2025 #35 Cocaine Blues -- Phryne Fisher #1 (Greenwood)

 

Cocaine Blues by Kerry Greenwood
My rating: 4 of 5 stars

As a big time fan of the TV series, I was excited to finally start the book series!
Phryne Fisher is delightful, although her character is even more "scandalous" in the book than portrayed on the series (well, at least it is, unsurprisingly, more graphic). I'm impatient to see how Detective Robinson develops, and that is what I get for breaking my own rule about not watching a TV/movie adaptation before reading the book.

This installment is good, if a bit uneven. Firsts are hard -- the author has to hook you on the characters AND tell a good story. Greenwood deftly uses the dancer Sasha and the impressionable Dot to help show us Phryne's character, but also as pivotal plot pushers. Phryne is hedonistic, yes, but not just that, and it is ultimately a pleasure to get some insights beyond her roaring 20s persona. It does bite off a lot, however: poisoning, illegal abortion, drug smuggling, thugs, Turkish Baths. The whirlwind sometimes overwhelmed, but overall I'm happy to continue with the series!

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2025 #22 St. Peter's Fair (Peters) - Brother Cadfael #4

 

Saint Peter's Fair by Ellis Peters
My rating: 3 of 5 stars

Perhaps fairs just aren't my thing, but this particular installment in the series felt like a real slog. It did not hold my interest, but I'm too stubborn to DNF, so thank goodness my library does automatic renewals. I'd be tempted to give it two stars, but I want to honor the writing here, which is, as always, excellent. Only the last 30 pages or so sparked my interest (no pun intended and that is a very weak spoiler). Emma made for an interesting character at the end -- a good balance to the angelic Aline.

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2025 #20: Great Expectations (Cunningham)

 

Great Expectations by Vinson Cunningham
My rating: 3 of 5 stars

Really more 3.5 stars.

Having decided to try to read all the 2025 Tournament of Books shortlist, I started with Great Expectations and I'll resist troping the title in this review.

A debut novel by New Yorker theater critic Vinson Cunningham, it traces the rather passive existence of David Hammond, a twenty-something Black man who almost unwittingly winds up as a staffer on Obama's 2008 presidential campaign (although in the book, the former president is never identified by name). Cunningham was actually a staffer, so one wonders how much of this "novel" might actually be memoir, and that actually becomes important as the "plot" isn't really much of a draw. It isn't about the campaign, to be sure, but we are treated to some smarmier moments of life on the campaign trail, but interspersed with David's musings on his past: his time in the Pentecostal church as a child, his rather incidental fatherhood, his hookups, his childhood in Chicago... It is difficult to get a foothold in the narrative sometimes. There are sentences that sing (and there's a good deal of sonic and musical emphasis in the novel), but then there are more stream-of-consciousness babblings that seem to be aspirational Saramago.

I had a tough time sustaining my attention (two renewals on Libby!), but the last quarter of the book finally seemed to pick up a bit, although I'm hard-pressed to tell you why. There is a little bit of intrigue and controversy that hits the campaign, but David also seems to take that in as a passive observer. It is hard to call him a protagonist as he doesn't seem to be actively or emotionally invested in his own life or observations. They are just there.

It is a good book--and with some of the detritus cleared and perhaps a bit more interest in the trajectory of narrative, it could have been great. Certainly it was enough that I'll be curious to read what comes next from Cunningham, and I hope there is a "next"!


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2025 #10 Council of the Cursed (Tremayne) - Sister Fidelma #19

 

The Council of the Cursed by Peter Tremayne
My rating: 4 of 5 stars

The historical backdrop for this installment is the Council of Autun (in present-day France)-- c. 670-- that was convened under Bishop Leodegarius (Leodegar) to regulate the implementation of Benedictine Rule. The Bishop is a character in the story. Most significantly, a central area of focus was banning the compatres (special companions/spouses) for monks, a practice we know from Fidelma was still accepted in Ireland (Hibernia), although not without challenge. In the historical note, Tremayne defends his interpolation of wives of clerics being sold into slavery, albeit citing much later actions by Popes Leo IX and Urban II.

