Showing posts with label 5 stars. Show all posts
Showing posts with label 5 stars. Show all posts

Sunday, October 11, 2026

2026 #36 The Yellow Wallpaper and Other Stories (Gilman)

 

The Yellow Wallpaper and Other StoriesThe Yellow Wallpaper and Other Stories by Charlotte Perkins Gilman
My rating: 5 of 5 stars

I remember reading "The Yellow Wallpaper" in high school, and now I'm wondering why on earth they let me read it in HIGH SCHOOL? I somehow had forgotten how dark it is OR the darkness registers with me in a more meaningful way now that I'm an adult. What a brilliant piece though for its use of metaphor and "horror" of the psyche. The other stories in the collection are lighter, albeit no less feminist. I particularly enjoyed Mrs. Morrison in "Three Thanksgivings" as she refuses to let either her children or the appropriately named "Mr. Butts" commandeer her life. "The Cottagette" didn't really resonate with me, but I am mindful in considering when Gilman was writing (this particular story was first published in 1910). "Turned" has a narrative that for 1911, when it was first published, would have have been very bold. Gerta is taken advantage of in the worst way but finds perhaps an unlikely ally (I venture that while this narrative has become rather common, Gilman may have been one of the first to offer it in this way). "Making a Change" is another one that is very ahead of its time (again published in 1911), and I love the mild humor in which Gilman offers it. Here, an enterprising spirit takes on new meaning. "If I were a man" tiptoes into speculative fiction and doesn't rest in the clichés that it might. The final offering, "Mr. Peebles' Heart" was one of the most intriguing, featuring a female doctor who plays a rather significant role in saving her sister's marriage, or at least rescuing it from the doldrums of convention.

View all my reviews
2026 Reading Goals 36/60
TYPTBR 16/18

Friday, September 25, 2026

2026 #33 The Guest Lecture (Riker)

 

The Guest LectureThe Guest Lecture by Martin Riker
My rating: 5 of 5 stars

Given that I assume Martin Riker is not a middle-aged perimenopausal female academic, I'm not quite sure how he so perfectly nailed my insomniac anxieties, but wow! I'm going to guess that the premise--the middle-of-the-night mental meanderings of a recently-denied-tenure economics professor--isn't going to appeal to everyone, but the book is fascinating. "Meanderings" isn't quite accurate either. Abigail starts out with the best of intentions to practice using "loci" as she directs her imagination to move through each room of her house as she consults John Maynard Keynes (the topic of her talk the next day) on each part of the talk she is to deliver. These conversations with the imaginary Keynes are absolutely delightful. Even with such a wise and thoughtful companion, however, Abigail's life-worries start to creep in, disrupting her focus and derailing her ability to compartmentalize (literally, in terms of the "loci" practice).

What was not expected and ended up feeling rather eerie given its top-tier relevance to my own profession, was an abundance of references to contemporary music! And not just the usual headliners either (John Cage, etc), but Susie Ibarra, Pamela Z, Mary Jane Leach...and many more. I can't remember how I learned about this book, but now I'm thinking one of my music colleagues must have recommended it. I even wrote down some names new to me! Riker's name-dropping is partially to fill out Evelyn, one of the characters we meet as Abigail's insomniac journey expands backward into her past, but it still came as a total surprise in a book I figured would be fairly economics-centric.

A side effect of all of this is that my long-sleeping interests in International Relations (when I briefly toyed with the idea of double majoring in college) were awakened, at least inasmuch as Riker (through Abigail) illuminates Keynes as both "creative improvisational human" and "institutional symbol of unchecked government expenditure that history has made him." (22%) At one point, Abigail beautifully captures the joy of reading Keynes's essays:

"...but I read them despite wrongness, despite datedness, for the voice of the person writing. His voice, his astuteness and humor, his crabbiness, the life in his voice, his way of seeing and thinking about the world that was not just in the ideas or claims or arguments but in the way the voice thought, the way the thought turned..." (58% Chapter 9)

Take THAT ChatGPT summaries! Be still my historian's primary-source-loving heart.

Part III is when Abigail's mind really lets loose--not so much as a hamster spinning on a wheel, but more like a rat running through a maze. She knows she needs to find the exit, but she takes the most circuitous route possible in getting there. While I enjoyed some of it, at times it started to feel a bit tedious.

I cannot say that I've read any book like this, and if you tried to summarize the "plot" for me, I probably wouldn't have picked it up. It seems quirky, but then you realize it really isn't (unless you are some rare soul who has never laid awake at night with your anxieties keeping you company). Mileage will definitely vary with this one, but for me, it was one of the best reading experiences I've had this year.



View all my reviews

Tuesday, September 1, 2026

2026 #30 An Experiment in Criticism (Lewis)

 

An Experiment in CriticismAn Experiment in Criticism by C.S. Lewis
My rating: 5 of 5 stars


"In reading great literature I become a thousand men and yet remain myself," C.S. Lewis offers after 140 pages of the most wonderfully vexing postulations regarding that which is "literary" and "unliterary." This is definitely a "MBF" -- a "must-be-finished" book. I've read too many reviews that seem to have bristled at the beginning and either stopped reading closely or just stopped reading altogether. To be sure, Lewis's tone befits his Oxford professorship, but there are so many moments when his tongue is planted firmly (but elegantly) in his cheek, and his provocations are intended to prove perhaps his largest point: literature is to be received, not used.

