Wednesday, December 28, 2022

2022 #40 The Heartbeat of Trees (Wohlleben)



The Heartbeat of TreesThe Heartbeat of Trees by Peter Wohlleben
My rating: 4 of 5 stars

I don't typically like the word "accessible" (at least in this context) because I think it comes loaded with bias and subtexts that don't really serve anyone, but this book does a remarkable job of blending solid research (yay! there are endnotes!), personal anecdotes, and let's say inspirational sensibility, if such a thing exists. Particularly wonderful is the way that Wohlleben tests his own cynic at times. I was prepared for a diatribe against some of the more touchy-feely assertions made by the tree-loving community, but Wohlleben's success lies in his willingness to explore all facets of an issue. He patiently explains how voltage works when it comes to touching trees, but also how our touch can impact plants through thigmomorphogenesis. Somehow the author manages to introduce a term like thigmomorphogenesis without losing his inviting tone. Part of this is because it is a story of Wholleben's learning instead of a simple narrative of what he has learned. There are a few awkward bits of English translation, particularly for English speakers in the US, but they shouldn't disrupt one's ability to appreciate this book.
Most valuable is how Wohlleben disrupts conventional/popular notions: e.g. using wood is NOT carbon-neutral. He seems to believe we all have a part to play -- forest-bathers, foresters, lumber companies alike-- and he often offers an idea of a solution (though we lack the blueprint for said solutions). A good read, and perhaps mildly frustrating as there were many times I wanted to put it down to go walk in the forest. :-)

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2022 #39 We Travel the Spaceways (Black Stars #6) - LaValle

 

We Travel the Spaceways (Black Stars, #6)We Travel the Spaceways by Victor LaValle
My rating: 4 of 5 stars

Of the Black Stars series, this might have been my favorite. More magical realism than sci-fi given the proportions of the story, it is easy to fall in love with "Grimace", the protagonist. There's a pretty essential "plot twist" that moves the story into a new world, and the only real regret is that we never get to see it play out. This is one story that could benefit from being the length of a novel. We don't have enough time to recover from the reveal to invest in its meaning. But that's a small criticism. This is a worthy listen, tinged with humor (both sardonic and not), and a story that will stay with me for awhile.

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2022 #38: Say What you Mean: A Mindful Approach to Nonviolent Communication (Sofer)

 

Say What You Mean: A Mindful Approach to Nonviolent CommunicationSay What You Mean: A Mindful Approach to Nonviolent Communication by Oren Jay Sofer
My rating: 5 of 5 stars

This is one of those books that I listened to as an audiobook but will probably get in print as it is full of useful and practical advice that I'll need to revisit (no doubt). Oren Jay Sofer grounds his work in the principles of Nonviolent Communication developed by Marshall Rosenberg. What I really appreciate about this book is how cleanly it intertwines philosophy and practice and maintains a realistic tone.

I found Chapter 4, in particular, really useful in terms of how he frames and discusses underlying beliefs and how those translate into exhibited behaviors. In Chapter 6, the discussion of empathy vs. sympathy was really eye-opening in the clear way that Sofer explains that empathy asks something of us, whereas sympathy is disconnecting from someone's pain, or could even be pity. I think a lot of people (myself included) can easily confuse the two, and empathy, frankly, requires some work. It is "three-dimensional": cognitive, affective, and somatic. He touches upon a similar topic in Chapter 13 where he focuses on sympathetic activation and what that looks (and feels like).

Sofer does understand that these techniques need to be paired with some sort of intuition. He pulls out anecdotes from his own life -- in this case a story about his grandfather and how his methodical application of questions to his grandfather got a bit lost in translation and his grandfather actually felt patronized. Sofer seems realistic that these things take practice and the ultimate goal is for organic communication. He offers exercises that can be practiced in a variety of situations, and a ton of added resources are available on his website.

There are a few extreme examples that didn't resonate as much. The story of the woman who "disarmed" an intruder using nonviolent communication principles irritated the cynic in me. Yes, certainly, I think it is always the right choice to try to communicate, if possible. But that's not always possible, and the intruder's response had a VERY high chance of being different, so I just don't find it that useful to use extreme examples as "evidence" for anything, ultimately.

Personally, the book helped me realize how often I have been a passive-aggressive communicator, and this is through the stories of everyday communication that Sofer shares. For Sofer, speaking, listening, and being in presence -- principles that Sofer outlines in the first chapter and then returns to in Chapter 12--are the key elements of the dance that is communication. I found it a helpful analogy to think of communication as a dance, and Sofer is fairly nuanced in considering contexts for those dances. Reaching mutual understanding first before heading into the problem solving phase of a conversation is one of the most potent aspects of what Sofer espouses. Sometimes we don't have the luxury of doing that, it is true, but to really let it inform a core understanding of communication might be a game-changer for some.

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Tuesday, December 13, 2022

2022 #37: Valley of the Shadow (Tremayne) - Sister Fidelma #6

 

Valley of the Shadow (Sister Fidelma, #6)Valley of the Shadow by Peter Tremayne
My rating: 4 of 5 stars

There is much improved character development for both Fidelma and Eadulf here (in contrast to The Subtle Serpent (Book #4)). Still, there are some issues of editing. The same EXACT sentence is used to describe a woman on two occasions: “face was slightly rounded, almost heart-shaped and not unattractive.” (P.4, then again on 33-34). If not for the big reveal at the end, this might be dismissed as just poor editing, but in light of the conclusion, it is even more aggravating.

Also tiresome is Eadulf’s hangover. The less said about that the better.

While I realize there is an attempt to make each book readable without the series chronology, there are far too many mentions of Fidelma’s status as a dálaigh qualified to the level of anruth, and all that entails. It becomes tiresome over the course of a single book.

Still, the mystery here is bold and complex. The twists and turns wind their way to the edge of our frustration, yet we continue to turn the page in the hopes that it will all make sense when our sleuth unravels the Celtic knot. There is a worthwhile subtext as well, regarding religion, that is as relevant to our current times as it was in 7th-century Ireland. Fans of Fidelma will enjoy the deep shadows and dark secrets, and can swiftly move past the bits of repetition.

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2022 #36: Parable of the Talents (Butler) - Earthseed #2

 

Parable of the Talents (Earthseed, #2)Parable of the Talents by Octavia E. Butler
My rating: 5 of 5 stars

While there were aspects of this book that I did not enjoy as much as Parable of the Sower, in some ways this sequel is absolutely necessary. In it we discover the true costs paid by Lauren Olamina, and see multiple perspectives. As with Sower, it is a tough read and Butler does not sugar coat the violence and destruction. I found the voicing of Larkin on the audiobook left me rather unsympathetic to her character, although as Larkin's narrative becomes more balanced and experienced, this changed a bit. As with the first book, this one is frighteningly prescient--so much so that I double-checked to make sure the book was completed by Butler herself, not someone ghostwriting after 2016 (Butler died in 2006, and the book is from 1998). The character of Andrew Jarret will be familiar to many modern readers in the U.S--although again, this book was published in 1998.
Butler leans in to her descriptions of enslavement, and a lot of the hope of Earthseed seems replaced by a battle for survival. This is not altogether a bad thing and drives home a larger point about how hope can easily morph into something else. Butler isn't doing it for shock value, but instead to throw into high relief the tension between humanity and humanness. Everyone manipulates, and we as the readers are left to try to fathom the many reasons behind those manipulations.


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Sunday, November 6, 2022

2022 #35 The Subtle Serpent (Tremayne) - Sister Fidelma #4

 

The Subtle Serpent (Sister Fidelma, #4)The Subtle Serpent by Peter Tremayne
My rating: 3 of 5 stars

Still early in the series, Peter Tremayne's The Subtle Serpent gives us a not-yet-fully developed Sister Fidelma, and a strange intermingling of Brother Eadulf. Something is definitely amiss at the Abbey of the Salmon of the Three Wells, one of which has recently hosted a beheaded corpse! The whodunit aspects stretch out a bit longer than necessary, and the twists and turns feel a bit more like loose threads, but it is a solid installment in the series. Most enjoyable is Sister Fidelma's facing off with the cantankerous (that's generous) Abbess Draigen. There are rather a lot of sisters to keep track of, and so empathy for some of the characters doesn't really have a chance to develop. As always, however, Tremayne weaves in medieval Irish history of both pagan and early Christian origins and it is well worth allowing yourself to be lured in to a land of yesteryear wherein the contexts may be old, but the motives are just as relevant today.