Some of the characters felt a bit overwritten -- the imperious Abbess Audofleda and Lady Beretrude, especially. Valretrade, on the other hand, often faded into the scenery, which was unfortunate given her role in the story.

However, this particular volume excelled in parsing regional differences not just in beliefs, but also customs, not just between Celtic regions and France, but even Franks vs. Burgunds. King Clotaire (aka King Clothar III) is another historical figure, who Tremayne only gives voice to toward the end, but it is effective.

Returning characters include Abbot Segdae, and from the previous book, Verbas of Peqini, who some may recall did not part company with Fidelma on good terms.

The mystery itself follows a fairly common formula (used several times in the series) wherein Fidelma is called to investigate a murder that seems obvious, but is not in the least (hence, a story). The reveal at the end was blissfully short relative to Fidelma's usual dramatic and drawn out conclusions, and Tremayne seems to be getting more comfortable in allowing the main protagonists (we can include Eadulf, sometimes) to be in harm's way as the series progresses.

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2025 #6: Dancing with Demons - Sister Fidelma #18 (Tremayne)

 

Dancing with Demons by Peter Tremayne
My rating: 3 of 5 stars

This particular installment of the Sister Fidelma series digs into the tensions between the "old ways" and the "New Faith" with much more detail than the previous books. While occasionally tedious to hear it explained via audiobook, the additional context adds a complexity and richness to the world of Fidelma that is more than just Druids vs. Christians. The plot, however, is very slow, and the reveal (in typical Fidelma fashion) takes almost 40 minutes in the audiobook. The motive itself does provide some twists and turns, but the answer to "whodunnit" was so complex and full of weird afterthoughts that I wasn't that interested in the end. This is often the case when there's an "obvious" murderer at the outset -- in this case Dubh Duin, chieftain of the clan Cinél Cairpre, who cannot unfortunately provide any defense or otherwise since he seems to have taken his own life after seemingly killing the High King Suchnussach in his bedroom. All is, as you might guess, not what it seems. This is the situation in which Fidelma finds herself.

Happily, in terms of character development, we start to see an increase in Fidelma's self-awareness, particularly of her treatment of Eadulf, who also seems to be coming more into his own.

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Series About Series Challenge 2025 no. 2 February

2024 #54 The Women (Hannah)

 

The Women by Kristin Hannah
My rating: 5 of 5 stars

4.5

This is a really important book that takes as its context the approximately 10,000 women who were in Vietnam during the war as nurses, doctors, air traffic controllers, etc, and focuses it on the life of one Frankie McGrath. Motivated by her brother's service in the Navy, a twenty-year-old Frankie (almost 21!) finds herself at an Army recruitment office, eager to put her nursing skills to use as part of the war effort. She longs to be on her father's "Wall of Heroes" and after a short and successful stint in boot camp, bounds off to serve as a nurse in Vietnam.

The book is as much about what happens upon her return home as it is what happens over there, but Hannah manages to create characters and relationships that are so vibrant and recognizable in their messy truths. Hannah definitely honors these women who were so crucial to helping the injured, and while the narrative does get a bit preachy at times, there are plenty of raw and unadulterated ugly-cry moments. I have not yet read The Nightingale, but I was reminded of Hannah's The Four Winds in how multi-dimensional and real the women characters are. The lack of conflict between Frankie and her two best friends didn't always ring true for me, and I found myself slightly annoyed at Frankie's naivete, but that's a lot of privilege on my part.

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2024 #48 One Corpse Too Many - Brother Cadfael #2 (Peters)

 

One Corpse Too Many by Ellis Peters
My rating: 3 of 5 stars

I might go back to the audiobook format for the series, but I did enjoy this read. The characters are great, including the foe who becomes a friend. The political aspects between Stephen and Maud are left a bit blurry, with King Stephen getting more airtime, but the introduction of Godric near the beginning makes for a fun ride. This is definitely character-driven, although I found Cadfael's manipulation a bit tedious at times. Aline Siward is hard to picture in my mind, and I found it difficult to sympathize with her character, but I did love Godric, Torold Blund, and especially Hugh Beringar, one of the more interesting characters.