"Using", he says, is "inferior to 'reception' because art, if used rather than received, merely facilitates, brights, relieves or palliates our life, and does not add to it." (88). Lewis advocates deep reading, a "resting" in the literature, rather than using it as an opportunity for "castle-building" as he calls it. A good book coexists in a rather symbiotic relationship with good reading. The work should work on us, rather than the other way around. He writes, "In good reading there ought to be 'no problem of belief' meaning we should be able to receive that with which we do not agree, thereby possibly entertaining a time and space otherwise when we might agree.

I think he loses people with his attempts to parse "literary" from "unliterary" in the first few chapters. But he offers nuance: "Let us be quite clear that the unliterary are unliterary not because they enjoy stories in these ways, but because they enjoy them in no other." (38) Here he refers to a desire for excitement and an arousal of certain emotions, which he is not condemning, as I understand it, but offering that it is only part of literary engagement.

Lewis has one moment that I felt was truly classist: he decides that grocers and gardeners will have read few books, but perhaps have seen more films (76). It is an unfortunate moment in a book that otherwise seems to have a fair amount of equanimity, versus a critique (in the negative sense). "The literary," he notes, "sometimes 'use' poetry instead of receiving it. They differ from the unliterary because they know very well what they are doing and are prepared to defend it." (100). But he also, supporting his "good reader" theory, offers that there are really, at the end of the day, no so-called "guilty pleasures": "If ... we found even one reader to whom the cheap little book with its double columns and the lurid daub on its cover had been a lifelong delight, who had read and reread it, who would notice, and object, if a single word were changed, then, however little we could see in it ourselves and however it was despised by our friends and colleagues, we should not dare to put it beyond the pale." (108)

If you are a reader (whatever that means to you), it is worth spending some time with what Lewis had to say. It has made me re-evaluate why I have a numeric reading goal every year. I know part of that is there is SO MUCH I wish to read and I am extrinsically motivated when my time is not always my own. But Lewis has given me a lot to think about in terms of the reading experience. If he irks you at the beginning, read more slowly. Underline. Receive what he is actually saying. You may come away from it still irritated and thinking he's a pretentious prig, but you might find some value there too.

View all my reviews

2026 Reading Goals 30/60
#192030 Challenge: 1961
TYPTBR 15/18


Tuesday, July 21, 2026

2026 #21 Whistler (Patchett)

 

WhistlerWhistler by Ann Patchett
My rating: 5 of 5 stars

Well, my streak of crying at some point during an Ann Patchett novel continues unabated. This one, however, snuck up on me. It is what I would call a "quiet book." There's a plot, but it comes in pieces as a recollected narrative. There's also a very mild plot that takes place in the present, but as plots go, it is less important. I would also like to say God Bless Ann Patchett for NOT giving us an epilogue. Some readers will want one, and the book sets it up, but we get instead, what to my mind was the perfect ending.

If you've read any blurbs or reviews, you know that the book is not about a horse, but don't worry -- the horse is significant as a metaphor. There were a few places where I felt the narrative dragged a bit and the relationship between Daphne and Eddie seemed strange and maybe even questionable, initially, until the backstory starts filling in. As a character, Daphne seemed a bit idealized to me at times, but I also think I'm slightly envious of her hardiness (both as a child and as an adult).

Like most of Ann Patchett's novels, this is a very human story, and the author gets out of the way of her characters and let's them tell us what we need to know, when we need to know it. I highly recommend it for those favoring reflection and character growth. If you are lucky enough (as I am) to have a beautiful relationship with a step-parent, you will probably very much enjoy this book. If, however, you've had a troubled or terrible relationship with a step-parent (particularly a stepfather), I'd recommend passing on this one if that relationship has traumatized you.


View all my reviews

Challenges on Storygraph (@rebcamuse):
2026 Reading Goals 21/60
#192030 Challenge:2026

Tuesday, July 7, 2026

2026 #17 The Anthropocene Reviewed (Green)

 

The Anthropocene Reviewed: Essays on a Human-Centered PlanetThe Anthropocene Reviewed: Essays on a Human-Centered Planet by John Green
My rating: 5 of 5 stars

"Making conclusions about a book's quality from a 175-review is hard work for artificial intelligences, whereas star ratings are ideal for them." (3). Nothing quite like an introduction that dissects the act of reviewing to make one feel self-conscious in reviewing, but I shall make an attempt.

First, a prescription: take your time in reading these essays. Keep the book on your nightstand and read one or two at a time, when you need to remember that to err is human, but also so is to love, hope, dream, etc... Quite seriously: my only criticism of the book is that Green employs a rhetorical device that, while effective, starts to lose its punch when you read essay after essay. And Green is a good enough writer to nod to that in his "Postscript" (271 - 274). That's all I'll say about that, because there's far more weight that gives the book "five stars" for me. The scare quotes there are in homage to the book's m.0.

Green is a superb writer, and that's basically a requirement when analyzing the Anthropocene through lenses as diverse as Dr. Pepper, teddy bears, staph infections, invisible rabbits (or movies about them), the Indy 500, wintry mix, CNN...and...(here "etcetera" doesn't suffice because "the rest" you can't possibly guess). Each essay drew in my interest, even when I came pre-loaded with disinterest. In most of them, Green manages to do in four to five pages what CNN cannot do in a 24-hr. news cycle (his criticism of lack-of-context in journalism in the essay "CNN" (pp. 127 - 132) is spot on). But of course he isn't trying to provide "news" per se, but you will certainly learn about facets of humanity and history (and about Green himself) in surprising and fresh ways. The essays "Harvey" (pp. 133 - 138) and Auld Lang Syne" (pp. 145 - 152) are particularly excellent if you are in the mood for feeling and sentiment. Green, who is often hilarious and somewhat self-effacing, drops sentences like this as well:

"I'll never again speak to many of the people who loved me into this moment, just as you will never speak to many of the people who loved you into your now." (148)

Did your eyes well up with tears, or did that knot form in your throat? If so, you've probably known loss. I had to put the book down to give some heartspace over to the people who I've lost who have loved me into my now.

