50BC09 #11: The Elegance of the Hedgehog

The Elegance of the Hedgehog by Muriel Barbery

A RESOUNDING FIVE STARS!


It is rare that I am so enticed by the back cover of a book that I pick it up in the store, but when I read the synopsis of The Elegance of the Hedgehog, I did just that. This book is now in my top five favorite books of all time.
The characters are enchanting, yet real. While I found twelve-year-old Paloma to be a bit overwritten at times, her fellow protagonist, Madame Michel, is so engaging and at once heartbreaking and loveable, that the precociousness of Paloma can be forgiven.
And the book is heartbreaking, but not because of the tragedies, but because of the joy. Life, in all its guises, leaps off the pages and finds places in the reader's heart that may have long been hidden. It is that kind of book.
I'm reticent to say "everyone should read this book" because I think it resonated with me according to my life experiences and my personality (I am Paloma and Madame Michel both). I'd give it a try, however. And I'd stick with it...if the intellectual meanderings of Paloma and Renée get tiresome, read quickly until Ozu enters the scene. Then, if you liked The Time Traveler's Wife, I think you'll find the rest of the book to be utterly compelling.

50BC09 #10: Farewell Waltz

GENRE: Fiction
EDITION: Originally published in English as The Farewell Party. This edition published 1998 by Harper Perennial. Trans. by Aaron Asher
PAGES: 278
Farewell Waltz by Milan Kundera


rating: 4 of 5 stars
In typical Kundera fashion, you aren't sure whether to laugh or cry while reading this novel. Kundera likes to teeter on the edge of blasphemy, always pulling the reader back with the sheer humanness of his characters. While this Aaron Asher translation was released here in the states in 1998, it was originally written in 1969-70, and in that context, becomes a far more controversial and provocative novel. It is a good read, and full of poetic and prosaic gems. Kundera hands the reader the truths of life on a platter, accompanied by the Dom Pérignon of his prose.

50BC09 #9: The Renaissance Soul

The Renaissance Soul: Life Design for People with Too Many Passions to Pick Just One by Margaret Lobenstine


rating: 3 of 5 stars
This is a book that is definitely geared toward those in the market for answers. While the author provides good information and some of the exercises were helpful, I felt the anecdotes became tedious as did her spectrum markers of Mozart and Ben Franklin. A lot of her work is an adaptation of Getting Things Done (GTD) principles (which are themselves consolidations of other work). For example, what Lobenstine calls "intention markers," GTDers will know as "next actions." The "Focal Points Worksheet" serves the same purpose as GTD's "Weekly Review"



I do think it will be a helpful book for anyone feeling guilty about having multiple career paths or life goals...or for those who just don't know what it is they want to do. Lobenstine's "PRISM Test" is a good basic set of questions to ask oneself when embarking upon a professional or personal goal: Price, Reality, Integrity, Specificity, and Measurability. The basic point of the book is to free "Renaissance Souls" from the fetters of career rigidity.

50BC09 #8: The Thief of Venice

The Thief of Venice: A Homer Kelly Mystery by Jane Langton

rating: 3 of 5 stars

I am a fan of the Homer Kelly mysteries, but this one bothered me due to the completely atypical behavior of one of the characters. If this development had been explained or had been more central to the story line, it would have made for a better book. But Langton detonates this bizarre plot point without worrying about the shrapnel. Those unfamiliar with the series/characters will probably not find it as problematic.
That said, the other elements of the mystery and the visualization of Venice are well-executed and carefully researched. The line drawings bring the Piazza San Marco and other Venetian landmarks to life, as in a private travel journal.

50BC09 #7: The Student Conductor

Student Conductor by Robert Ford


rating: 4 of 5 stars

I'm often very skeptical of novels with music as a centerpiece for their story line. I find the musical descriptions contrived and overwrought, as if the author is trying to convince the reader that he/she is an expert in all things musical. One of the benefits of this first novel by Robert Ford is that the author has the skills and experience to write convincingly about music without the pedantic, over-researched feel so present in other works.

Ford successfully creates vivid characters who are bound together not only by their relationship to music, but by their secrets. The author sensitively weaves historical elements (the fall of the Berlin Wall, for example) into a multi-layered narrative. The main protagonist, thirty-year-old American conductor Cooper Barrow, embarks on a quest to face his fears by studying with a master conductor in Germany. What he finds is a Germany built on secrets and fears, trying to demolish and rebuild at the same time. In the middle of it all is the enigmatic oboist Petra Vogel, whose own dark past comforts Barrow with its refreshing relativism.

These characters dance together to a soundtrack of Brahms, a composer who is subject to their idolatry, historicism, and emotional baggage. Ford unapologetically navigates through the conducting and orchestra worlds, framing the shades of the human soul with the best of its potential.

50BC09 #6: Making It All Work

50BC09 #6: Making It All Work: Winning At The Game of Work and the Business of Life
Author: David Allen
Pages: 305
Year: Viking, 2008

rating: 3 of 5 stars

For those who have read and/or familiar with Allen's Getting Things Done, this is a great follow-up. If you like Allen's strategies for organization and general productivity, but occasionally find yourself "falling off the wagon," this book will help.



The book elucidates the major mindsets crucial to GTD, but sometimes gets too wrapped up in its philosophical approach. The "horizons of focus" will cloud your system if you worry about implementing them as actual components, rather than a way to encapsulate the entire GTD process. If you are interested in GTD as a system, I recommend that you start with the book of the same title, rather than this one.

The book contains some very helpful appendices, including a "project planning trigger list" to make sure that your mind dumps are complete, leaving no stone unturned.

Allen uses this book to address his critics, and does an admirable job. Much of the criticism of GTD has been aimed at purists or those who take Allen's ideas to an extreme. Allen allows for a certain amount of flexibility and custom-tailoring (indeed, mandates it) and this book will help you do that.


View all my reviews.

50BC09 #5: The Rest is Noise: Listening to the Twentieth Century

50BC09 #5: The Rest Is Noise: Listening to the Twentieth Century
Author: Alex Ross
Pages: 684
Press: Picador, 2008 (ppbck ed.)
genre: non-fiction, music criticism



rating: 5 of 5 stars

I was skeptical going in...not because I haven't enjoyed Alex Ross' writing in the New Yorker, but because good music criticism does not a music historian make. My doubts were unfounded. I took a risk and used this book as the text for my Music in the Twentieth Century course (for non-majors) and I'm never looking back.

Ross keeps a general chronological outline, but centers a century's worth of music around a political and artistic narrative. One of the more intriguing aspects is his use of Thomas Mann's Doctor Faustus as a recurring presence, drawing an inexorable link between compositional history and Faustian endeavors. However, in most cases, we see composers who battle with the Mephistopheles of totalitarianism not as raving lunatics, but as artists torn between their commitment to art and general survival.

The author is unafraid to talk about the actual music, painting vivid descriptions, and unfettering important musical concepts for a general audience. His free online audio guide is a beautiful supplement to his discussions in the book (and serves to fill in some of the necessary "gaps" ). Ross makes intriguing choices that run counter to traditional histories of twentieth century music (entire chapters devoted to Sibelius and Britten, for example), but makes a strong case for a socio-political approach rather than a canonical, or "great master" approach. Composers like Richard Strauss and Arnold Schoenberg are not confined to time frames, but reappear out of the tapestry when their music echoes in the ears of compositional trends.The twentieth century appears as a pre-existent soundscape, whose tones, rhythms, and harmonies are manipulated by the various composers traversing the various hills and streams of modernity.