#2026 #29 All Systems Red - Murderbot Diaries #1 (Wells)

 

All Systems Red by Martha Wells
My rating: 3 of 5 stars

I absolutely see why this popped up in my algorithms after I finished (and LOVED) Andy Weir's Project Hail Mary. I'd heard good things about this series outside of that, so I figured I'd give it a try here at the end of when I actually have a life before school begins. I won't judge it against PHM, especially since it is a novella. Both do share a similar sense of humor.

It is entertaining! I was disappointed in the ending only because I was enjoying what developed between the bot and the crew. The short length was a bit of a let down in that regard. It is a very interesting negotiation of non-human sentience, and I applaud that. Kevin R. Free's reading was quite excellent, and Dr. Mensah became my favorite character. I definitely enjoyed it enough that I've already started no. 2 Artificial Condition, but the only one available via Libby was the Graphic Audio production and I'm already not excited about the abundance of underscoring...

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2026 Reading Goals 29/60

#192030 Challenge: 2017

2026 #24 The Conservationist (Gordimer)

 

The Conservationist: Booker Prize Winner by Nadine Gordimer
My rating: 3 of 5 stars

I wanted to like this, and in theory, I did. I've heard that this is Gordimer's most poetic book and the language is undoubtedly that. I prefer it in straightforward poetry, however, rather than omniscient third person narration. Stylistic considerations aside (which I think are truly about personal preference), the book is artful in its illumination of white male privilege in the form of Mehring, a wealthy industrialist who buys a farm in South Africa (as a "getaway") that he is ill-equipped to run (leaving most of the management to his Black workers headed by Jacobus). Divorced and with an estranged son, Mehring wanders through life with little regard for relationships (platonic and romantic), and whose self-absorption fuels the evils of apartheid. The book opens with a murdered unidentified Black man being found on the farm, and Gordimer artfully allows that body to "surface" throughout the novel in various ways.

The book is very literary, with little distinction between dialogue and narrative, and some beautiful descriptive language. If you are somehow new to apartheid and colonialism in fiction, well this wouldn't be my first recommendation to introduce those topics, but otherwise it is an experience to read this Booker prize-winning book.

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Challenges on Storygraph (@rebcamuse):

2026 Reading Goals 24/60

#192030 Challenge:1974

2026 #23 The Modigliani Scandal (Follett)

The Modigliani Scandal by Ken Follett
My rating: 3 of 5 stars

Published under a pseudonym (Zachary Stone) in the 1970s before Follett reached his fame, The Modigliani Scandal is an entertaining look at the follies of the art world, and a reasonably good "mystery" of sorts. The back-of-the-book blurb would have it: "A high-speed, high-stakes caper from the grand master of international action and suspense." High-speed is pushing it a bit--the plot only really picks up speed in Part III, "Figures in the Foreground," but it is good fun. None of the characters are particularly likeable, although I daresay I was originally rooting for Dee, since she needs the "lost Modigliani" for her thesis. Certainly there is intrigue, but as stakes go, they aren't that relatable unless you happen to be in the art world running a gallery. The best part for me is how Follett sets up the denouement at a pub, but then steps back from it before revealing what happens inside that pub. That kept me reading and made for an entertaining ending.

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Challenges on Storygraph (@rebcamuse):

2026 Reading Goals 23/60

#192030 Challenge:1976

Tackle Your Physical TBR 2026 challenge: 14/18

2026 #22 Dawn - Xenogenesis #1 (Butler)

 

Dawn by Octavia E. Butler
My rating: 3 of 5 stars

In contrast to the Patternmaster series (and certainly also the Earthseed books), this falls into the category of what I would call more generic science-fiction. That isn't a criticism, but reading this made me realize that I'm less drawn in by aliens vs. humans than her books that bring in more socio-political commentary or dystopia. (I make an exception for Andy Weir's Project Hail Mary which is my favorite book that features an alien. Blame the fact that I'm of the E.T. generation, I guess.)
In Dawn, there's little in the way of world-building, but a lot of species-building (one might guess, with the name of the series). Lilith is an interesting character, but I found her hard to place because she is both an observer of humanity and an actor of humanity. Butler doesn't give us a lot of time to adjust to the other human characters in the book, so I had trouble feeling much toward them other than viewing them as archetypes of different foibles. Maybe that was the point.
Did I enjoy it enough to read the rest of the trilogy? Maybe, but those will go on the back-burner "to read" list.