If you like art, as Green does, open up "Hiroyuki Doi's Circle Drawings" (191 - 194), which, if it isn't obvious from the above, is about a lot more than the drawings themselves. When it comes to grief, Green finds meaning in art by an octogenarian Japanese chef-turned-artist, but also, the "World's Largest Ball of Paint" (245-249), which, if you weren't aware, is in Alexandria, Indiana.

Even with the heterogeneity of topics, we never lose sight that it is indeed the Anthropocene under review. "For humans," Green writes, "being in uncharted territory is often good news, because our charted territory is so riddled with disease, injustice, and violence." ("Viral Meningitis, 206). The paperback edition includes two additional essays: "The Orbital Sunrise" (279-286) and "The Gingko Tree" (287 - 295), both of which imply that Green probably has a ten-volume set of essays brewing inside of him.

I can't think of a person to whom I would not recommend this book, because I think everyone can benefit from thinking about hot dog eating contests and the Bonneville Salt Flats in ways they did not imagine. If you are looking for "feminist" lit (and there the quotes are because I think it really is just about caring about humans), Green's "Air Conditioning" (73-78) makes a really great point about the determination of "room temperature" in offices and how that came about. If you thought Charles Darrow invented the game Monopoly, you'll want to read his essay on the game (175-179). And C.S. Lewis gets to be "the widower" of American poet Joy Davidman, quoted in the essay on viral meningitis. But if you don't know what you are looking for at all? Pick up this book.

View all my reviews
Challenges on Storygraph (@rebcamuse):
2026 Reading Goals 17/60
Tackle your Physical TBR 2026: no. 11
#192030 Challenge: 2021

Wednesday, April 15, 2026

2026 #12 The Correspondent (Evans)

 

The CorrespondentThe Correspondent by Virginia Evans
My rating: 5 of 5 stars

I did not expect to enjoy this book as much as I did, given that wholly epistolary narratives often bore me. I can see why some people don't love it, but anyone who outright dislikes it might lack a soul (I said what I said). It is a deeply human narrative, cast in the voice (mostly of) Sybil Van Antwerp, a septuagenarian former legal clerk, who writes letters (and the occasional email) unabashedly to everyone from Joan Didion (who responds!), her neighbor Mr. Lübeck, the customer service agent at a DNA genetics site, her lifelong best friend, and more. Sybil has secrets, but not of the Frieda McFadden variety...more of the deeply tragic variety that many more of us carry than we likely know. What makes the book so striking for me is how unsensationalized it is--Sybil runs against the grain in several ways, but she's ultimately very human and relatable. Certainly one might empathize with her innate need for connection, which she expresses (at times stubbornly) through her devotion to letter writing.

There is a semi-predictable (and not really hidden) sub-narrative, and if anything, I found that to be a distraction from amazing exchanges (particularly with Basam and Henry). Some threads get tied up in a nice bow, but some don't, and that's exactly as it should be. When Sybil does finally reveal her secret, for me it was about to WHOM and HOW she revealed it that was the most touching. But again, by the time we got there, I was really much too invested in all the connections she had in various ways to feel too stunned/upset. I guess I felt upset for her and it does help explain a lot.

The end did not make me cry, but the middle did -- on several occasions. And that's a book I love. And it made me want to write a few letters of my own.


View all my reviews
Challenges on Storygraph (@rebcamuse):
2026 Reading Goals 12/60
Tackle your Physical TBR 2026: no. 8
#192030 Challenge: 2025

Saturday, February 21, 2026

2026 #6 Linger (McKinnon)

 

Linger: Salads, Sweets and Stories to SavorLinger: Salads, Sweets and Stories to Savor by Hetty Lui McKinnon
My rating: 5 of 5 stars

I think Hetty McKinnon gets full credit for my significant increase in vegetable intake. A huge fan of Tenderheart: A Cookbook About Vegetables and Unbreakable Family Bonds and To Asia, With Love: Everyday Asian Recipes and Stories From the Heart, I was very excited about Linger. The premise is essentially that almost anything can be a "salad" and "salad" is an opportunity to linger, to be in community with one another. McKinnon's prose is a treat to read--I love the ways that she acknowledges her past as part of her present. And I never review a cookbook until I've cooked at least three recipes. In this case, "Roasted Spiced Carrots and Crispy Tofu with Agrodolce" (138); "Spiced Chickpea and Lentil Salad" (136); and "Bibimbap-Style Gnocchi with Gochujang vinaigrette (115). The last is a favorite. Her flavors are inventive, but not so out there that you get confused. The agrodolce was terrific and now I'm thinking about other ways to use it. Honorable mention goes to "Green Beans, Caponata Style" (205), which is even better the next day! And I'm always down for a recipe that gets rid of the eggplant.

I've mentioned this before, but I also appreciate how well McKinnon's books are INDEXED. It makes it very easy to find a recipe with what I have on hand (especially shelf-stable stuff like Gochujang).
I look forward to cooking my way through most of this book.