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Saturday, October 8, 2022

2022 #34 The Searcher (French)

 

The SearcherThe Searcher by Tana French
My rating: 3 of 5 stars

Honestly a near "4 stars" but there were several aspects that didn't sit well with me.

Cal Hooper, an ex-cop from Chicago tries to "escape" to a major fixer-upper in a remote Irish village. This is not a page-turner---the pace is very slow. That's not necessarily a bad thing, but you've got to be in it for the long haul. Roger Clark's slow drawl (most noticeable as the narrator and Cal Hooper) lulls one not to sleep, but you might need to adjust to the pace. There are some clichés -- he's divorced and has an awkward relationship with his adult daughter. That is actually important to the story, and I applaud French for not spelling it out at the end. The relationship changes and evolves and we understand why, but she doesn't hit us over the head with it.

There are various other characters who fill out the village, most importantly 13 year-old Trey, who approaches Cal (that's actually one of the slowest parts of the narrative) with a mystery to solve. Turns out that Trey too is a bit of a mystery. As is almost everyone in the village, including the effervescent neighbor Mart, who embodies the stereotypical happy-go-lucky-spend-every-night-at-the-pub Irishman. Beware false senses of security, however. French's gambit is very much "things are not what they seem" in this book.

The biggest negative for me was the actual "mystery." I found the outcome disappointing as well as the dispassionate treatment of the main event by those involved. Cal's behavior doesn't really make sense at the end, especially since there are many words given over to telling us about his "code" (including a particularly irritating bit when he talks about "morals vs. etiquette" in a way that's quite affirming of white privilege). That said, the relationship with Trey is what kept me in it. Cal does grow, and so does Trey...and French is careful never to get too maudlin. I could have used a bit more outrage on the part of Cal, however, when it comes to what befalls Trey. There's a subtext about poverty and manipulation here that didn't really resonate.

There are beautiful scenic descriptions in the book. This is my first Tana French work, and from what I've read, this is something she is known for. The book definitely does NOT disappoint on this front. From the fauna (rooks, rabbits, sheep) to the flora and everything in between, French paints with her words, and unlike some other recent reads, it never feels gratuitous. Perhaps there's a bit too much time spent in the pub (I'm just not that interested in hearing about people getting drunk), but French tucks in little details that are important, so stick with it.

The pace does make it seem more of a novel than a mystery. Not that they are mutually exclusive categories, but if you are hoping for a whodunnit-crime mystery, this book probably isn't what you want--that aspect almost recedes into the background. But definitely worth it for the scenery and character development

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Friday, October 7, 2022

2022 #33 A Small Place (Kincaid)



A Small PlaceA Small Place by Jamaica Kincaid
My rating: 5 of 5 stars

I'm not sure I've ever come across a voice so forthright and beautiful at the same time. Jamaica Kincaid manages to reveal the underbelly of colonization (specifically in regard to her birthplace Antigua) while writing with blurry metaphor (blurry in the sense that things seems like metaphors and also not metaphors), wry humor, and a telling of political history in an almost folk-style narrative like a parable, but in reference to specific people. She unflinchingly deals out critiques yet manages to convey a sadness at the same time:

"And it is in that strange voice, then--the voice that suggests innocence, art, lunacy--that they say these things, pausing to take breath before this monument to rottenness, that monument to rottenness, as if they were tour guides; as if, having observed the event of tourism, they have absorbed it so completely that they have made the degradation and humiliation of their daily lives into their own tourist attraction." (69)

In eighty short pages, Kincaid shares a truthful experience of a land, the likes of which few get to see or experience when caught up in the "unreal beauty" of a tourist destination. Kincaid describes beauty as a prison, and in so doing, changes our understanding of that which might deserve a deeper look beyond the blue of the ocean and the colors of the sky.

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2022 #32 Faculty of Murder (Wright)



Faculty of Murder: Mother Paul InvestigatesFaculty of Murder: Mother Paul Investigates by June Wright
My rating: 3 of 5 stars

I was really hoping to love this. Supposedly June Wright's "Mother Paul" was the first nun sleuth (it's a thing), and as that's a sub-genre I really enjoy, I was excited by the prospect of reading this pioneering story.

Sadly, almost every character in this book is wholly unlikeable, including Mother Paul. I'm willing to lay some blame at the feet of my own modern twenty-first century sensibilities, as opposed to those of 1960, but my quibbles would likely be the same, even if I had read it when first published. The young women at the University of Melbourne leave much to be desired, as the vast majority are whiny, fickle, mean, and/or duplicitous. Mother Paul herself is sketchy and manipulative, and seems to operate very much in the background. Miss Marple or Sister Fidelma she is not. Instead the protagonist (maybe) seems to be Elizabeth, who is perhaps the most typecast as the easily-shocked, 1960's version of a feminist who uses her wiles to make her nondescript fiancé jealous when he strings her along for too many years.

The big reveal was a bit of a let down, only because I cared so little for any of the characters that it came as a relief just to be done with it. Detective Savage is potentially the only truly likeable character, and he too must tolerate the whims of the Mother Superior.

Lucy Sussex's introduction is a worthwhile read, and contextualizes Wright's choice of a nun as her star sleuth in an important light. It is also important to note that Wright's life took a different path and she did not continue writing as many Mother Paul mysteries as she would have liked. That is a pity, because one gets the sense that Mother Paul might have developed and grown to be more than a conniving interloper.

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2022 #31 American Gods (Gaiman)

 

American GodsAmerican Gods by Neil Gaiman
My rating: 5 of 5 stars

This could have been so bad. It could have been full of easy to grasp metaphors and clichés. It could have been sensationalist drivel without any depth.

But it wasn't. It was a ridiculously amazing experience.

No review can adequately carry all this book has to give, but Gaiman's intercultural pantheon is something to behold. Pulling from a wide variety of traditions (Egyptian, Nordic, African, Greek, Germanic, Haitian, and more...) somehow the "fantasy" aspects become all too believable. No need to suspend disbelief, because Gaiman crafts a world where fact versus fiction really isn't all that important. Where Lucy Ricardo can be a...prophet? A taxi driver a jinn. And an ex-con (sort of) can be one of the most likeable (and quixotic) protagonists to surface in literature of the last fifty years.

Gaiman's amazing and encyclopedic cultural knowledge flows through the book with references as disparate as Saint-Saëns and The Beatles to Hieronymous Bosch. Everything is at once theatrical and ordinary, and this is the true feat. Nothing is not darkness in this land, nothing is something into which Shadow (the protagonist) can walk "with a strange fierce joy." (484).

It is a shame that Joseph Campbell died well before this book was written because Gaiman has both challenged and bolstered the idea of the monomyth. He has captured the iterative nature of myth, illuminating how it operates in our modern lives, dancing in between religion and science. And despite the depth of the book, it is full of humor and semi-sardonic tropes: "I think," said Mr. Nancy, "that wherever two men are gathered together to sell a third man a twenty-dollar violin for ten thousand dollars, he will be there in spirit." (551)

This could be a good storybook. But it can also be much more than that. Take the time to dig in---look up the characters in world mythology. Relish the double takes. Go back, read again. You won't lose the flow because there isn't any. And that, for once, is a good thing.

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Thursday, September 15, 2022

2022 # 30 Clap Back (Hopkinson) - Black Stars #5


Clap Back (Black Stars #5)Clap Back by Nalo Hopkinson
My rating: 4 of 5 stars

This was a trip--and I mean that in the best of ways and not to imply it was frivolous, either. With a touch of Garcia Marquez-style magic realism, it occupies an interesting space that does not fully occupy sci-fi or fantasy. There is a bit of fragmentation that I found frustrating in such a short narrative, but the points are clear. I liked the clear familial connection and illumination of heritage and legacy, as well as the subtly acerbic humor. A performance artist facing off against a haute nanocouture fashion designer makes for all sorts of interesting subtexts. The next logical steps are brought into the plot, but here is where I wished it had been a novel instead of one story, because it seemed too hasty a retreat from the ramifications of it all.

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2022 #29 The Good Turn (McTiernan) - Cormac Reilly #3

 

The Good Turn (Cormac Reilly, #3)The Good Turn by Dervla McTiernan
My rating: 4 of 5 stars

It feels like McTiernan has found her path with this series. I enjoyed the two-location parallel storylines and delving in more deeply to Peter Fisher's character. There's a lot to like and relate to in this particular story, and I'd rather have more of Peter and Cormac's relationship development than Cormac and Emma's, frankly.