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2024 #42: A Morbid Taste for Bones - Brother Cadfael #1 (Peters)

 

A Morbid Taste for Bones by Ellis Peters
My rating: 4 of 5 stars

Given that I'm generally a fan of monastic medieval mysteries, I'm not sure why it has taken me this long to finally read Cadfael! Perhaps I was unduly biased against Derek Jacobi's rarely smiling face in the promotions for the TV series in the 90s. My mother pushed me toward Peter Tremayne's (aka Peter Ellis -- now THAT's confusing/strange) Sister Fidelma series, which I love, but somehow did not seem interested in Cadfael. I'm going to guess renegade Celtic nun beat out male Crusader-turned-monk in my mother's hierarchy of protagonists/sleuths.

I adored it--the audiobook, narrated by Patrick Tull, was wonderful in picking up the subtle wit of Cadfael's thoughts and generally didn't feel it necessarily to inject gendered artifice into the voicings, relying more upon character differentiation. Many of the characters were surprisingly loveable -- including the good-natured and impish Brother John, and Father Huw--the parish priest at Gwytherin. I also appreciated that it was four chapters before anyone died (it is a mystery, so that's not a spoiler!) It did make it a bit predictable as to who would be the victim, but it was refreshing to have so much character building first. I might quibble with the end -- a bit too much effort to ensure we get closure on the various subplots, but it is a small quibble. The pro-Welsh quips and writing of scenic detail more than make up for it. I'm excited to read the rest of the series (finally!)

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2024 #41: A Gentleman in Moscow (Towles)

 

A Gentleman in Moscow by Amor Towles
My rating: 5 of 5 stars

If you told me that I would come to love a 462-page novel about an aristocrat held under house arrest in a luxury hotel in Moscow, I probably would have been skeptical at best -- visions of Eloise with a "touch" of Solzhenitzyn? How strange. But given the wide variety of personalities belonging to the myriad friends who recommended this book, I finally dug in courtesy of my local public library network.

I was charmed by Count Alexander Ilyich Rostov, who has been in exile in Paris, only to be arrested upon his return to the mother country after the Bolshevik revolution. It is the arrest that starts the narrative, and Towles artfully employs flashbacks to fill in the backstory of the Count. According to Wikipedia, the formal structure of the novel is what we might call arch form in music -- the time intervals between each chapter double until we reach sixteen years later, and then it reverses, with the time intervals halving (16, 8, 4, etc...) until the final day. I will confess I did not notice this, nor have I confirmed it (having returned the book to the library), but if it is true, it is just one more delightful aspect of this subtle and enthralling book.

Yes, indeed -- perhaps subtly enthralling might be a better description. A few chapters in I was healthily invested, marveling that there were so many pages to go and yet very little had happened. But then we meet Nina, and Towles writes one of the most wonderful relationships between adult and child I've ever read. We don't need third person narration to see what happens to the Count. And what is so wonderful is that this is not a cliché tale of a child warming the stone-cold heart of the cantankerous adult. The Count is seemingly a constant model of affability and good cheer, taking his (relative) misfortune in stride, finding comfort in routine, books, food, wine and the ordinary miracles of the everyday. The relationship reminded me of one of my other favorite books (The Elegance of the Hedgehog by Muriel Barbery), although Nina is far less precocious than Paloma , and the Count has social graces absent from Barbery's genius-in-disguise, Renée Michel.

