2026 #14 1Q84 (Murakami)

 

1Q84 by Haruki Murakami
My rating: 3 of 5 stars

Ok, there's a lot to say here, but I'll try to keep it brief. Really this is 3.75 for me, and in places, a solid 4 stars. But for such a long book, I needed more consistency of those 4 star moments. I'm tenacious, which is why I stuck with it, but there were definite times that threatened a "DNF". This was my first Murakami, and I get the impression that it is probably not the best gateway drug (much in the way that Tristan und Isolde was NOT the best "first opera" for me to analyze in college). It was long in a way that I did not appreciate. I feel this way about Robert Schumann's music sometimes.

The premise is VERY intriguing and I will say, if you are not into magical realism or anything related, don't bother with this. I appreciated the lessons about cults. I loved the characters of the Dowager, as well as Tamaru, and weirdly enough, Ushikawa. Aomame had her moments for me, and Tengo, too, but not enough for me to feel satisfied by the ending (when I got there, after 6 renewals on Libby). I also loved Fuka-Eri's "usual style free of question marks."

I read some reviews because I was a bit mystified. Some extoll Murakami's pacing. I cannot agree. There were places that felt like an endurance test. The intertextual references kept things interesting and nerdy-- I need to put together a 1Q84 playlist (or find one that inevitably already exists). I will be forever indebted to being introduced to Janáček's Sinfonietta because of this book.

There seems to be a weird obsession with pubic hair--sometimes ACTUAL pubic hair, and sometimes used as a comparative for head hair (see: Tengo, Ushikawa). Perhaps there's some deeper significance of which I'm not aware -- if so, please let me know. I found the entire three volumes weird in the sex arena, and in some places downright disturbing. I am not titillated in the least by non-consensual sex, even in the service of acting as a spiritual conduit.

Is it imaginative? YES. There are places that felt like imagination for imagination's sake, but others that took me on a journey. The ending was a disappointment, although I understand the lack of resolution to be understood as "infinite possibilities." Is it a love story? Sort of. It lacks the maudlin sentimentality of "Somewhere in Time," but also didn't make me care enough about the two main protagonists.

It is certainly a down-the-rabbit-hole experience, but I feel I would have been happy with something a third of the total length. I've reached out to friends who are fans of Murakami because, as I said, I have the distinct impression that this may not have been the best choice of a "starter" in terms of his oeuvre. I'm definitely game for reading more of his work, but this was more of a marathon than I wished.

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