View all my reviews

Friday, February 20, 2026

2026 #5 Murder in the Cathedral (Eliot)

Murder in the CathedralMurder in the Cathedral by T.S. Eliot
My rating: 5 of 5 stars

Poetry, prose, and play, woven together by Eliot. What a tremendous rendering of one of the most famous medieval martyrdoms, no less fashioned as a bit of a medieval morality play (particularly with the personified "tempters" with whom Thomas Becket converses prior to his death. The language is beautiful, with Eliot wielding alliteration more elegantly than his knights wield their swords bent on murder. The drunken knights get their own drinking song, with a couplet refrain "Come down Daniel to the lions' den,/Come down Daniel for the mark of the beast." Allusions abound.

I read this as a followup to Alison Weir's biography of Eleanor of Aquitaine, which in large part ,was more about Henry II. What a creative, engaging, and intelligent look back at history.

View all my reviews

Challenges on Storygraph (@rebcamuse):
2026 Reading Goals 5/60
#192030 Challenge: 1935
Tackle your Physical TBR 2026: no. 4

Saturday, December 27, 2025

2025 #54 Hamnet (O'Farrell)

 

HamnetHamnet by Maggie O'Farrell
My rating: 5 of 5 stars

This is a book about grief and love. "A Novel of the Plague" doesn't really cover it. That the plague is involved becomes less important than the relationships. It isn't an easy book to read if you have a soul. A historical imagining, O'Farrell illuminates the shadows of the historical icon known as Shakespeare, giving life to stories untold and names unsung. Agnes (alternatively known historically as Anne Hathaway) becomes the protagonist of the novel, which might seem strange given the eponymous role of the couple's son, Hamnet. In the end, however, the title is perfect.

I've had this on my TBR list for awhile now, and was eager to read it before seeing the film. I'm having a difficult time imagining it as a film, to be honest, but I've heard good things. I'll need to sit with Agnes as O'Farrell wrote her for a bit before allowing imaginative interlopers. The book is gorgeous in its details, and the semi-omniscient narration allows for a nuanced and multi-faceted empathy.


View all my reviews


2025FLT #8B  Night Watch <---------- Hamnet  (END)

Tuesday, December 23, 2025

2025 #53 Night Watch (Phillips)

 

Night WatchNight Watch by Jayne Anne Phillips
My rating: 5 of 5 stars

The writing is beautiful--Phillips writes her characters with such tenderness, but it is never overwrought. In fact, there's an interesting distance to the the narrative that keeps things feeling more historical than fictional. There were moments of dialogue that I felt dragged on a bit and the use of dialect made it challenging to engage, but that's more a failing of the reader (me) than the book. The story is incredible, tragic, and inspiring--to warrant all three of those adjectives is indeed a feat.


View all my reviews

FTL2025 7B: Demian<-----Night Watch -----> Hamnet

Thursday, December 18, 2025

2025 #51 The Great Believers (Makkai)

 

The Great BelieversThe Great Believers by Rebecca Makkai
My rating: 5 of 5 stars

It is stunning to me how visceral my memories of the 1980s are due to the AIDS epidemic. As a young person/pre-teen, I certainly didn't understand all the nuances, but I knew my gay stepuncle was losing friends. I remember well when Ryan White was barred from attending classes due to fear of exposure. My stepmom, who was a supplements editor for the L.A. Weekly, brought me home a print of Robbie Conal's "Artificial Art Official" poster of Jesse Helms.

I was not prepared for how all of these memories would come flooding back in reading this book. In the first few minutes of the audiobook, I listened to Michael Crouch and I thought, "Ugh. This is going to be a long haul." I'm so glad I stuck with it, because I was proven wrong. Michael Crouch's distance is absolutely perfect. It removes sensationalism and replaces it with sincerity--a certain pragmatic matter-of-factness that makes the horrors real, rather than extraordinary.

But it also Yale, who might end up being one of my favorite protagonists ever. What a splendid human in his frailty, his courage, his loyalty. He is written so well and so believably, that he is both inspirational and relatable--and it has little to do with his sexual orientation or even his gender. That's the mark of an amazing character, when identity is in the background of what connects to the reader. That's not to say that his identity as a gay man isn't important -- it is huge, and I'd say he's a very important gay character in that he moves in and out of circles that are often narratively exploited as stereotypes, but in a way that reminds us that we are all human beings trying to find our place in the world, seeking out others who will see us.

Nora Lerner is also another favorite character. She holds the torch -- not just for her lover, but for love itself. The entire book is more about love than anything else. And for something to be about love, it must also be about death, because that's the reality of it, isn't it. Makkai drives home the essential aspect of what makes us human. May we all have the someone we love enough to advocate for them long after they have died.

This book does not shy away from the gruesomeness that is AIDS-related death, but it is never for the shock value. It is related with tenderness and honors those that have suffered it. It isn't an easy book to read, nor should it be, but it is also a wonderful book to read. Any book that reaffirms life through a frank and bold look at death (and love, and joy, and suffering), deserves a place of honor.

This is quite possibly my favorite read this year.


View all my reviews

Monday, October 13, 2025

2025 #43 Martyr! (Akbar)

 

Martyr!Martyr! by Kaveh Akbar
My rating: 5 of 5 stars

This remarkable debut novel lives up to the hype. Fans of Akbar's poetry won't be disappointed, as he weaves in poems into the manuscript authored by the protagonist, Cyrus, an Iranian-American poet, writer, and recovering alcoholic. I did not know what to expect, having read little about the book as I'm simply trying to read all the 2025 Tournament of Books selections, and I think I'm better for not knowing what I was getting into. It is hard to describe the ride that is this book -- it is beautiful, tragic, funny, historical fiction, and one of those books where you feel you can connect with almost every character. There's even a plot twist -- handled deftly by Akbar, without resorting to clichéd sentimentality. Akbar lays bare themes of addiction, abandonment, artistic impulse, religiosity, media filters, racism, sexuality, and yes-- martyrdom--all in a way that seems like one of those rare honest conversations one might have with a close friend (often while inebriated, for some). The only drawback (if I can call it that) for me was the final scene between Cyrus and Zee. While I understand the reason for the lack of earthiness, it jolted me out of what I loved so much about the book -- the "here-and-nowness" of it--the starkness and the reality. I would have enjoyed a more subtle experience. But that doesn't keep me from saying that Martyr! is definitely in my top five books that I've read this year.