The weakest plot point for me came in the Fisher storyline. There was too long a gap between when it was obvious who the murderer was and when Peter finally got it. I was sort of hoping the gap meant I was wrong and was going to be surprised by some huge plot twist, but...alas, no.

A better balance here of character development and police procedural, and it solves/addresses some of the unanswered questions about Cormac's situation in the previous books. It speaks well of the book that it probably would stand alone ok without reading the others in the series, but is more enriching if you have! Aoife McMahon really is a very talented reader, so heartily recommend the audiobook (although as I've noted before...sometimes her male characters aren't well differentiated by voice).

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Saturday, September 10, 2022

2022 #28 Peaceful Neighbor: Discovering the Countercultural Mister Rogers

 

Peaceful Neighbor: Discovering the Countercultural Mister RogersPeaceful Neighbor: Discovering the Countercultural Mister Rogers by Michael G. Long
My rating: 4 of 5 stars

Even by the author's standards, "countercultural" seems a bit of a stretch. I think a better subtitle might have been "Discovering the not-so-light-and-fluffy Fred Rogers" (I don't actually think that's a good subtitle, but my point will be made in a moment).

Fred Rogers was, by all accounts, a hugely decent human being who used his primary platform (Mister Rogers' Neighborhood) to address pressing issues in a subtle way. As someone who grew up watching the show, it did make me want to go back and rewatch episodes that are now contextualized in a different way. Michael Long does provide a mild critique, so the book is more even-handed than I expected, but readers/listeners should be aware that is very much couched in progressive Christian advocacy, in particular Chapter 4 (A Theology of Peace). Given that Fred Rogers was a Presbyterian minister, that didn't bother me, but the tone/aim of the book blurs in a few places. For the most part, however, Long is careful not to glorify the man, and reveals tensions between Betty Aberlin (who played Lady Aberlin on the show) and Rogers when the latter, for example, refused to move beyond subversive messaging about the Gulf War. His friendship and professional relationship with opera singer Francois Clemmons receives a bit more nuance and goes beyond the well-known anecdote of when the two shared a foot soak on a hot summer's day. Here's one example where "countercultural" seems excessive--while "tolerant" (and more so than many) of Clemmons' sexuality, Rogers initially criticized Clemmons for behavior that might anger the more conservative watchers of the show (namely being seen at a gay bar) and worried that he would lose the audience he was trying to impact. It is worth noting that Clemmons maintained a deep relationship with Rogers for many years, but admitted that Rogers refused to use the show to make any kind of statement in support of homosexuals, as well as refusing to have "Officer Clemmons" and Lady Aberlin (if memory serves) marry as an interracial couple. The tensions here are presented evenly without melodrama, but Clemmons' pain is palpable and understandable in the narrative.

There are also interesting stories about Rogers' activism outside of the show. His use of Daniel Striped Tiger in negotiation with Soviet adults supports Long's primary point that Rogers was fully committed to his work and the use of storytelling to promote peace. While my memories of the puppets are blurry, it was fascinating to have Lady Elaine Fairchilde--whom I remember finding reasonably unsettling--and even Queen Sara Saturday, re-contextualized as semi-feminist icons. Long notes that Queen Saturday's wedding vows, as well as her choice to keep her name (instead of taking King Friday's name) were not commonly accepted at the time.

What's really good about the book is that it manages to celebrate Rogers without glossing over his flaws, such as his relativism when it came to violence against animals (Rogers was an ardent vegetarian, but failed to speak against animals in captivity (e.g. Shamu)). One gets the sense that Rogers always tried to live toward an ideal, very much shaped by his faith and upbringing, but had trouble negotiating that with reality sometimes. It is valuable to get the longview. Mister Rogers' Neighborhood first aired in 1968, with its final episode (of 0ver 900) on August 31, 2001. Long divides the book into two parts: Part One - War and Peace in the Neighborhood and Part Two - Peace as More Than the Absence of War. Some of the chapters work better than others, but Rogers use of puppetry, narrative and music to advocate for pacifism is undeniable. The subtopics of pacifism are the main points of organization, rather than a chronological narrative, and this is mostly effective, although I did tire of hearing "when seen in context" since that seemed for me the reason to read/listen to the book in the first place. George Newbern's reading is calm, not unlike Rogers himself, but occasionally amplifies the Christian guise of the book (not a problem or surprising for a Westminster John Knox Press publication). My criticism is just that the book is MORE than "theology according to Fred Rogers" and even those outside of Christian belief systems might enjoy the text.

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2022 #27: These Alien Skies (Rwizi) - Black Stars #5

 

These Alien Skies (Black Stars #4)These Alien Skies by C.T. Rwizi
My rating: 4 of 5 stars

This started off a bit slowly for me, so I think I detached from some essential details at the beginning, as well as other less essential details (I didn't realize Msizi was he/him until three quarters of the way through). That said, it picked up speed and I very much enjoyed the plot twist, which opens the door for much deeper questions than could be contained in a short story. It is an interesting blend of disaster/stranded scenario, with an expansive look at technological evolution and mythologies that have deep connections to African spiritualities. I enjoyed it, but felt the flow was a bit uneven at the beginning--although I respect very much Rwizi's focus on character development through limited narration. Indya Moore's performance is solid, particularly in giving voice to Msizi's anguish, when it is finally fully revealed. As with other works in the Black Stars series, galactic Africa is a close reality, using themes of love, loss, and homeland, not to suspend our disbelief, but to speak truths if we choose to listen.

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Wednesday, August 17, 2022

2022 #26 Happiness: Essential Mindfulness Practices (Thich Nhat Hanh)

 

Happiness: Essential Mindfulness PracticesHappiness: Essential Mindfulness Practices by Thich Nhat Hanh
My rating: 4 of 5 stars

As this is a very practice-based book, I'm not sure it is the best choice as an audiobook if one wants to have the information as a reference (and doesn't want to take notes). That said, there are some really choice and good practices...some of them particular to group settings (and adapted from those at Plum Village) and others that are generally good philosophies to carry. I find the ecumenical ties encouraging: the "Today's Day" practice, for example, is very much akin to the "Haec dies" of Christianity (This is the day that the Lord has made), and a lot of other traditions that ask us to live fully in the present day and be glad for it.

I appreciated the acknowledgement that not everyone can "walk" (when discussing the walking meditation), but would have preferred some more robust alternatives rather than suggesting those who cannot walk "support" those who can. This has been one of my concerns about physical practice of meditation over all---it can be ableist. I appreciate the more flexible approaches advocated by Ten Percent Happier and others in terms of having a choice of "anchors"--not just the breath. That said, I appreciate that a lot of what comes from Thich Nhat Hanh is echoed with a slightly more secular undertone at TPH.

I did find myself wondering how parents find some of his recommendations for parenting, as he does not have children, of course. I'm not a parent, but some of the recommendations struck me as very idealistic and probably better suited for something like Plum Village rather than a household, but I am speculating. I also wondered if some of the peacemaking approaches might enable people to stay in an abusive relationship, because everyone "suffers". He does address this at times, but I can imagine that someone who has had their sense of self so altered by abuse might interpret this as a responsibility merely to communicate their suffering, rather than escape from it.

Edoardo Ballerini's narration is calming in and of itself, and now I feel that I cannot remove his voice from my reading and understanding of Thich Nhat Hanh--this is not a bad thing. He makes listening to this work a rather meditative experience with peaceful intentionality.

This is a good overview of meditative practices that can be incorporated into every day life: eating, walking, resting, communicating....so "Happiness" is an apt title. As with most of Thich Nhat Hanh's works, the Buddhist foundations are there as a point of reference, not dogma, so there is much here for those that are looking to embrace a mindfulness practice without a religious connection.

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2022 #25 The Visit (Adichie)

 

The Visit (Black Stars #1)The Visit by Chimamanda Ngozi Adichie
My rating: 4 of 5 stars

As is true of anything, this short story will land differently with different readers. Going in, however, you need to know that it is dystopic (but not by much), and definitely satirical (not funny, but satirical). I didn't read it as a condemnation of matriarchy, but I can see how the role reversal might not sit well even with those sympathetic to the message of the book. On that front, I didn't feel it did enough--it was too simple and binary. That said, I think it teases out some important issues and lays bare how much goes unsaid in our legislation and the assumptions that shape governmental power. And while the general gist might seem a bit binary, the characters are interesting and kept me engaged.