While 98% of the novel takes place in the hotel, we see the Metropol as few do, courtesy of a "borrowed" key and later, as the Count takes up a job in the hotel. Without resorting to maudlin sentimentality, there are some significant shifts in the plot that other writers might lean into, but Towles casts both the dramatic and the mundane through the eyes of the Count, who remains even-keeled and debonaire, but NOT--and this important--NOT aloof. That's what makes him such a wonderful character. He is invested in loving what (and whom) there is to love. By the time we get to the "intrigue" of Book Five, we are already on board with wherever Towles wants to take us -- a planning meeting with the head chef Emile and the maître d' Andrey, or a meetup with the actress Anna Urbanova, or a game of "Zut" with Sofia--and we barely notice the shift into a different genre!

This book is, in short, a piece of art. It deserves to be read even by those who don't think they will enjoy it. Yes, it is literary--allusions and references abound -- to Russian literature, world history, and the movie Casablanca. It is not plot-driven until the last part of the book, but instead an opportunity to read beautifully rendered characters--even the antagonist (such as he is) is entertaining seen through the Count's general bemusement (and occasional amusement). Unlike other books garnering a five star review from me, this wasn't a book I "couldn't put down" but more of a book I "had to pick back up." I only read a few pages at a time (largely because I read before bed and I'm middle-aged), but I always looked forward to tuning in the next night. I was disappointed to say goodbye to the Count, but also pleasantly sated--a rare feeling with books these days.


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2024 #39 The Night Watchman (Erdrich)

 

The Night Watchman by Louise Erdrich
My rating: 4 of 5 stars

1953 was the real-life year of the U.S. Congress passing House concurrent resolution 108 and therefore establishing the federal policy known as "termination", which sought to abolish tribes and relocate American Indians (the start of a series of proceedings held from 1953- 1970). Primarily through the story of the titular character, Thomas Washashk (based on the life and activism of Erdrich's grandfather, Patrick Gourneau), and Patrice (Pixie) Paranteau, the novel revisits the mid-century tension of a people long dispossessed and disenfranchised caught in a no-man's land of ambiguously defined citizenry and capitalist manipulation. Thomas, who serves on the tribal council of the Turtle Mountain Band of Chippewa, and works as a night watchman at the jewel bearing plant, reflects an optimism and ethic of tenacity, perseverance and patience. Patrice, a recent high-school graduate, on the other hand, has youthful energy and occasional impulsiveness, but is also the sole provider for family that includes her alcoholic father, her mother, and her brother. She, with her friends Valentine and Doris, works at the jewel bearing plant as well. Her older sister, Vera, moved to Minneapolis, but has not been heard from in months, so Patrice sets off on a brief, but Campbellian, hero's journey, which opens her eyes to savagery from which she has been relatively sheltered on the reservation.

Somehow, Erdrich manages to mix historical account, a coming-of-age-story, and an intriguing story through a rich cast of humanized characters -- from the Mormon missionaries to the Washington senators. Most of the characters are multi-dimensional and fairly well developed, but the pace of the story (stories, really) moves in fits and starts and occasionally we lose track of some threads in deference to others. Everything does come back together by the close of the book, although I found myself disquieted by the relative neatness of the ending (I won't say "happy"). There's more to tell, that we know, and it is perhaps the challenge of historical fiction: good characters will make us want to have a larger slice of the historical narrative, especially when that narrative is perpetuated into our own time. This is an important book that attempts to zoom in on the lived experiences of a whole host of characters in order to illuminate the hardship and mistreatment of a government toward its indigenous peoples--the task is not an easy one. The latter goal occasionally gets submerged under the former, but this is a good problem to have because if nothing else, the characters keep us turning the page for all their foibles, their propensity for chaos, their passions, and their search for meaning.

Louise Erdrich's reading is very beautiful, full of tender and sensitive intonation and wisdom behind each word.

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2024 #37 The Outlaw's Tale - Sister Frevisse #3 (Frazer)

 

The Outlaw's Tale by Margaret Frazer
My rating: 4 of 5 stars

The third installment of Margaret Frazer's Sister Frevisse series, The Outlaw's Tale is the best of the first three. This is my first time going to an audiobook for a volume in the series, and the experience was overwhelmingly positive. Susan Duerden's reading is excellent, and her voicings make the characters come alive.