View all my reviews

Tuesday, September 16, 2025

2025#40 The Poisonwood Bible (Kingsolver)

 

The Poisonwood BibleThe Poisonwood Bible by Barbara Kingsolver
My rating: 5 of 5 stars

Some books, possibly the best books, are experiences. That most definitely describes this epic work. Any review I might write here would not match the scale of the book, but I will try to offer some thoughts. I won't take up space with a summary, since that is available elsewhere, but get right to what made the book so powerful for me.

Characterization. I'll focus on the main characters here: The four daughters are very different, starting with the Nellie Oleson-like eldest daughter Rachel, who launches malapropisms at her detractors (real and imagined) as if they were poisoned arrows. We can occasionally laugh at her (one of my favorites: "Thyroid Mary"), but when she isn't overwritten, we might recognize the whiteness of settler colonialism at perhaps its most pernicious, because it comes with such a set of excuses and sense of self-righteousness. There are also moments where she might remind us of certain "leaders":

"Heck, wasn't I the one hollering night and day that we were in danger? It's true that when it happened I was the oldest one there, and I'm sure some people would say I should have been in charge." (465)

Leah strives to be pious (at least initially) and to please her father, but unlike her older sister, we see far more growth in her character. Adah, Leah's twin sister, is physically disabled, but likely the smartest of the bunch and relies upon manufacturing palindromic phrases (the juxtaposition of this linguistic ability against her sister Rachel's is not lost on the reader). The youngest, Ruth May, has probably one of the more "hit-you-over-the-head" narratives in the book, but we learn why. Then there is the father - Pastor Nathan Price, and the mother, Orleana. Except for Rachel, occasionally, no one is a cliché. We grow to care both for their individual narratives, as well as that of the family. Some of the other major characters, like Anatole, for example, we see mostly through the eyes of one (or more) of the daughters and this is important to remember because Kingsolver seems to do this to recognize her own positionality.

There are so many pull quotes -- I'm glad I read this on my kindle so I could easily share them on GR, but aside from the story itself, Kingsolver's gift with language is astounding. Even the simplest description becomes fresh in her words: "In the local market, a bubble of stopped conversation moves with me as I walk." (472) And occasionally, we get something akin to an aphorism: "we are our injuries, as much as we are our successes" (496).

Truly the book deserves an essay-length review, but if I am not up to the task it is for lack of time, not desire. For readers unfamiliar with the history of the Congo in the twentieth century, I'd recommend even just a quick Wikipedia review before launching into this book (and I almost NEVER , as a historian, recommend Wikipedia). This would make a VERY interesting "companion" read to Joseph Conrad's Heart of Darkness.

It took me a good chunk of the summer to finish this book -- not because it is long, but because I had to set it aside occasionally. It is rich, sorrowful, deep, informative -- there's just a lot. But I think it deserves that time and attention.



View all my reviews

2025 #39 DEI Deconstructed (Zheng)

 

DEI Deconstructed: Your No-Nonsense Guide to Doing the Work and Doing It RightDEI Deconstructed: Your No-Nonsense Guide to Doing the Work and Doing It Right by Lily Zheng
My rating: 5 of 5 stars

I let this book sit for far too long on my shelf. I've long admired Lily Zheng for their posts on social media (I follow them via LinkedIn). While Zheng has since introduced a new approach to DEI: the FAIR Framework (Fairness Access Inclusion Representation), it is essentially the outcome-driven approach she advocates in this book. While the current governmental attack on DEI has not that much to do with the weaknesses described in this book (at least politically), their advice is sound and certainly would have/would strengthen DEI initiatives at all sorts of institutions: companies, higher ed, etc. It is truly "no-nonsense" -- very "tell it like it is" without unnecessary abrasiveness or grandstanding. They really want to help us all do better. Chapter 2, where Zheng "reformulate[s] the key terms and concepts of the DEI space away from their feel-good buzzword roots and toward operationalized and tangible outcomes" is particularly useful.
There were several "mic-drop" moments for me, such as:
"Identity isn't morality. Being privileged or marginalized on one or more dimensions of identity doesn't make us any better or worse as people; it simply positions us differently and offers us different advantages and disadvantages within broader systems. It changes the power we have access to and our ability to understand experiences similar to and different from our own." (165)
It doesn't get much more "no-nonsense" than that.
What is really helpful is that Zheng's approach can help ANYONE first, identify their stakeholder role (as well as their relationships to other roles), and then provides helpful reflections and exercises to make those things a reality within our varied spheres of influence.
Really essential reading for anyone doing work in the "DEI" sphere -- even if the acronym has changed, it is worth thinking about the pitfalls because they can easily occur no matter the abbreviation we use.

View all my reviews

FTL2025 5B challenge DEI Deconstructed---->Demian (Hesse)

Sunday, August 31, 2025

#2025 #38 On Tyranny (Snyder)

 

On Tyranny: Twenty Lessons from the Twentieth CenturyOn Tyranny: Twenty Lessons from the Twentieth Century by Timothy Snyder
My rating: 5 of 5 stars

Is this some lofty tome packed with new critical insights and expansive historical knowledge? No. Does it aim to be? No. Did it actually take me five months to read? No. But I had to put it down because I read before bed, and well -- this should keep you up at night. But hopefully with a sense of energy and resolve.