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Sunday, August 7, 2022

2022 #24: Upgrade (Crouch)



UpgradeUpgrade by Blake Crouch
My rating: 3 of 5 stars

I read Crouch's Dark Matter four years ago and very much admired how the author seems to negotiate that oh-so-fine line between the "sci" and the "fi" of the genre. This was my first time listening to his work and it was a very different experience than that of reading.

I appreciate the "realistic" dystopias like this one--those that remind us this is probably NOT a far off distant future, at least in some respects. Gene modification is certainly a growing aspect of our lives, and the ravages of climate change are inevitable. Crouch digs in to the moral questions connected to our survival of a species, and not in the same old clichéd ways. As with in Dark Matter, the book is threaded with a tale of decision making, and how one person's "save humanity" is another's "lose our humanity." Everyone has their own justifications, and I think Crouch really brings that forward with his protagonist, Logan Ramsay.

Where I didn't enjoy the experience of the audiobook is the lists....there were a lot. I think reading through lists of gene names (HUGO Gene Nomenclature Committee symbols) would have been less irritating than hearing them read to me. I longed for a genetic upgrade to speed up time during those passages. Perhaps those who really dig details like that feel differently, but it did nothing for me except make me feel impatient.

Still, the story shares with good spy novels the sense of never knowing who you can trust -- even the protagonist. A lot of the characters operate at Anakin-as-older-padawan level (sorry for the Star Wars reference, which is a first for me). But that's good character writing--and it turns out that messing around with our genetics doesn't really change the human capacity to straddle good and evil...well, until the Epilogue. I would have preferred just the letter of the epilogue, but Crouch spares us a totally clichéd reunion (e.g. overwrought with emotion), at least.

The book spends too much time with cat and mouse/fugitive scenarios, and then seems to remember its raison d'être in fits and starts, so the rhythm of the book in that sense is my biggest issue. I also didn't really care for Henry Levya's reading. His voice is fabulously comforting as Logan--but a bit too much. Even in scenes that warranted the character having a strong emotional response, everything felt a bit too even-keeled -- playing chess was about the same experience as coming under gunfire. Levya is a great choice, in some respects, because he does really help us understand Logan as a sort of "everyman" character--but it all starts to blend a bit a couple hours in.

All in all a worthwhile experience, and it teases out some larger questions with which we should be grappling now, not "in the future."


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Thursday, August 4, 2022

2022 #23: The Prestige (Priest)

 

The PrestigeThe Prestige by Christopher Priest
My rating: 5 of 5 stars

It has been awhile since I've read/listened to a literary work that I would describe as "unique", but this warrants it. I'll put out there that I have not seen the film (nor did I know it existed until much later in my listening), and I don't really care to because the audiobook experience was so vivid and complete.

Both the narrative structure and the content are compelling. We first meet a character who at least initially, seems sort of incidental -- Andrew Westley. We know little about him except that he's adopted, a disgruntled journalist, and a recipient of a book written by one of his biological ancestors. Refreshingly, Christopher Priest does not fall on "adoptee" clichés (either positive or negative), and Westley feels he must have a twin brother out there and he wants very much to meet him. This would be a good foundation for a story, but soon we forget that it is even there...for awhile at least.

What follows is a chronicle, in epistolary style, of a feud between two magicians, and one that gives new meaning to the "sins of the fathers..." Each magician gets substantial air time to be centered as the ...protagonist? Tough call. Alfred Borden and Rupert Angier each share details of their childhoods and development of their careers as magicians, as well as their complex perspectives that inform their actions and reactions in their feud with each other. Admittedly, some of the descriptions of certain illusions contained so much detail that my attention started to drift, but the detail, particularly in the case of Angier's narrative is actually where the devil is. We shall leave it at that.

This truly was an experience--I got lost in the story and forgot why it started. Of course the book returns to where it began, with Andrew (and the Lady Katherine...Angier). Just when I felt like it was enough to bear witness to the lives of Alfred Borden and Rupert Angier, Priest throws in...not a twist per se, but takes us where we might not wanted to have gone. Simon Vance's narration is excellent-- expressing nuances of jealousy, concern, regret, and fear, spread over several characters. Ultimately it is a story about hubris and ambition, but also about love and vulnerability. And on top of all that, a good-old-fashioned mystery--not so much a "whodunnit" but more of a "whodunwhat".

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2022 #22: Japanese Farm Food (Hachisu)

 Cross-posted at the Lady of Shallots

Japanese Farm FoodJapanese Farm Food by Nancy Singleton Hachisu
My rating: 4 of 5 stars

I am working my way through two Japanese cookbooks right now, both of which are filled with insight and craft (my review of Sonoko Sakai's Japanese Home Cooking: Simple Meals, Authentic Flavors coming soon!).

Nancy Singleton Hachisu's Japanese Farm Food is, as advertised, very much about farm life in Japan and the food that grows there. For that reason, it resonates more as a narrative for me than a cookbook, as many of the ingredients are specific and connected to the life of the farm. She is not as free with the substitutions as Sonoko Sakai, but there are a few (blackstrap molasses for kuromitsu, for example). To call her a purist wouldn't seem totally correct, and that's largely because of the beautiful narrative she constructs about life on the farm and learning how to acculturate in meaningful ways. In truth it is inspiring, if somewhat a bit daunting at times.

In addition to spending massive amounts of time preparing food (most of it grown on the family farm), Hachisu also runs an English-immersion pre-school/kindergarten, adorably called "Sunny-Side Up!" Her anecdotes about the children and the photographs (by Kenji Miura) of their wonderful joy are one of the best parts of the book.

Originally from Northern California (Bay Area), Hachisu describes herself as a "town girl" (182), and one gets the sense that everything is indeed relative. She advocates buying local, and one might find themselves frustrated on that front if "local" isn't Japan. As with most cookbooks, the book suffers a bit from inconsistent cross-referencing and incomplete indexing: If a recipe calls for dashi, it often includes the page reference for making the dashi. However, I'm still waiting for the cookbook that indexes ALL the recipes that use dashi (or any other distinctive ingredient to that cuisine). Sometimes the recipes are helpfully grouped together, as is the case with the kaeshi on p. 310, which is necessary for flavoring the dashi of the following recipe, "noodle dipping sauce." But these are nitpicky quibbles. Many of the recipes, particularly some of the salads and vegetable dishes, are accessible for novices, and require only basic staples such as soy sauce and miso. The majority of the dessert recipes are for ice cream (mostly adapted from Lindsey Shere's Chez Panisse recipes), and you'll want to have an ice cream maker (although the patient internet searcher can likely come up with alternative methods). I am curious to try her method for making anko (the sweetened paste made with azuki beans) since I made Sonoko Sakai's version, which was wonderful, but time-intensive.

One of the most valuable parts of the book--and here I'm considering photocopying the pages and laminating them since I suspect I shall return to them often--are the charts and glossaries in the back. The "Vegetables by method" and "Fish and Seafood by Method" charts motivate the cook to actually understand, not just follow, the recipe. It is also very useful should one have to decide based on what's available/in season.

The whole book is beautifully produced, from the lovely "matte" finish of the photography, the easy-to-read font, and the overall design. Her stories--interspersed and as prefaces to recipes--are wonderful to read, and tinged here and there with the wistful and nostalgic, but also the pragmatic sensibility of living and eating in communion with the earth. As I explore the recipes I may make a substitution here or there that Hachisu might frown upon, but I will at least try to approach my cooking with the reverence and sincerity she seems to bring to her craft.



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Tuesday, August 2, 2022

2022 #21: Why We Cook: Women on Food, Identity, and Connection (Gardner)

 

Why We Cook : Women on Food, Identity, and ConnectionWhy We Cook : Women on Food, Identity, and Connection by Lindsay Gardner
My rating: 4 of 5 stars

Lindsay Gardner's whimsical-yet-substantive illustrations make this a charming book that is a pleasant mish-mosh of reflections, substantive essays, and lighter fare (inspirational quotes and magazine-type survey questions). While there are a few recipe, it isn't a cookbook--although I certainly would have appreciated an index (foods, recipes, people). The table of contents suffices, however, split into "Memorable Meals", "Kitchen Portraits", "Essays", "Home Cooks in Conversation", "Recipes" (listed by contributor, rather than dish), "Profiles" and "Contributors in Conversation." I found the "in conversation" bits to be the least engaging on the whole, although the occasional nugget of wisdom or a surprising witticism made them worth reading. Not all the "essays" carry the same weight -- Cara Mangini's list of seasonal eating choices doesn't really compare to Osayi Endolyn's "Like Paradise" that uses five paragraphs to offer an intimate, honest, and humble look at the importance of our quirky roots and spaces where cooking happens. That said, I'm glad both were included, but I would have liked a bit more sense of narrative and build across the book. The Profiles and Kitchen Portraits are where I think the book has the deepest value--illuminating and amplifying important women who have contributed much to the world of food in multiple ways.