Particularly striking in this book are the female characters who, very much beholden to their time, still manage a subtle defiance that flies under the radar. Frazer* doesn't resort to a clichéd feminist who is self-righteous and outspoken (not that it is a problem, but it gets tiresome as a trope), but instead illuminates what must have been much more common behavior in the Middle Ages and Renaissance. After all, when faced with a sword, even the most strong-willed might step aside if not equally armed. (
*Frazer = sadly deceased Gail Frazer with Mary Monica Pulver/aka Monica Ferris)

Sister Emma grates on our nerves and I did find dragging out her illness to be a bit tedious, but the audiobook really brought out the subtle and dry wit that accompanies much of Dame Frevisse's inner thoughts, particularly in regard to Emma. After the last book being VERY obsessed with the sickness that had taken over the convent, I was not enthused about a constant return to Sister Emma's "rheume."

There are some wonderful descriptions, including that of Dame Frevisse's uncle who has a "look about him that he belongs where he was." For whatever reason, the audiobook seemed to highlight these particular moments of character definition and description, and it is delightful.

Dame Frevisse has more opportunity for character development here because she's away from the convent, and she becomes embroiled (embroils herself, really) in a situation involving her cousin. There is a lot of self-reflection in regard to the choices she makes and that helps give her more dimensionality than was revealed in the previous two books.

I'm more excited to continue the series than I was, and I hope that the rest of the series continues with the same level of character definition and plot complexity. Unlike book 2, The Servant's Tale, which had so many characters it was hard to stay focused, this story does a much better job of focusing on a few key characters, with a good pacing of introduction to new ones, and actually threw me off the scent of whodunnit, so brava!

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2024 #24 A Prayer for the Damned -- Sister Fidelma #17 (Tremayne)

 

A Prayer for the Damned by Peter Tremayne
My rating: 4 of 5 stars

People have gathered far and wide for a wedding in Cashel.
The story is fairly political at the outset--we learn about a group of Saxon brothers (Noavan, Berrihert, and Pecanum) seeking asylum and refugee status and Eadulf is asked to vouch for them. The main antagonist is Bishop Ultan, a misogynistic zealot who is very much against conhospitae and any other more progressive interpretations of Christianity. Most interesting is that we learn more about Fidelma's own views of her faith and choice to be a Sister. There are more elements of character development and intrigue than in some of the earlier installments of the series.

Tremayne also fills in details of medieval Celtic law that he has introduced in earlier volumes, such as the troscud, the ritual fast "to ensure the defendant accepts judgement." We are given details about the nuanced process--if the defendant agrees to settle and the plaintiff is notified and continues to fast, that forfeits the claim! These little legal details actual come to play an important part in the story. Funeral rites are also explained in detail as are cultural details tied to the Fenechus, the Brehon law system.

As Fidelma herself notes, it is an interesting case because there are so many suspects with a motive, at least for the first murder. That said, the actual culprit seemed a bit far-fetched for me and it relied upon a lot of information not revealed in the book. Still, definitely a good read and rewarding for those who are reading the entire series.

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2024 #23 The Servant's Tale - Dame Frevisse #2 (Frazer)

 

The Servant's Tale by Margaret Frazer
My rating: 3 of 5 stars

A good second installment in the Sister Frevisse series, probably more of a 3.5 or 3.75 for me. The servant, Meg, works for the nuns at St. Frideswide as a scullery maid. Her husband, the drunken Barnaby, is allegedly killed in an accident when his cart collides with a troupe of actors. Soon to follow are two more deaths, and the acting troupe is in the frame. Frazer highlights the social and class biases at play against the troupe and we get more character development of Sister Frevisse and the head of the convent, Domina Edith, as well as Dame Claire, the apothecary/medical person for the convent. I found the development slow, as many pages are given over to sitting around dead bodies, although this does prove important to the story. It is probably best read in just a few sittings to keep track of some of the smaller details, not all of which necessarily lean toward the "whodunnit" aspect, but provide a lovely and clever sense of connectivity. Motives seem weak for all possible suspects, and that is a bit frustrating as we don't learn the actual motive until the very end, which always seems a bit of a cop-out to me. There are not a lot of clues in this one--but plenty of deception.