What the book IS, however, is a reminder. A reminder of the things you should hold dear. The things that truly COULD make us great, or at least could reinvest in real patriotism. It is an expanded listicle of 20 "lessons" from the twentieth century. The book opens with: "History does not repeat. But it does instruct." Heather Cox Richardson illuminates that in her "Letters from an American" posts. If you feel you lack courage to resist, throw this tiny book in your bag and take it out and reread it as you wait for the bus.

Make eye contact and small talk (#12).
Start somewhere.



View all my reviews

Friday, August 29, 2025

2025 #36 James (Everett)

 

JamesJames by Percival Everett
My rating: 5 of 5 stars

This is a book that needed to be written and needs to be read. There's no better way to reconcile some of the problems with Mark Twain's Huckleberry Finn than with satire. But while satire comes into play, this is also a truly beautiful novel. And it isn't just simply "The Adventures of Huckleberry Finn as told by Jim", although it has been so many years since I read Twain's book I can't claim knowledge of a side-by-side comparison. The messages aren't subtle, but it is an invitation to think about an old character (or actually old characters--Huck, too), in a new way. There are parts that drag a bit, but overall the novel illuminates the privilege of "adventures" and how characters can reclaim and change the archetypes to which they've been relegated.

View all my reviews

Monday, August 4, 2025

2025 #33 The 1619 Project: A New Origin Story (Hannah-Jones, ed)

 

The 1619 Project: A New Origin StoryThe 1619 Project: A New Origin Story by Nikole Hannah-Jones
My rating: 5 of 5 stars

No book or project could ever be comprehensive when it comes to exploring and capturing the history and legacy that began in 1619, when enslaved Africans set foot on the shores of North America, a year prior to the arrival of the Mayflower. The book is an enlargement of Hannah-Jones's foundational The 1619 Project, published in the New York Times Magazine. However, as a reclamation of American History, this book is a chronicle, a celebration of poetry, art, and writing, and a call for understanding and moving forward. "A truly great country does not ignore or excuse its sins, it confronts them and then works to make them right," Hannah-Jones says in closing.

The contributors to the book are many and varied, with some of the most profoundly powerful and influential voices of our time: Claudia Rankine, Khalil Gibran Muhammad, Michelle Alexander, Ibram X. Kendi, Henry Louis Gates, Terry McMillan, and so many more.

In the audiobook, some readers are more compelling than others, but the words are potent, well-researched, and a true call for understanding how conventional narratives of American history have been whitewashed. Turning points, such as Abraham Lincoln's assassination, are reframed so that we understand that when Andrew Johnson took over the presidency for a brief two-month period, he tried to rescind wartime Order No. 15 (known as "Forty Acres and a Mule") and that these original reparations never truly materialized in a way that provided widespread and sustained land ownership to Black Americans. The connection of this (and preceding events) to the current wealth gap between Black and white Americans is made clear.

Ibram X. Kendi's truth-telling is particularly powerful, especially as it targets and demolishes narratives of "post-racial" America. The criticisms may be hard to hear for some, but the cycle of attempts to declare any and all "wins" as progress has largely clouded the narrative in its failure to recognize the persistence of neglect and abuse toward Black Americans, and the systemic infrastructure that perpetuates it.

It is not an easy book to read/listen to -- nor should it be. There is deep and painful beauty expressed in the poems. Few facets of modern life are left un-addressed, whether it is healthcare or mass-incarceration. The book can be (and has been) excerpted to great effect, but sitting with it from start to finish has its own benefits. As a white American, it was invaluable to be reminded of the things I have learned, to be invited to de-center white historical narratives, and to critically consider how much we truly owe to the legacy of Black Americans and how we have failed (and continue to fail) to honor it and fight for it. There has been a lot of backlash and vitriol aimed at the project. I recommend engaging with the book instead of allowing the controversies to subsume the content.


View all my reviews

Monday, July 21, 2025

2025 #30: More Than Words: How to Think About Writing in the Age of AI (Warner)

 

More Than Words: How to Think About Writing in the Age of AIMore Than Words: How to Think About Writing in the Age of AI by John Warner
My rating: 5 of 5 stars

One might draw parentheses around "in the Age of AI" when it comes to John Warner's excellent book. If there is one thing that is certain, generative AI has made it necessary to think about writing in general, as the assumed ubiquity of AI has implied definitions of writing that are certainly unsatisfactory from a pedagogical standpoint, and stand as evidence of the marketplace's power to (try to) shape our destiny. But this isn't just another example of capitalism's dominion. Many uses of AI ask us how much of our humanity we are willing to relinquish? The answer is demoralizing for many of us, yet Warner does provide a framework which he details in the last section of the book: Resist. Renew. Explore.

Warner starts, however, at the "beginning". He eschews "intelligence" as a synonym for "automation" --the real function of AI. I'll admit to a strong confirmation bias, but Warner puts AI through its paces to offer a well-considered and informative critique that I found incredibly helpful in quieting the bile that rises in my throat when it seems everyone has just obeyed our AI overlords in advance. He begins with an accessible explanation of what ChatGPT is and what it is doing when activated. While it is informative, it also serves to remind us that, at some level, we must understand how technology works rather than just allow ourselves to be uniformly awed (or galled) by its "magic." He is openly critical of the propaganda put forth by AI advocates who stand to gain financially (e.g. Sam Altman), but carefully debunks their claims rather than resorting to panicked invective.

