2025 #50 The Finer Points of Sausage Dogs - Professor Dr. von Igelfeld #2 (McCall Smith)

 

The Finer Points of Sausage Dogs by Alexander McCall Smith
My rating: 3 of 5 stars

I haven't been reading the series in order, but unlike McCall Smith's serials, the experience doesn't really suffer for it. This is light entertainment, following the capers of Professor Dr. von Igelfeld, as he navigates the topsy-turvy world of human interaction. Whimsical and fun, this book was a good palate cleanser in between some weightier tomes. McCall Smith good-naturedly pokes fun at academia without turning Professor Dr. von Igelfeld into a complete caricature. With a fairly zany plot that ranges from operating on a dachshund to being accosted by aggressive widows looking for mates, this installment of the series gently reminds us of the perils of taking ourselves too seriously.

View all my reviews

2025 #49 Headshot (Bullwinkel)

 

Headshot by Rita Bullwinkel
My rating: 3 of 5 stars

3.75
Conceptually, this book is fantastic, and the fact that it highlights young women boxers is exceptional. I bear some responsibility for my somewhat "meh" reaction to the book as I have very little interest in boxing, and I'm sure that sullied my reaction a bit. That said, the book does not go into detail in terms of actual boxing maneuvers, etc, so don't let a dislike to boxing deter you from reading it. I'm just calling out perhaps an implicit bias of my own.

The writing style is appealing, as we are granted access to the headspace of the different competitors. In the end, however, I think I found it too many characters to hold on to, although Bullwinkle admirably fills out a dossier for each with moving and thoughtful details. I think those who made it to the final rounds stayed with me a bit more, but it also took me quite a while to finish the book, so I didn't retain it the way I might have otherwise. I appreciated the glimpses into the future of each of the characters as well, which was a great reminder that we are all our own pasts, presents, and futures. I found Izzy and Iggy the most interesting, perhaps because of their familial connection, which added a whole other dimension to the story.

I wished, perhaps, for more backstory at the outset, so that I could invest in the characters more as the narrative progressed.

View all my reviews

2025 #48 Weyward (Hart)

 

Weyward by Emilia Hart
My rating: 4 of 5 stars

It has been awhile since I've read 50% of a book in one sitting, but I picked this up at a LFL in Minneapolis (since the book had been on my wish list for awhile), and read half of it on my journey back to Boston.

It is definitely a more-than-respectable debut for the author, and the chapters were short so the three timelines of Kate, Altha, and Violet received equal footing. I liked the anchoring of witchcraft in nature. I felt the mystery aspect (especially Violet's mother's backstory) could have been beefed up a bit, maybe to replace a bit of the narrative of Kate's journey to the cottage, for example. It did start to feel a bit predictable, as others noted, although I have to say the surprise in the Epilogue made my day (I usually hate epilogues).

A solid and entertaining read.

View all my reviews

2025 #47 The Glass Box (Rolli)

 No review for this one. Suffice it to say it was entertaining, but it needed more context and a better editor.  

2025 #46 Demian (Hesse)

 

Demian: The Story of Emil Sinclair's Youth by Hermann Hesse
My rating: 3 of 5 stars

First published in 1919, I think Demian would have hit me differently had I been reading it in the postwar ethos. Unlike Narcissus and Goldmund, this felt rather dated, but intriguing enough as a love child of Catcher in the Rye and the Sorrows of Young Werther with a dash of Nietzsche and Freud thrown in.

The book was originally published under the alias "Emil Sinclair" who is, in fact, the novel's protagonist. The book isn't really so much about Max Demian, the weirdly prophetic and enigmatic figure who pops up in Sinclair's life, but more about Sinclair's psychological and spiritual growth---or journey (that might be more apt). Hesse isn't subtle about light vs. dark, but what is refreshing about the story is that the two aren't diametrically opposed, or at least that seems to be the insinuation. Women are used as functional figures rather than significant characters, and I can't help but think that the beautiful Beatrice was a nod to Dante and Frau Eva seemed connected to Eden's Eve. Given that one of Demian's first expositions is a reinterpretation of Cain and Abel's story, this sort of intertextuality wouldn't surprise me. Sinclair's dreams are fairly central features to the story, and Hesse's exposure to Freud and Jung is laid bare: "...dreams that had emanated from the unconscious, of dreams in which humanity groped after its intimations of future potentialities" (123).

Sinclair is young and impressionable, at least at first, and Demian rocks his world with his individualistic interpretation of Biblical stories and way of living. The organist Pistorius is a transitional figure, as Sinclair is still looking for a mentor, but also feeling the tug of a need to make his own path. When Sinclair stays with Demian's mother (Frau Eva), things get a bit Oedipal, and fairly cultish. It is hard to connect to Sinclair, who seems to become increasingly Übermenschisch (in some ways), but he's interesting enough (as we are privy to his every rumination and dream). I'd reckon that this would not be the best introduction to Hesse for the uninitiated, but a worthwhile read for those who loved his other works.