Because the book does not have an overarching narrative, however, it is a great gift for the cooks in your life. It is easy to put down, easy to pick back up, and would be of interest for a cook who may not be an avid reader. We need more of this type of book that will amplify lesser-heard voices and appeal to a wide audience through beautiful illustrations and an approachable tone.

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Sunday, July 24, 2022

2022 #20 Reach Everyone, Teach Everyone: Universal Design for Learning in Higher Education (Tobin/Behling)



Reach Everyone, Teach Everyone: Universal Design for Learning in Higher EducationReach Everyone, Teach Everyone: Universal Design for Learning in Higher Education by Thomas J. Tobin
My rating: 4 of 5 stars

This is an engaging and informative (yes!) basic introduction to implementing the core principles of UDL (Universal Design for Learning) into higher education. What is particularly useful (and sets it apart from other books on the topic) is the "multiple paths" through the book. A useful "Suggested first-read chart" outlines the various readerships that might benefit from the book and which chapters might be most relevant, making it an excellent resource for small-group reading circles of administrators, staff, and faculty. Chapter 1 is a great primer on concepts such as learner variability, Universal Design (overall) and basic tenets of accessibility in higher education. Chapter 2 is a useful overview of some of the lawmaking surrounding accessibility, and is an important read for those who may need to make a case to administrators. The most compelling point is that the UDL framework can "reduce the need for individuals to have to ask for special treatment." The strange land that lies between accessibility and accommodations is one that is just now being more deeply explored as differences between "inclusion" and "belonging" are also being better understood.

Part 2, Reframing UDL, includes chapters on Mobile Learners and Digital Learners, but it is Chapter 5 that will resonate the most for faculty who may want to make changes but don't know where to start. The UDL framework, as fully presented by CAST, can be daunting. Tobin and Behling advocate for a "plus-one" approach that promotes a pre-emptive, responsive, and iterative process to designing assignments, syllabi, and/or assessment. This is a manageable strategy that can both temper the workload that may seem required to integrate UDL into a course, and it very well may bring skeptics on board, who might benefit from how to make "one assignment" more accessible (rather than "how to make YOUR TEACHING more accessible").

Chapter Six seems to widen the ambition, telling us that "UDL is too big to do alone," and while the point is well-taken, this would be one of those chapters that would be less useful to the skeptical faculty member. It will, however, motivate the faculty member who doesn't need to be convinced and is looking for allyship and teamwork in implementing UDL on a more curricular level. The greater point here is that UDL has the greatest impact on an institutional culture when supported across departments and at all levels.

Having prepared the reader for that concept/endeavor, Part 3 is devoted to "Adopt UDL on Your Campus" which provides solid guidance for moving from the individual "plus-one" to the institutional level. The final chapter "Engage! The UDL Life Cycle" is most useful for the condensing of information and review in a digestible format.

The book is beautifully researched and referenced, yet written in an inclusive and accessible tone. There are places that get rather heavy-laden with acronyms (other than UDL) , and while they are mostly cross-referenced, I would have loved to see more regular footnoting or parenthetical reminders of what they stand for. I was also a bit concerned when reading about the instructor who taught two sections of the same course and changed the approach to design and studying in only one of them as an experiment. Students are always subject to our pedagogical experimentation in some sense, but it didn't sit well with me to suggest that multiple sections of the same course (taught by the same instructor) should be drastically different to benefit our own learning as professors. While the data this professor received was valuable to implementing UDL more widely (and that was the point of including the anecdote), I do think we have to be careful about "experimenting" with inclusion in a way that can put others at a clear disadvantage.

The index makes it a great reference and resource, and the book is definitely one of the first I would recommend to faculty members who are interested in creating more inclusive spaces or who feel that "accommodations" are not supported. The book unapologetically subscribes to UDL as a framework, but even for those who prefer to pick-and-choose some of the ideas from UDL, it is a meaningful read. I'd also recommend that chairs, deans, VPs, provosts, and anyone in higher education read this book, especially if the institution is one that draws a strong line of demarcation between faculty and admin. Joint learning would go a long way to smoothing that divide and changing campus climate for the better.

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2022 #19 The Roommate (McTiernan) - Cormac Reilly #0.7

 

The Roommate (Cormac Reilly, #0.7)The Roommate by Dervla McTiernan
My rating: 3 of 5 stars

Like The Sisters, this book is a prequel of sorts in the Cormac Reilly series. Niamh Turley gets in a bind when she loses her (first) roomate, and Cormac Reilly is a garda on the case (in Dublin, prior to his move to Galway). This was a free audio novella for subscribers to McTiernan's newsletter (although I accessed it through audible), and well...it suffers a bit for it. The condensed mystery novella isn't really McTiernan's strength, and once you start the Cormac Reilly series, these prequels unnecessary. The Sisters (review here) does give some backstory to a character who appears in the series proper, but The Roomate has less connection. We don't really get to care enough about the extremely naive Niamh to truly empathize, also her boss (the principal of the school where she teaches) seems to be hell-bent on making her life difficult. There are some overlapping strategies with McTiernan's novella The Wrong One, so I hope not to see that particular approach again. To give it a label (it is a common move in mystery and suspense) would be to offer a spoiler, so I won't, but it seems a bit clichéd.

It does, however, deserve kudos for the good old-fashioned "babysitter and the telephone" moment, which is delivered at the right time. I hope McTiernan sticks to full-length novels for the Reilly series, because her writing is more effective when she has the time and the space to develop both plot and characters.

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2022 #18 The Wrong One (McTiernan)

 

The Wrong OneThe Wrong One by Dervla McTiernan
My rating: 3 of 5 stars

I'm beginning to think I'm just not a fan of novellas. I find the rhythm, at least in the suspense genre, to be insufficient for building expectation, working in character development, and throwing in a plot twist. That said, The Wrong One did keep me guessing for a good while, although the culprit is obvious about halfway through the book. The motive doesn't really work, and the strange supernatural suggestion is like an itch that never gets scratched (the "explanation" made it seem like an unnecessary part of the story in the first place).

Simon is, not unlike McTiernan's Cormac Reilly, a rough-and-ready cop, but unlike the Cormac Reilly series, this one takes place in New Jersey (and Connecticut). The setup is fairly conventional -- Simon's best friend died, and he feels a sense of obligation to Clara Coleman and her teenage son (Sebastian), and rushes to help when Clara is wrongfully accused of murder. Aside from the fact that Simon doesn't care much for Seb, as soon as we hear Sebastian in his own voice, he's immediately likeable. A longer novel could have benefitted from more of the backstory and relationship between Simon and his friend (Clara's husband, Will).

A solid performance from Michael Crouch and Neil Hellegers that makes up for some of the plot weaknesses.

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Tuesday, July 19, 2022

2022 #17 Being Peace (Nhat Hanh)

 

Being peaceBeing peace by Thich Nhat Hanh
My rating: 4 of 5 stars

Originally published in 1987, Being Peace outlasts its post-Vietnam, Reagan-Era milieu for the most part. No doubt the many references to nuclear proliferation will seem a bit dated, but the wisdom is that suffering is indeed universal and timeless, so we need not jump far to find the proliferations and crises of our own time. Further, anyone aware of Nhat Hanh's work with the Vietnamese boat people will understand that this is not some monastic who sat on a cushion away from society, but instead a powerfully invested human being. For those skeptical about Buddhism, this book does much to explain that one should not be looking for "a Buddha from the outside" but instead, " it is our "own Buddha that calls us."

Thich Nhat Hanh is surprisingly witty at moments, slipping in a surreptitious lesson in a parenthetical comment: "The technique (if we must speak of a technique), is to be alive...". His blend of storytelling, poetry, and prose, makes this primer on some basic sutras and concepts of Buddhism extremely accessible. There are definitely worldly pleasures about which he has some strong feelings, and initially I rolled my eyes a bit at his disdain for television. However, when he says "telling the television to come colonize us"--that language made me understand. It isn't television, but how we use it to escape from the present, or rather WHEN we use it to escape from the present. He doesn't soapbox on this particular point, but I did find myself wondering what he thought of audiobooks...