Some of the chapter titles read like tongue-in-cheek clickbait, but it adds to Warner's overall sense of humor, which pops up throughout the narrative. To be sure, we are reading a very human writer.

Chapters 3 to 9 offer a more personalized view--almost a mini-memoir of Warner's own life as a writer-- but peppered with rather significant points about semiotics and rhetoric that are a heckuva lot more reader-friendly than most of what is written about semiotics and rhetoric. On a personal level, Chapter 6, "Writing is Feeling" touched me the most, and I think mileage will vary on that depending on the life experiences of the reader. I wasn't quite prepared for tears in encountering one of the most perfect meditations on grief I've ever read. I won't quote it here, but it is on p. 84 (hardcover). It underscores that this is very much a book about being human.

Chapter 7, "Writing as a Practice" felt a bit less useful and more of a (gentle) mouthing-off against the "one key thing" mentality that prompts us to enthusiastically adopt the shiny thing du jour. His diplomatic takedown of Gladwell and Duckworth's themes felt more gratuitous than other parts of the book, but that may be because I needed no convincing at the outset.

Writing teachers (and teachers that use writing) will find chapters 11 to 14 particularly useful, especially if they are interested in having conversations with their students about AI--or rather, about writing. The title for Chapter 16 privileges an anecdote that Warner uses to address one of the most important points of all: writing as intention.

Importantly, Warner encourages constant education, but measured by our own specialities and areas of focus. We cannot possibly read all the things about AI (my Substack feed overwhelms me every day), but it is important to push back at our own confirmation bias as well. I appreciated that Warner notes that he is almost "more obligated to read [Ethan Mollick] because I disagree with him.' (275). There's hope if we engage with thoughtful voices like Mollick, Marc Watkins, and others. Warner says we must foster community:

"Our communities inevitably must contain both those with whom we agree and those with whom we differ. As long as they are willing to see themselves as a member of the community with the well-being of the community in mind, they should be welcome." (275).

I'd like to print that out banner-size and hang it in a few places...

From the morally questionable beginnings of the founding of AI, the degradation of labor (and human-ness), to the careless implementation of automated grading, Warner is clear that we are leaning toward a Faustian bargain when it comes to AI. As a teacher, I was particularly struck by this:

"Writing is meant to be read. Having something that cannot read [AI] generate responses to writing is wrong. It is a moral betrayal of our responsibilities to students." (240) Far too often in discussions of AI I have heard "efficiency" used as a synonym for "pedagogy" and they are certainly not the same thing.

But Warner is also pragmatic: "There is no wishing away AI at this point, meaning it must be grappled with and done so in a way that preserves our humanity." (128) He allows for the limited use of LLMs in processing text (not reading, not writing): "Only humans can read. Only humans can write. Don't let anyone tell you otherwise.." (123)

AI has made it necessary (possible?) to critique our values when it comes to a lot of things, but especially writing. Most educational systems are founded on valuing product over process, so we can't be that surprised when we find that students are using ChatGPT to "cheat." Efficiency is key in the systems we uphold. If we want to truly have our students embrace the "messiness of learning", we have to stop honoring that which privileges standardization and the mechanization of education. The second part of Warner's framework is "renew" and he makes a more-than-convincing case that we can refuse to assimilate into some sort of algorithmic Borg, and instead embrace the human processes of reacting, observing, analyzing, and synthesizing as cause for celebration, rather than erasing them in the name of efficiency.



View all my reviews

Sunday, February 9, 2025

2025 #7: The Discarded Image (Lewis)

 

The Discarded Image: An Introduction to Medieval and Renaissance LiteratureThe Discarded Image: An Introduction to Medieval and Renaissance Literature by C.S. Lewis
My rating: 5 of 5 stars

The subtitle of this book is misleading in some respects. If you are not already well-versed in literature (not just medieval and Renaissance lit, but Hellenic antiquity as well), you might find yourself frustrated by Lewis's consistent references to items he believes should make up a core knowledge. That said, there is so much to be gained here and one should avoid distraction by getting too bogged down in the individual references. To do so is to miss the proverbial forest for the trees. Ultimately Lewis is building a case for a medieval model, and his epilogue addresses the complex and layered meaning behind that word. Ultimately he proposes more of a model-process: "The new Model will not be set up without evidence, but the evidence will turn up when the inner need for it becomes sufficiently great." (222-23).

Somehow, Lewis manages to bring us from talk of angels and daemons (not always demons), to an investment in the exercises of the human soul, such as Intellectus and Ratio:

"We are enjoying intellectus when we 'just see' a self-evident truth. We are exercising ratio when we proceed step-by-step to prove a truth which is not self-evident. A cognitive life in which all truth can be simply 'seen' would be the life of an intelligentia, an angel." (157).

It cannot be forgotten that Lewis was a literary scholar, a theologian, a poet, and himself a writer of science-fiction and fantasy. One gets the sense when reading Lewis, particularly in this book, that none of these are actually distinctively parsed for him. His acknowledgement and study of tropes seems to play out in real time, with statements that could be one or more layers of his intellectual onion. He critiques how we consider the past--as a 'costume play.' "This superficial (and often inaccurate) characterisation of different ages," he writes, " helps far more than we suspect towards ur later and subtler discriminations between them." (183). Indeed, I often remind my students (and myself) that history is more about patterns and tropes than pigeonholing figures, events, and art into narratively defined styles and genres.