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2024 #21 Master of Souls - Sister Fidelma #16 (Tremayne)

 

Master of Souls by Peter Tremayne
My rating: 4 of 5 stars

I do recommend NOT studying the list of principal characters too closely before reading the book, although I don't know that it really spoiled much for me. This volume picks up after the events in The Leper's Bell, and the series as a whole seems to have more continuity now. Unfortunately, my own read of The Leper's Bell was a good long time ago, so I probably should have reread it...it isn't totally necessary, but I would have had a stronger connection to some of the characters, such as Gannica. I'll leave off too much plot description because it could very easily lead to spoilers, but the political strife between the Uí Fidgente and Cashel continues, despite the fragile peace under Donennach.

On the whole, the character development continues to mature. Tremayne uses Fidelma and Eadulf to show varying perspectives on Christianity--Fidelma is tolerant of the old ways, making space for "finding God in his own way" (203) in deference to the proud Pagan Gáeth. Eadulf, on the other hand, has the fervor of a young convert, and tends to be judgmental and one-dimensional in his thinking (occasionally).

I was particularly interested in some continuity of what seemed to be minutiae. Tremayne revisits a chant "Regem regnum rogamus in nostris sermonibus" which is sung in two languages to a "Gallic" chant melody, and this same song also appears in The Monk who Vanished, supposedly composed by one Colmán moccu Clusaif/mac Uí Clusaim who helped his people during the threat of the Yellow Plague. I was unable to find an actual historical person by this name, but my guess is that there is a model here for Tremayne. These little details, however, keep me coming back for more. I've started a list of concordances that I may turn into a wiki at some point.

The copyediting and editing is still not great, however (some library patron took to the copy I read with a pencil, thankfully). We also get unnecessary repetition, such as when we are told "Eadulf, who knew something of the healing arts..." (193) when that has already been on display earlier in the book. There does seem to be a little less repetition of Fidelma's status as a dalaigh, qualified to the level of anruth, and when she can sit in the presence of a king, etc. etc within a single volume now, so that is an improvement.

The development was slow in this one, but things get moving rather quickly once Fidelma, Conrí, and Eadulf set sail for an island. The details regarding the scriptorium and copying are interesting, and there are some more colorful characters including Slébéne, chief of the Corco Duibhne. I'm very glad that Conrí, who we first meet in Badger's Moon, I believe, seems to have a returning presence in the series. He is one of the more complex characters in the narrative of the Uí Fidgente.

Overall a really good installment and I'll looking forward to learning more as the political intrigue is bound to return.


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2024 #18 Ysabel (Kay)

 

Ysabel by Guy Gavriel Kay
My rating: 3 of 5 stars

This is honestly a 3.5, maybe 3.75 for me. There's a lot to like here, including the 15 year old protagonist, Ned. Ned's dad is a famous photographer, and while "on location" in Provence, he meets Kate, an unusually forthright teenage girl with an encyclopedic knowledge/interest in history. After they both meet a creepy and curious presence in a cathedral, things start to develop rather quickly. Both Kate and Ned are NOT overwritten and therefore a lot more likeable than most teenage protagonists.

The plot? Well that gets a bit tough to follow in places. There's concerted effort to anchor the story in Celtic and Roman lore, and while the information is helpful and authentic, it sometimes presents itself as boring pontification. The author does well with characters who are neither good nor evil, but instead straddle some sort of invisible moral line that operates outside the sphere of normal life.

The book ended too quickly for me. I could have used a little less of the repartée between everyone at the pool and a bit more time with certain characters: in particular Ned's mother and aunt, as well as his phenomenal uncle. While she is the title character, Ysabel does not get a whole lot of air time, and it is frustrating at the end when all is revealed with a nice neat bow. I needed a bit more of "why" and "how", and I certainly did not see any reason for Melanie's behavior. I get that she was "under-the-influence" (as was Kate), but it felt like a rushed attempt at suggesting a coming of age story for Ned--not needed. We never do get the whole story about Aunt Kim, and that ends up being a tad frustrating.