Nhat Hanh died in January (2022), and we lost a voice that managed to move beyond dogma toward a practical understanding of being, really. In a rather slim volume (or short audiobook, if you prefer), he offers precepts (or rather "mindfulness trainings") of Thiền Buddhism, parsing (a bit) that which is monastic and that which can be followed by the layperson. I struggled a bit with his explanation regarding awareness of injustice, but not taking sides. His point, if I understand it, is that it isn't about absolution or even forgiveness, but to understand the universality of suffering and existence of compassion. This may be something I never quite internalize. However, I was very much struck by Mindfulness Training no. 11, wherein he compares compassion to a North Star---it is there to light the way and we move toward it, but like the North Star, we do not arrive AT it. This may seem like a more fanciful way to espouse "it is the journey, not the destination", and it is, but the poetry of his language seems more meaningful than your typical inspirational poster or Pinterest meme. His poem "Please call me by my true names" is a powerful moment, and I'd invite anyone to go to the Plum Village website to listen to him read it: https://plumvillage.org/articles/plea...

"I still arrive, in order to laugh and to cry,/to fear and to hope" he tells us in the poem. He quips later in the book "Don't just do something, sit there." And by the time we reach that point of learning, we get that it isn't some sort of cutesy verbal trinket because he has put much spirit and energy into explaining what "sit" means in the meditation tradition. We understand that a smile is a gift of the spirit, not an indication of happiness. Edoardo Ballerini captures the spirit of Nhat Hanh's voice, which truly smiles at us, like a Buddha. In fact, he tells us that if we must bring a Buddha home to adorn our breathing space, to be sure to find one that is smiling and relaxed. If we do not find such a beautiful Buddha, he tells us, then we should find a flower instead, because the flower is a Buddha.

This is not a book for someone looking for a guide to serious practice. It is, however, a book full of wisdom and grace, that can make connections for us if we just take the time to listen.

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Sunday, July 17, 2022

2022 #16: The Accidental Alchemist (Pandian)

 

The Accidental AlchemistThe Accidental Alchemist by Gigi Pandian
My rating: 2 of 5 stars

"It was a good thing I added extra chia seeds and cocoa powder to my smoothie that day."

If you enjoy being proselytized to about veganism, this is definitely the book for you. The above quote is a representative microcosm of why this book is getting a less-than-stellar review from me. Although the blurb on the author's website says "recipes included" (assuming that's the print version?) there is nothing to explain (or warn us about) the obsession with incorporating plant-based diets into this story. And I have NO ISSUE with a plant-based diet. Had this incorporated omnivorous or carnivorous diets in the same way, it would still be incredibly irritating.

I note the several one-star reviews that decry the same feature. I felt one star was a bit harsh because there are some aspects that have/had tremendous potential. Zoe Faust, the protagonist, is not overly interesting as voiced in the audiobook, but her story is. The story is steeped in historical trivia both local and global, with references to magician/illusionist Jean-Eugène Robert-Houdin (1805 - 1871), the Shanghai Tunnels in Portland, OR, the Salem (MA) witch trials and the history of alchemy. Sometimes, like the chia seed and non-stop vegan food references, these historical nods seem too forced, as if the author is trying to prove she's done her research. By far the best part of the book is the character of the epicurean Dorian Robert-Houdin, about whom I shall say not much so as not to spoil it. But Dorian is a wonderful character, befitting the genre, and Julia Motyka does a great job bringing the French character to life. It is Dorian who should be the star of the show here and for whom I had the most empathy.

Zoe's backstory could be more interesting, but it is all related through Zoe's voice and largely disconnected from the plot. The character of Max starts as a rather sterile love interest and instantaneously turns into Fabio in one scene, which I found overwritten and out of left field. The "small-town" aspects of Portland are heavily amplified (although I find myself grateful that it is not the clichéd small town in New England, for once), but this serves the Cabot-Cove - cozy-mystery type plot.

I did listen to the free preview of the next book in the series (the Masquerading Magician), and I was relieved that the first chapter seems to be free of vegan food references. That said, I'm not sure there was enough to hold my interest for me to give the series a second chance.

The author is clearly talented and well-steeped in research, which I applaud. That Zoe Faust would be vegan and that it is connected to her health as a former alchemist is fine and makes total sense. But the book would be more aptly called the Intentional Vegan given how frequently the reader is forced to hear/read the ingredients of everything consumed in the protagonist's daily existence. It is actually a really creative idea for a cookbook, to be fair--but then it should be marketed and designed as such.

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2022 #15: Taming the Tiger Within (Thich Nhat Hanh)

 

Taming the Tiger Within: Meditations on Transforming Difficult EmotionsTaming the Tiger Within: Meditations on Transforming Difficult Emotions by Thich Nhat Hanh
My rating: 3 of 5 stars

This is a series of aphorisms and meditations to help us ground ourselves when faced with their own anger. There isn't really an overarching sense of "book", but it functioned more as a long 45 minute meditation on the nature of our own anger and the impact it can have on those we love. Thich Nhat Hanh's wisdom is rooted in Buddhism, but shares much with many other meditative practices and religious ideas. While nothing was overly revelatory, the gentle narration and the reminders of meeting our own anger before reacting to it were helpful during a time of inner turmoil.

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2022 #14 Oracle 2: The Dreamland Murders (Pyper)

 


Oracle 2 The Dreamland Murders by Andrew Pyper
My rating: 5 of 5 stars

While not a book per se, but more of a modern radio play (read: episodic podcast), Oracle 2 was fabulously entertaining. Joshua Jackson returns as the melancholic and burdened Nick Russo--a "seer" of sorts who is consistently haunted by a figure called the "Boneman". He works as a consultant with two FBI agents: Claire Hernandez (played well by Humberly González) and Agent Tillman (a most excellent performance by Devon Bostick, redeemed from his poor character in The 100--not his fault, mind you). The series picks up important threads from the first book, so I would definitely recommend reading/listening to Oracle first.

The repartée between Russo and Tillman provides a humorous and even endearing character development that was not so apparent in the first book. Agent Hernandez fades into the background at times, but Oracle 2 focuses on building the relationship between these three characters which added unexpected depth to the story.

When I heard the preview, I thought I would find the added foley and soundtrack distracting, but it is actually rather effective (save for a few clichéd "bum-bum-BUM!!!!" moments). It was like watching a movie with one's eyes closed, which I really liked, as outside of Russo (who I can't help as see as Joshua Jackson), I had formed images of the characters in my mind already. Bostick's voice does not really match up with his appearance in my mind, so "my" Tillman looks different.

Without giving too many spoilers, the Boneman is still here (originally voiced by Jackson in the first audiobook, here I'm not certain...), but he takes a backseat to a new evil. I felt Pyper underexplored this connection and the role of the Boneman a bit, but appreciated the twist. Russo's monologues grew tiresome on occasion, and as a character he seemed to degrade a bit from the first book. A climactic scene in the House of Mirrors was very good except for a brief and unnecessary moment of "in case you didn't get it" explanatory nonsense regarding the evil figure who is central to the story. There's a new love interest (of sorts) for Russo, but as with the first book, this is very understated and at most results in a one-night stand. Important to the story is the archivist, and I really treasured her character and hope she turns up in any further sequels.

The supernatural element is kicked up several notches here, but Pyper is sure to give us enough character development to keep us guessing about who is trustworthy and who is not. And while abandoned amusement parks are de facto creeptastic settings, Pyper keeps the clichés to a minimum (no scary clowns--coulrophobes rejoice!) and the story is a nod to the witch hunts of history and small-town networks.

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Tuesday, July 12, 2022

2022 #13: The Scholar (McTiernan) - Cormac Reilly #2

 

The Scholar (Cormac Reilly, #2)The Scholar by Dervla McTiernan
My rating: 4 of 5 stars

This is a good follow-up to The Ruin in many ways. Cormac Reilly is now finding his footing with the Galway Garda, slowly building on relationships he can trust and figuring out who is there to do him in. Carrie, too (whose "origin story" is in The Sisters, has come into her own, and they both negotiate the enigmatic behavior of superintendent Murphy. Outside the station, the dark world of academia and scientific research rears its ugly head, full of jealousies (petty and not-so-petty) and desperation.

