a month that is a sequel, or part of series. I'm also dedicating 2025 year to working with my stash. I own far too many unread books.

Call Us What We Carry by Amanda Gorman
My rating: 5 of 5 stars

On the front flap of the dust jacket, the book reads:

This book is a message in a bottle.
This book is a letter.
This book does not let up.

This book does NOT let up, indeed. "What place have we in our histories except the present?" (123) Gorman asks in "War: What, Is it Good?" The book is a memoir, largely of the pandemic. But to read it is remember that it was more than Covid-19. It was a reckoning. It was a nightmare and a dream. It tested all of us, not all in the same ways.

Gorman's gifts with language are woven through poems that rhyme and poems that don't, pieces of prose by Corporal Roy Plummer (1896-1966) interspersed with Gorman's verse, a list of scenes to make up a filmic "Monomyth" that narrates the crumbling of normalcy beginning in December 2019 in Wuhan, through apocalyptic brushfires in Australia, through the murder of George Floyd, ultimately to emerge/submerge into the Unordinary World:

"We are not all heroes, but we are all at least human. This is not a
closing, but an opening, a widening--not a yawn but a scream, a
poem sung. What will we admit of & into ourselves. There is no such thing as "all over" and "all done". (191)

The short poem "Anonymous" on 180 features white letters on a black mask, an emblem so charged with meaning in this Unordinary World.

The title of the collection, Call Us What We Carry, truly captures a sense of the book as a whole, and is not just a reference to the penultimate poem "What We Carry" nor the poem "Call Us" (34) wherein we find that exact line. Naming and carrying both feature in much of the work, as does navigation and light.

There are seven sections of the book: Requiem, What a Piece of Wreck is Man, Earth Eyes, Memoria, Atonement, Fury & Faith, and Resolution. These titles become more like beacons as you read through the collection and pick up the various threads. For example, in the poem "Lucent", which is the first piece of "Earth Eyes", the meditation on lumen, lucent..."Our requiem as raptus" (60) reminds us of the role of light in a requiem Mass (luceat eis, lux aeterna) but also how "perhaps it is we who make/Falsities of luminscence--" (61).

In the middle of the book, in a piece called "Pre-Memory", Gorman reminds us:
"Storytelling is the way that unarticulated memory becomes art, becomes artifact, becomes fact, becomes felt again, becomes free."

Yes, the book does not let up, nor should it. We need to feel again. We need to be free.

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25 for 25 No. 1 Call us What we CarrY

2024 #55 Specifications Grading (Nilson)

 

Specifications Grading by Linda B. Nilson
My rating: 4 of 5 stars

This is a great intro to specs grading, albeit maybe a bit dated. I would love to see an update that integrates UDL (Universal Design for Learning) in an overt way. Some of it is implicit, especially in the models that offer options/choice of assignments in learning bundles. I would have liked a better representation of counterargument literature, particularly as I still have questions about those students who sell themselves short already due to things like internalized racism. I'm also questioning the fairness of the specific model wherein "more work" = A, because students have different socio-economic circumstances and it may not be an option for some students to devote the extra time. I suppose it is then incumbent upon the professor to make sure that the "more work" levels are attainable by students just as they would (we hope) in traditional grading. It is a tricky business, on the other hand, because some students have to work so much just to pay their tuition and the cost comes at not being able to fully engage in that which they are paying for. I realize that issue goes beyond specs grading, but I do think it is part of the larger conversation.

Those questions aside, however, there are plentiful examples of application and syllabus language that are very helpful. Nilson explains relevant terms and makes the text very accessible. The index makes the book helpful as a reference.

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2024 #54 The Women (Hannah)

 

The Women by Kristin Hannah
My rating: 5 of 5 stars

4.5

This is a really important book that takes as its context the approximately 10,000 women who were in Vietnam during the war as nurses, doctors, air traffic controllers, etc, and focuses it on the life of one Frankie McGrath. Motivated by her brother's service in the Navy, a twenty-year-old Frankie (almost 21!) finds herself at an Army recruitment office, eager to put her nursing skills to use as part of the war effort. She longs to be on her father's "Wall of Heroes" and after a short and successful stint in boot camp, bounds off to serve as a nurse in Vietnam.

The book is as much about what happens upon her return home as it is what happens over there, but Hannah manages to create characters and relationships that are so vibrant and recognizable in their messy truths. Hannah definitely honors these women who were so crucial to helping the injured, and while the narrative does get a bit preachy at times, there are plenty of raw and unadulterated ugly-cry moments. I have not yet read The Nightingale, but I was reminded of Hannah's The Four Winds in how multi-dimensional and real the women characters are. The lack of conflict between Frankie and her two best friends didn't always ring true for me, and I found myself slightly annoyed at Frankie's naivete, but that's a lot of privilege on my part.

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2024 #53 The Twist of a Knife (Horowitz) - Hawthorne and Horowitz #4

 

The Twist of a Knife by Anthony Horowitz
My rating: 4 of 5 stars

I did not know when I started that this book was part of a series. I got to know Anthony Horowitz's work through the PBS/Masterpiece Magpie Murders, which I enjoyed so much I watched it twice (second time through for my husband's benefit). So when I saw this in a Little Free Library, I picked it up. The front cover gives no indication that it is part of a series, but I'm also happy to report that it didn't matter much, and I love that. Hawthorne is, presumably, a fictional detective, but Horowitz writes himself into the stories--I imagine with a fair bit of truth. As this is the fourth book in the series, references are made to the other three books, by title, within the narrative. This creativity with narrative is what I loved about Magpie Murders so I was happy to see that it seems to be a trademark.

The story is an entertaining, fairly "cozy" mystery, and Horowitz manages to blend enough naivete, self-deprecation, but also a sort of good-natured crankiness (if that can be a thing) into himself as the narrator, and the characters have enough tried-and-true cliches to be memorable, but not completely predictable. No doubt those familiar with the series will enjoy certain characters and interactions even more (such as those with Cara Grunshaw), but Horowitz really does a great job of bringing the uninitiated up-to-speed without resorting to that backfill that mars many a good story. Theater references abound, but again, not to a saturated level at which one feels they are missing out on all the inside "wink-winks". Truly entertaining, and I didn't even mind the big clichéd "reveal" at the end because it was a self-conscious nod to the age-old practice in mystery writing.


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2024 #52 Pines (Crouch) - Wayward Pines #1

 

Pines by Blake Crouch
My rating: 3 of 5 stars

The premise is great, typical of Blake Crouch. However, the chapters upon chapters of Ethan running and rock climbing I could have done without. I almost gave up, but luckily all is revealed and I'm in for the trilogy.

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2024 #51 Burial of Ghosts (Cleeves

 

Burial of Ghosts by Ann Cleeves
My rating: 3 of 5 stars

Really, this is a 2.75 for me. At first I thought perhaps I was jaded by the fact that I read this before bed, so therefore only got a few pages in at a time. But after reading the reviews of others, I feel my complaints are valid. I generally like Ann Cleeves' work, however, so that's why this is a three, instead of a two.

First, everything from the cover art to the blurb on the front and the back oversell this story. Lizzie Bartholomew's terrifying secrets? Still not sure what they are. I found her character very unlikeable, or at least inconsistent, and none of the other characters were that interesting. Her "past" pops up at the strangest of times, but I didn't care enough about her in the present to be invested. I truly didn't care about either of the main deaths, and the whole premise seemed a bit flimsy. Not my favorite.

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