View all my reviews

FTL2025 6B challenge Demian ---------> Night Watch (Phillips)

2025 #45 Beautyland (Bertino)

 

Beautyland by Marie-Helene Bertino
My rating: 4 of 5 stars

The title felt a bit gratuitous to me, but then I thought, what would I title this novel? I have no idea. There are moments that read like a charming coming-of-age tale, others that twist your heart as our human-ness is witnessed and performed by Adina, and still others that serve up whimsical nostalgia from the late 70s, spanning from a famous moment on The Price is Right to Voyager's gold-plated time capsule phonograph record. It turns out the whimsy is deeper, after all, especially as Adina struggles with homesickness and trying to belong, and then experiences the deep grief of loss. Similar to Kazuo Ishiguro's Klara and the Sun, Bertino's novel made me care about Adina more than her origin story, and I often forgot that there was an element of fantasy/sci-fi here. Part of this is due to the dry, but not unfeeling, delivery of the protagonist. Adina has an element of an "Everyman" (and yes, I'll use the male dominant term to connect specifically to its 15th-century reference) to her--we are Adina, if we choose to step back and look. What a gift to be able to see ourselves through her eyes, to laugh at our silliness, to cry at our cruelty, to empathize with our pain.

View all my reviews

2025 #44 The Love Songs of W.E.B. Du Bois (Jeffers)

 

The Love Songs of W.E.B. Du Bois by Honorée Fanonne Jeffers
My rating: 4 of 5 stars

4.5 stars
Alright -- I'm going to start with a disclaimer. I did not know that it was 816 pages when I decided to listen to it as an audiobook. I'm not always as attentive when consuming literature as an audiobook, and my experience is sometimes too influenced by the voice actors, particularly if I don't enjoy their reading. That out of the way....

This is immense and epic, and digs deep into themes of addiction, racism, colorism (within Black communities too), historical relations between indigenous peoples and African Americans, sexual abuse, generational trauma...and more. It is a LOT for one novel to hold, and I wonder if it would have benefitted if trilogized (I just made up a word, I know). I can see, on the other hand, where that might have been a disadvantage -- threads would have been lost, as well as momentum.

The historical narratives resonated the most for me (hi, historian here!), and I appreciated the juxtaposition of Ailey reading about Samuel Prichard in the archives/ interviewing her relatives against the historical narrative so that we weren't just getting Ailey's perspective. The story is brutal in so many ways, and more importantly, it is true in its brutality. What the book has to tell us regarding generational trauma and how it can play out in a variety of ways, is invaluable. The novel is so massively interwoven, it is hard to say where cuts could have been made, but I do have a few things that diminished my experience of the book.

First, I really didn't care for the excruciating detail in describing Ailey's graduate studies. This may be totally personal. I have a PhD, and I'm a history professor, so perhaps I was having my own issues with grad school trauma, but I really didn't want to hear about footnotes versus endnotes. There were a lot of WHO CARES moments for me here. I get that not everyone is acquainted with the process of archival research, but I found these details a distraction from the more important substance of the research she was doing, as well as what she was processing. I also get that there was some mentoring happening with the cleaning of Dr. Oludara's office, but again -- I didn't need the details.

Second, in a case of the details were important but I only needed them once: Gandy. I had no issue with revisiting the situation generally, but playing out the scene, with similar descriptions, over and over and over? I don't generally need trigger warnings, and I am privileged I have never had to deal with that kind of trauma, but I started to feel so beaten down by the *description* (it is painful and disgusting) that it started to feel more about the shocking rawness of the image, rather than the shockwaves of the trauma. I can't imagine that my fatigue, however, is anything like the fatigue suffered by Lydia, Ailey, and Coco. This may be a very different experience from those who have lived through similar experiences, so I tread lightly considering this criticism. It may be more of a personal response to something that might be essential for other readers. For contrast, with a similar situation, we hear about Samuel's sins repeatedly (and effectively), but its always in the service of understanding the fuller picture of the tragedy--the forced silence (when life is on the line), the choices no human being should ever be forced to make, and the overarching theme of power.

My favorite character was Uncle Root, and I loved how he was voiced in the audiobook. You could hear his care, his intelligence, his pride in who he was, and his pride in Ailey. He served an important purpose for me as well -- occasionally I just didn't like Ailey very much. I needed Root's unconditional love of her to remind me how flawed we all are, and that like it or not, I probably had some real "moments" myself in my twenties. I struggled with the voicing of Ailey in the audiobook-- I felt her "little girl" voice/narrative never really left and I think that was part of my problem. I don't know if it was intentional, but it grated a bit.

I want to recognize my positionality here (white woman), because I think it is important. There's a lot in this book that I've never experienced, and likely never will experience. But that may be exactly the reason to read this book. The criticisms I mention above are quibbles relative to how this "epochal saga" (as Kirkus Reviews would have it) operates on SO MANY different levels: multi-generational history, coming-of-age story, family dynamics, polemics of perspectives (e.g. Du Bois v. Booker T. Washington)...just to name a few. There are stories wrapped in stories wrapped in stories, demanding an attention and care from the reader that few books even dare to achieve these days. The archival epilogue is a must read/listen for its beautiful array of sources -- do NOT skip it.



View all my reviews