The connection between the two major deaths in the story becomes fairly clear -- for most readers probably long before Cormac and/or Carrie put two and two together. But do not fret...McTiernan knows how to write a plot twist, and this one is plausible for the most part. She artfully keeps us guessing with a lot of possibilities, and for those who wished we had more character development of Emma in The Ruin, this is the story you've needed. Also receiving more attention is Fisher, who actually plays a fairly significant role in the end.

As was the case with previous books, I sometimes felt there was too much emphasis on the "procedure" of procedural (e.g. details about zooming into video footage), but overall a really good balance of characterization and plot. Aoife McMahon delivers a convincing reading, although occasionally her male characters start to blend a bit.

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Friday, July 8, 2022

2022 #12 Deep Work (Newport)

 

Deep Work: Rules for Focused Success in a Distracted WorldDeep Work: Rules for Focused Success in a Distracted World by Cal Newport
My rating: 4 of 5 stars

I don’t waste time writing long reviews for books I hate, so let me say that. But I need to be critical of Deep Work because there are really solid and good ideas, but there does seem to be a whole lot of privilege and confirmation bias at work as well. In an interview with Newport for the Hidden Brain podcast (https://www.npr.org/transcripts/75433...), the host, Shankar Vedantam remarked, “I'm wondering if some people might say your advice is really advice for people who, in some ways, are at the top of their food chains.” Vedantam also addressed the impact of one’s “deep work” on other people, something that Newport does not discuss with any…depth. I remember cheering when Vedantam took him to task (gently) because I had spent much of the interview thinking about how little resemblance Newport’s “case studies” had to my own life and experience. Yet, there was enough that I decided to read the book.

There are some serious gaps in Newport’s logic toward application of the “deep work” model. First, he seems reticent to accept neurodiversity, or at least address it. He merely notes: “If you instead remain one of the many for whom depth is uncomfortable and distraction ubiquitous, you shouldn’t expect these systems and skills to come easily to you.” (37). Fair enough, but what’s missing is any kind of guidance or attempt to explain how to meet these additional challenges. I’ve become quite engaged in mindfulness (something Newport addresses), and I admire how Jeff Warren (at Ten Percent Happier) talks about his own ADHD and how that works with mindfulness, rather than just saying “it’s a challenge”. I also bristled a bit at Newport’s underlying assumption of elite and economic goals. Take for example, this footnote: “Giving students iPads or allowing them to film homework assignments on YouTube prepares them for a high-tech economy about as much as playing with Hot Wheels would prepare them to thrive as auto mechanics.” (31) Deep Work, it would seem, does not allow for modern creativity, unless that creativity translates into computer programming (Bill Gates), or the countless other high-economy examples Newport uplifts. He seems to know the “less-skilled” (his words) exist, but fails to acknowledge that much of the status of high-skilled workers and the “superstars” can at some point be attributed to resting on the shoulders of those less-skilled folks. And it might surprise him to know that there are those academics (like this one) who don’t lie awake at night worrying about our h-index on Google Scholar.

Newport does seem to tone down the privilege in the “Deep Work is Meaningful” section, which resonated more than the initial “Deep Work is Rare” section. He surprisingly connects it to ideas of craftsmanship and even a “glimpse of the sacred.” (89). He references the medieval quarry worker’s creed, quoted in The Pragmatic Programmer: “We who cut mere stones must always be envisioning cathedrals.” (89) That’s one framing of the sacred, I suppose. But there is value in the doing, sometimes, and that more…Zen…concept seems to elude Newport.

In Part 2, Newport presents four rules designed to “reduce the conflict” of being a “disciple of depth in a shallow world.” (97) It is statements like the latter that made me roll my eyes on more than one occasion. He does, however, allow for different philosophies of deep work or deep work scheduling, at any rate: the monastic, bimodal, rhythmic, and journalistic. Here Newport seems to do the most to engage with a multitude of circumstances and approaches. The section on ritualizing behavior rests on a plethora of pre-existent productivity literature, but even here, Newport sometimes favors the privileged. His advice to “make grand gestures” as a way to motivate oneself to deeply work is supported only by the single example of J.K. Rowling checking into a ritzy Edinburgh hotel to finish the last of the Harry Potter series. In addition to Newport’s point that the “grand gesture” (in this case paying more than $1000 per day for a hotel room) can be motivating, I assume being able to pay that (or take a “Think Week” like Bill Gates, or summer on a tiny island in Maine like Alan Lightman), might also be a rather motivating factor. Perhaps some examples of more economically realistic grand gestures (for those who might not make six figures or beyond) would solidify the wisdom behind this directive.

I found Newport’s small section on architecture and layout most capitvating, particularly because he called upon his own lived experience at MIT, instead of making grand pronouncements about things he does not engage with (e.g. social media). He is critical of the open-floor plan “serendipitous creativity” model, and his argument for “hub-and-spoke” architecture, wherein “both serendipitous encounter and isolated deep thinking are supported” (131) is very convincing. And perhaps the greatest take away moves the architecture into the land of metaphor: “Expose yourself to ideas in hubs on a regular basis, but maintain a spoke in which to work deeply on what you encounter.” (132)

Another truly valuable discussion is that of the “lead vs. lag” measures of 4DX (The Four Disciplines of Execution). Newport suggests that to measure one’s success, there need to be “lead” measures that will drive the success of the “lag” measures—in other words, short term goals that are fundamentally important to larger objectives. This echoes the wisdom of many productivity systems and philosophies, including David Allen’s exhortation to remember the “steps” to get to the destination.

It is Rule #3 that I found the most…vexing: Quit Social Media. Despite not using it himself, Newport can’t help but be rather judgmental about Facebook and Twitter, but his caution against the “any-benefit” mindset is useful. He asks us to do a true “cost”-benefit analysis of using a network tool, remembering our ultimate baseline. He reveals his own bias when he notes: “We don’t have to argue about whether these authors are right in their personal decisions to avoid Twitter (and similar tools) because their sales numbers and awards speak for themselves.” (194) The baseline metric for Newport is clear, and it arises every time he attempts to work with his own biases. All that said, the diagnostic Newport offers to apply to our own social media behavior is valuable, but flawed in one key aspect: it does not take into account how others wish to engage. Networking does imply communication with people other than ourselves. The deep work model is rather uncompromising, and this extends to Newport’s critique of social media. While a phone call to a dear friend to catch up might be more meaningful for me, perhaps it is important to them that I’ve seen the latest photos of their children on Facebook. Missing from the discussion (although Newport briefly notes it) is the nuance of WHO is in our Facebook networks, HOW we engage with it, and the question remains that using Facebook and having a “thriving and rewarding social life” aren’t necessarily mutually exclusive or one-size-fits-all. Still, asking ourselves how much FOMO informs the time we spend online is useful.

Newport’s practical advice may not be so practical for a lot of people, but that doesn’t remove its value. Like any productivity model, Deep Work has a lot to offer—both philosophically and strategically. I plan to implement many of his suggestions during my sabbatical, and I’ll be running a few “experiments” of my own. While Newport’s perspective that the road to hell is paved with tweets seems a bit biased and hyperbolic, we could all likely benefit from an audit of what “depth” means for our own lives and workflow.

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2022 #11 The Sisters (McTiernan) - Cormac Reilly #.5

 

The Sisters (Cormac Reilly, #0.5)The Sisters by Dervla McTiernan
My rating: 3 of 5 stars

As a prequel, this really doesn't do much, if only because it has nothing to do with Cormac Reilly, but instead gives us a short story about Carrie Ryan's beginnings. I found it not long enough to care about either of the sisters-- Aifric OR Carrie-- and the "case" wasn't quite riveting enough to match the energy of The Ruin. I'm just now working my way through the series, so I'm hoping my time spent with "The Sisters" will pay off down the road as Carrie plays a bigger role, but this really felt a bit more like fanfic in the context of the series. Will update this review if I feel there is a payoff later in the series.

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Tuesday, July 5, 2022

2022 #10 Parable of the Sower (Butler)

 

Parable of the Sower (Earthseed, #1)Parable of the Sower by Octavia E. Butler
My rating: 5 of 5 stars

Remarkable. It is a word that is over-used, and yet, can also say absolutely nothing. But truly...that is the word that first came to mind. Not when I finished the book, but within the first hour of listening. Lauren Olamina is one of the best adolescent female characters in all the fiction I've read. Her "sharing" (hyper-empathy) is a disability (invisible to most) and for Lauren, an identity, that very much informs her worldview and arguably crafts her mission of Earthseed, as told both in the quotations from "The Books of the Living" and Lauren herself. She describes one woman as "housebound and squeamish," and notes without sanctimony: "...and that's what I would've become if everyone had known about me." It is hard to say what this book is NOT about. Written in 1993, and taking place in 2024, the book is remarkably prescient, but also makes a larger point about cycles of humanity. Slavery and colonialism are not just of the past, but of a future built on a present that relegates patterns to the past. And yet, some of the past is also celebrated as holding answers for the future.