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2024 #14: Whispers of the Dead (Tremayne) - Sister Fildema #15

 

Whispers of the Dead by Peter Tremayne
My rating: 3 of 5 stars

In this second collection of short stories in the Sister Fidelma series (Hemlock at Vespers is the first), we get three original stories, and the rest have appeared elsewhere. This can be frustrating for the already-initiated. I'd love to have a "dossier" or bio of Fidelma in the beginning -- she's a dalaigh, qualified to the level of anruth, etc, etc. so that these details could be left out of every story. But, I get it -- most short story collections are like this, but when they all involve the same character, it can feel tedious to go through it each time, in each story. I understand it in the books--that way they can be read out of sequence.

That aside, Fidelma fans may appreciate the appearance of characters such as Abbot Laisran, Fidelma's distant cousin/friend (not sure? varying descriptions), who appears in three different stories in the collection (see also "A Canticle for Wulfstan" in Hemlock at Vespers). Abbot Colmán, too, appears elsewhere in the Fidelmaverse. One of the more interesting stories for those wanting more of Fidelma's backstory is "The Blemish"--it is a bit of slog unless you love socratic debate, but it is nice to see Fidelma as a young law student in examination with THE Brehon Morann (of whom we hear in almost every book). Eadulf only makes one appearance in the last story, "The Lost Eagle" (and strangely, he doesn't speak). I enjoyed "The Banshee" because one of the most interesting aspects of Fildema's character is how she has to negotiate Christianity and the old religion, without dismissing the latter wholly as "superstition" and acknowledging the powertripping aspects of the former. "The Fosterer", new to the collection, is particularly sad, as no one really "wins" at the end.

The collection would work well for someone not that familiar with the series--it definitely stands alone, and readers who follow the chronology of the series might not appreciate the disruption. It is interesting to see all the different contexts, however, and amusing to see that the stories have previous appeared volumes ranging from Great Irish Drinking Stories to The Mammoth Book of Ancient Roman Whodunits.

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2024 #13: Half of a Yellow Sun (Adichie)

Half of a Yellow Sun by Chimamanda Ngozi Adichie
My rating: 5 of 5 stars

This is a beautiful and difficult book. Difficult because of the painful narratives of the Biafran War, but beautiful in the characters who are so vivid and real in their flaws, their hopes, and their lived existence. We meet Ugwu, a thirteen year old boy from a small village who works as a servant for Odenigbo, Professor of Mathematics at Nsukka University. Odenigbo's girlfriend, then wife, is Olanna, daughter of the influential Chief Ozobia, and more significantly, twin sister to Kainene, who was one of my favorite characters in the book. Not blessed with Olanna's commonly-accepted beauty, Kainene is fearless, acerbic, and honest (especially in the latter half of the book when war reaches her heart). Kaynene takes up with Richard, an English writer who comes to Nigeria to write a book about the art. Adichie artfully uses Richard to express the more subtle racism (whereas his ex-girlfriend is outright and obviously racist). For example, in Chapter 6, Kainene says to Richard: "...it's wrong of you to think that love leaves room for nothing else. It's possible to love something, and still condescend to it." This powerful statement is made after Richard is called out at a party for going on and on about the amazing details and complexity of some African bronzes, not realizing the implication of his surprise--why would they NOT be amazing and complex? Richard is one of the three main narrative voices and the way he grows, partially due to his love for and relationship with Kainene, is really thoughtful and not a single narrative. None of the main characters are unidimensional. Odenigbo moves from idealist to grieving son. Ugwu moves from innocent to war-worn and morally compromised. But perhaps it is mostly the story of the two sisters, Olanna and Kainene where this book touched me most. The horrors of war have their own narratives, but Adichie does not lose sight of the human story that perseveres -- love, betrayal, friendship, enmity--everyone with a heart that has to question some of the time.