The sum of the micro-literature reviews, the subtle 'digression' about digressions, and the encyclopaedic tone (something Lewis manages as an art), is an over-arching treatise on our human condition as it relates to literature (and art as a whole):

"Literature exists to teach what is useful, to honour what deserves honour, to appreciate what is delightful. The useful, honourable, delightful things are superior to it: it exists for their sake; its own use, honour, or delightfulness is derivative from theirs. In that sense the art is humble even when the artists are proud..." (214)

This book could be read in multiple ways. Perhaps when I have more time for curiosity, unhampered by the obligations of a career, I will sit again with this book and look up every treasure that Lewis cites. I will see the details of the collective contributions toward the medieval Model, and I suspect I will be richer for it. Lewis is not without his detractors, notably Philip Pullman (an author whose books I love), and others who have critiqued some of his works as sexist, and depictions in Narnia, in particular, as racist. Not having read any of those books since I was a child, I'm not equipped to comment on that at present, but I keep it in mind as I read Lewis's non-fiction works.

View all my reviews

Follow the Leader Challenge 2A ---> Enacting Musical Time by Marius Kozak

Saturday, January 11, 2025

2025 #3 Grading for Growth (Clark/Talbert)

 

Grading for GrowthGrading for Growth by David Clark
My rating: 5 of 5 stars

David Clark and Robert Talbert's Grading for Growth is a truly useful book for anyone designing a course, full stop. Even those who may wish to stick to traditional grading structures (or have to, due to mandates), can benefit from thinking about the four pillars (as defined by the authors) of alternative grading: 1) clearly defined standards, 2) helpful feedback, 3) marks indicate progress, 4) reassessment without penalty. The challenge comes in fighting the pre-conceived notions of what letter grades stand for and their import.

The book offers some background on alternative grading: SBG (standards-based grading), specifications (specs) grading, and ungrading, although SBG gets pride of place in the authors' own assessment strategies. Because of this, sometimes it can be a bit blurry when they are talking "standards" as a pillar, or SBG as a specific system--especially later in the book. Chapter 5 does address standards-based grading quite specifically, and chapter 6 is devoted to specs grading, so the frameworks are fairly clear, but those new to these systems might benefit from additional reading, such as Linda B. Nilson's Specifications Grading.

The most significant part of the book (for me) was the Chapter 11 Workbook. I'm reminded of a wonderful professor I had for Macroeconomics in college. I was on the verge of failing her class--a first for me, and I came to her office in tears, one or two days before the final exam. She wrote out a schedule for my next 24 hours, specified exactly which carrel in the library I was going to sit in, when I would be taking breaks, eating, and sleeping. That list held my hand through studying for this final exam I thought I would surely fail. I didn't fail, and I passed the class with a very low grade, but I passed. What does this have to do with Chapter 11?

Well, it is truly a step-by-step guide to course design. It says it is a workbook for alternative grading, and certainly that is the focus, but the process the authors lead us through is a beautiful example of backward design. Now many teachers I know (myself included) always think that our learning outcomes are tied to our assignments, but I fully admit that my intentionality in making sure that's the case hasn't always been optimal. Administrative mandates about "phrasing" rather than helping faculty make the connections between outcomes and assessments haven't always helped either. About two years ago, I started numbering my course's learning outcomes and placing that number next to the various assignments. This was just something that made sense to me as I started to feel like LOs were becoming frivolous rhetoric--at least for the students. I didn't know that I was starting the process that undergirds alternative grading. Each of the 9 steps is clearly explained, with a time estimate for each step, as well as a continuous case study featuring "Professor Alice" and her "First Year Seminar" course that you review before working with your own course. Again, some of what's included might seem like basic common sense, but I suspect many instructors skip some steps here and there, and I know that I've certainly come up with coping strategies when I've not thought something through as well as I might. Steps 1-8 are doable in an entire day (and that's suggested), but I found it more effective (given my cognitive load preferences) to spread it out over several days, which allowed me to be fresh. The authors stress that one shouldn't spend TOO much time because essentially everything is fundamentally a draft. Most helpful to me were Step 3: Make A Prototype of the Marking Methods and What the A and C (D in my case) represent and Step 5: Build one Assessment and rehearse the Feedback Loop. Given my time constraints and the way I tend to think, I did sort of mush steps 6-8 together a bit, but perhaps those more disciplined can compartmentalize better. Whether one is designing a brand new course (which I think added to my inability to isolate those latter steps) or redesigning an existing one, this chapter is invaluable.

Chapter 12, "How to Do it," is also very useful, taking us out of the grade book and into reality, and reminding us of the big picture, e.g. building trust and promoting buy-in. The book can be used somewhat piecemeal, I suppose, although I think there is much to be gained by reading the chapters on large classes and lab classes, even if those scenarios are not directly applicable to one's own courses.

The authors, who have an absolutely terrific Substack of the same name (Grading for Growth), are humble and intentional. There is no smug grandstanding, or hyperbolic claims. Well-balanced in theory and practical advice, the book is one of the best I've read about teaching (in general). It models the collegiality that should be encouraging instructors to invest intentionally in their course assessment. While the authors don't specifically address UDL (Universal Design for Learning), the four pillars certainly intersect with the concept of building "expert learners" (old UDL guidelines), and "learner agency" (UDL 3.0 guidelines). Iterative work and feedback loops are at the heart of it all, and the spirit of the book is in keeping with the "plus-one" approach in Tobin/Behling's Reach Everyone, Teach Everyone (West Virginia University Press, 2018). If you are a teacher who has been feeling a bit "meh" about your courses, read this book. You'll find something to take with you. And do you yourself a favor, start reading it a month prior to your course (or at least get to Chapter 11). Learn from my mistakes.

View all my reviews