Lauren's character is written with so much personality, yet without hyperbole or sentimentality. She just is. She suffers betrayal and loss, yet walks forward with an almost gentle ferocity, which really only makes sense for her character and the context of the book.

And yes, this is dystopic sci-fi, but it is also a "coming-of-age" novel. And a declaration of faith. "Embrace diversity or be destroyed." "God is change." Butler celebrates the power of poetry--no matter the source. And she even recognizes the limits to her protagonist's agency, as Lauren must disguise herself (figuratively and literally).

So, yeah, the book is remarkable. And I certainly wish it had been available to read when I was in high school, because I'm certain it would have resonated far more with me than Lord of the Flies or Catcher in the Rye. Definitely one of my top ten books.

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Friday, June 24, 2022

2022 #9 The Ruin (McTiernan) - Cormac Reilly #1

 

The Ruin (Cormac Reilly, #1)The Ruin by Dervla McTiernan
My rating: 4 of 5 stars

There's a lot going on here, perhaps too much, in some respects. A bit slow to get started, McTiernan spends quality time on character development, which I appreciated. Set in Galway, the book ties together the fates of DI Cormac Reilly and Aisling Conroy fairly artfully, across the span of roughly 30 years. Reilly is a good enough character to warrant a series, and his humanity runs underneath the surface -- subtly revealed by his actions, whom he trusts, and his concern for children. McTiernan spends a good amount of effort helping us appreciate Aisling and Maude, the two central characters of this story. Initially Cormac's experiences at the Galway police (Garda) station seem like inconsequential background, but there are few elements of the story that don't somehow connect to the main mystery. Some of the characters are underdeveloped (Emma), but in so doing, actually turn out to be useful for understanding the main protagonist (Cormac).

Occasionally McTiernan's descriptions are overwrought -- Emma putting her knickers on, the cabinetry in a minor character's house--as if a writing teacher got a hold of the manuscript with a red pen and forced her to embellish the descriptive language. She also seems to have a strong dislike of Google, despite the fact it ends up helping solve the main mystery (I was surprised to hear an actual product criticized as opposed to a more general statement about internet privacy).

Ultimately, the story is one to invest in. I didn't love the rationale behind the culprit's (one of them) behavior, and the only "thriller" like moment really happens right at the end. It disrupted the rhythm for me, this move from police procedural/detective story to thriller, but that's a small quibble. One of the best aspects is how McTiernan does NOT wrap everything up with a nice little bow. The events that transpired years ago in the crumbling mansion are, sadly, ever-present in some village, or city...resulting in ruined lives. McTiernan offers that justice is as complex as the nature of evil, and certainly any "system" of justice is just as flawed and, at times, ineffectual, as the humans within it.

Aoife McMahon provided an excellent narration, moving deftly through all the different characters and regional Irish accents. She very much helped bring the characters to life --the gloomy Cormac, the ambitious and loving Aisling, the strong Maude, and a host of more minor characters (Domenica Keane was extremely noteworthy).

I'm looking forward to listening to more in the series.

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Wednesday, June 22, 2022

2022 # 8 Oracle (Pyper)

 

OracleOracle by Andrew Pyper
My rating: 4 of 5 stars

I'm relatively new to the audiobook world, so I don't totally trust my objectivity, but this really grew on me. It was free to me on Audible so I figured, what the heck. I was a big fan of Joshua Jackson from Fringe and it seemed like he might work here as the protagonist. Nate Russo. Even the name seems like a Jackson-type character.

He doesn't disappoint and his vocal characterizations are quite good for the most part, even extending into the evil supernatural. I liked that the story opens by situating us in the past, and Pyper does a good job of connecting all the dots with a slow burn. That said, I found the ending disappointing on a few fronts, especially in terms of the "whodunnit"--that character was too convenient to the story. But there are subplots a-plenty -- Russo's unrequited love interest (more interesting because it is a reflection on both his damage AND his ethics that it hums along quietly in the background rather than being a major plot device), Russo's relationship with his family and his older brother, etc. His interaction with the two FBI agents was truly enjoyable, and Russo makes a great character who struggles with his "gift" (and rightfully so) but is fundamentally a decent human being who is trying to help children.

I enjoyed it much more than I expected and was excited to see that there was a sequel. I listened to the preview on Audible and was surprised to hear a full cast and music. It is actually a serial podcast, so essentially a radio play. That's a very different medium, it turns out--even the use of foley and music changes the experience (not unlike a book with illustrations). I'm not sure I'll listen, but the story looks like it will holdup for the sequel, so I'm tempted...

It truly is a good blend of the sort-of detective "noir" classic tale meets supernatural, and Jackson sells the character really well.


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Tuesday, June 14, 2022

2022 #7: Blink (K.L. Slater)

 

BlinkBlink by K.L. Slater
My rating: 4 of 5 stars

This is a great beach-read mystery/thriller. About three-quarters of the way in I felt that I must have figured it out, and I was a bit irritated because the protagonist (Toni) hadn't yet clued in. Then one major plot twist sets the world spinning and things move very quickly from there. That's a bit frustrating if you like more subtlety and a slow roll out of revelations, but the roller-coaster ride of the last quarter of the book is worth it. It is also the best kind of plot twist--the facepalm plot twist. The drawbacks have some spoilers, so don't keep reading if you don't wish to! I have referred to characters by the initial of their first name, so that nothing pops out at you if your eyes drift there. Overall it was an entertaining read and the performance by Lucy Price-Lewis is excellent (although I found the voicing of little girl Evie to be quite cloying at times).

[SPOILERS BELOW]



What the heck happened to B? Was she just a plot device and diversion? If so, that was fairly obvious. It was disappointing to have so much investment in her character and then have her not really be involved at all.
The "Three Years Earlier" titles of the chapters were confusing and a bit annoying in the audiobook. Only necessary if the preceding chapter was the present day or a different character's perspective.
I might be wrong here (harder to confirm with an audiobook), but it seems there is a continuity issue--why would H be expecting T to pick E from school that day? She didn't know that T's mom was in the hospital. Unless I missed some definitive decision to have T do the pickups (I remember them discussing it)...quite possible.

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Thursday, June 9, 2022

2022 #6: Emily Dickinson is Dead - Audiobook (Langton)

 

Emily Dickinson Is Dead (Homer Kelly Mystery #5)Emily Dickinson Is Dead by Jane Langton
My rating: 2 of 5 stars

Oofdah.
Let me start with this: I love Jane Langton's Homer Kelly mysteries--this is certainly not my first one. This was my first time listening to one on audiobook, which I'll address in a bit. The book itself was written in 1984, and that may explain the archaic use of the word "oriental" and it might even explain (not excuse) the sort of stereotypical portrayal of Winnie Gaw as the fat girl who eats her feelings. A stereotype would be annoying, but it is the utter and inexplicable fixation on fat-shaming as a source of humor that is really obnoxious here. Langton relies on a certain amount of parody in general, and there are the usual suspects: all variety of academics--the bumbling, the pompous, the sketchy--, and then there is the ingenue (of sorts) in Allison. Presumably Langton was going for some sort of overblown contrast between the two characters, but it does not land well. Really, it is to the point of distraction. In reading other reviews, I know it isn't just because I was listening to it on audiobook.

It is a real shame because there are several other elements of Langton's wonderful mystery at play--the tangled web of surprise connections, the subtler humor (e.g. Homer Kelly's "gourmet" meals for Owen Kraznik), and of course the historical/New England connections and peppering of Dickinson's poetry. The audio book, if I had to guess, was also recorded for "Books on Tape" back in the day (and I was alive then, so I'm not making assumptions about the 80s), so presumably folks might have found Derek Perkins' fake Japanese accent less offensive. Aside from that, however, Perkins reads the book well, subtly imbuing most characters with individual personas, but not to the point of farce.

Did I like aspects of the book? Absolutely--it has the cozy mystery aspect that I was looking for, but the misogynistic bigotry made it a sour read, sadly.

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