Adichie does not sidestep some of the particulars of the Biafran War, however. The book is an opportunity to understand better (particularly for those of us who were not taught about the Igbo and the Hausa) the complex politics, racism, and global manipulations/voyeurism that brought about between 500,000 and two million Biafran civilians dying of starvation.

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2024 #12 Badger's Moon (Sister Fidelma #13)- Tremayne

 

Badger's Moon by Peter Tremayne
My rating: 4 of 5 stars

NOTE: Small spoiler ahead.



"...you would do well to remember that this land is not separated from the rest of the world, but shares the sins of humanity in equal proportion. "(137)

These words, uttered by the character of Brother Dangila, are but a sample of the increased depth in this installment of the Sister Fidelma series. Brother Dangila and two of his colleagues are three "strangers" from the Kingdom of Aksum, which reached its greatest power in the sixth century, and had begun to decline in the time of Fidelma. The Kingdom occupied what is now Northern Ethiopia and Eritrea, and parts of modern Sudan, if internet maps are correct. The book (rather gently) brings in themes of racism and xenophobia, and it the quote above is one moment where even Fidelma must confront her implicit biases.

The plot develops rather slowly, but there's a lot more nuance built into Fidelma's character, not only in the way she uses her role as a dálaigh as a coping mechanism as she is experiencing postpartum depression but also how she really is interrogating her multiple identities as an emblem of jurisprudence, sister to the king, and now, a mother (apologies if you read the series out of order). There are perhaps a few too many characters and families to keep track of, but most intriguing are Liag the apothecary and Conrí, war chief of the Uí Fidgente. And there are, of course, the customary hothead soldiers/warriors that seem to feature in all the books. The plot has many twists and turns, but generally was not enough to hold my interest. Luckily, I was so surprised by the next-level themes in this particular book, that I kept going. The book ends (the epilogue, anyway) on a cliffhanger...the mark of a true and secure serial!

It has been rewarding to read the series in order because one gets the sense that Tremayne is trying things on for size. I hope the greater character development and depth continues to be part of this series.

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2024 #8: Four Treasures of the Sky (Zhang)

Four Treasures of the Sky by Jenny Tinghui Zhang
My rating: 4 of 5 stars

Set against the backdrop of the Chinese Exclusion Act, Four Treasures of the Sky is a heartbreaking story of Daiyu, a young Chinese girl who longs to be a calligraphist, but who encounters the worst of humanity, very far from home. There are moments of extreme beauty, particularly when Daiyu calls upon the lessons of calligraphy to face obstacles: "The inkstone asks for destruction before creation--you must first destroy yourself, grind yourself into a paste, before becoming a work of art." (307) Zhang illuminates Daiyu's "coming of age" within a tragedy, but the saving grace is Daiyu's own growth as a person. It is an important narrative that reflects the experience of far too many Chinese immigrants in the United States, and unearths a history that has been too often squelched.

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2023 #50: Invisible Cities (Calvino)

 

Invisible Cities by Italo Calvino
My rating: 5 of 5 stars

I often feel that Calvino could have written about a slice of cheese and would have made it interesting. William Weaver's translation is superb (at least as far as reading experience goes--I have not/can not compare it to the original). The book is full of metaphor, but instead of feeling tedious, we start to understand the metaphors as truths and not just mere symbols. The context is a fictitious conversation between Marco Polo and Kublai Khan, the founder and first emperor of the Yuan dynasty of China, and the subject of Samuel Taylor Coleridge's famous poem. Rather that set it completely in dialogue, however, the book offers vignettes of these "invisible cities" to which Marco Polo has "traveled"--the scare quotes will have to suffice here as I do not wish to offer spoilers. Occasionally dialogue from Khan and Polo interject to wax philosophical, but it is far from gratuitous. For those new to Calvino's writing, it is a great entry! It did not take me ten years to read this book---I just started it on my Kindle ten years ago and put it aside for awhile.

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