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Challenges on Storygraph (@rebcamuse):

2026 Reading Goals 22/60

#192030 Challenge:1987

2026 #18 Cosmicomics (Calvino)

 

Cosmicomics by Italo Calvino
My rating: 3 of 5 stars

Oh, the wacky world of Calvino, for whom history and science are playthings. Here in Cosmicomics Calvino takes on origins of the universe, manifesting in twelve creation myths of a sort. Most of the stories feature a narrative told by Qfwfq, and aged something-or-other that seems to have born witness to origins ranging from the universe itself to the development of the conch shell. This latter narrative is "The Spiral" and was the story I enjoyed the most. Each story begins with a italicized blurb of real science, which is then the springboard for Qfwfq's fanciful narratives. One of the most clever aspects is the anthropomorphizing of pre-anthro existence, and Calvino occasionally meditates on the value of "signs" before there were, "signs." This reflects, no doubt, the influence of Saussure, the Swiss semiotician who, along with Roland Barthes, had a significant impact on Calvino's literature. Calvino's imagination is boundless, and the stories are as much of love, unrequited and not, and microexistence, as they are of the actual devices that serve as the foci of each story.

I'm not sure this book will land well with everyone. I had started it almost sixteen years ago, and put it aside. I picked it up again because I knew I could start again and it is a digestible 153 pages. I'm glad I did, especially for the dry and quirky humor that is a trademark of Calvino. It must be noted that William Weaver's gifts as a translator are on full display (if you find yourself under-appreciating translation, I strongly recommend the wonderful Experiences in translation by Umberto Eco). Calvino asks for some investment, but if you walk through the door he opens, you'll likely be glad that you did.

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Challenges on Storygraph (@rebcamuse):

2026 Reading Goals 18/60

Tackle your Physical TBR 2026: no. 12

#192030 Challenge:1965

2026 #14 1Q84 (Murakami)

 

1Q84 by Haruki Murakami
My rating: 3 of 5 stars

Ok, there's a lot to say here, but I'll try to keep it brief. Really this is 3.75 for me, and in places, a solid 4 stars. But for such a long book, I needed more consistency of those 4 star moments. I'm tenacious, which is why I stuck with it, but there were definite times that threatened a "DNF". This was my first Murakami, and I get the impression that it is probably not the best gateway drug (much in the way that Tristan und Isolde was NOT the best "first opera" for me to analyze in college). It was long in a way that I did not appreciate. I feel this way about Robert Schumann's music sometimes.

The premise is VERY intriguing and I will say, if you are not into magical realism or anything related, don't bother with this. I appreciated the lessons about cults. I loved the characters of the Dowager, as well as Tamaru, and weirdly enough, Ushikawa. Aomame had her moments for me, and Tengo, too, but not enough for me to feel satisfied by the ending (when I got there, after 6 renewals on Libby). I also loved Fuka-Eri's "usual style free of question marks."

I read some reviews because I was a bit mystified. Some extoll Murakami's pacing. I cannot agree. There were places that felt like an endurance test. The intertextual references kept things interesting and nerdy-- I need to put together a 1Q84 playlist (or find one that inevitably already exists). I will be forever indebted to being introduced to Janáček's Sinfonietta because of this book.

There seems to be a weird obsession with pubic hair--sometimes ACTUAL pubic hair, and sometimes used as a comparative for head hair (see: Tengo, Ushikawa). Perhaps there's some deeper significance of which I'm not aware -- if so, please let me know. I found the entire three volumes weird in the sex arena, and in some places downright disturbing. I am not titillated in the least by non-consensual sex, even in the service of acting as a spiritual conduit.

Is it imaginative? YES. There are places that felt like imagination for imagination's sake, but others that took me on a journey. The ending was a disappointment, although I understand the lack of resolution to be understood as "infinite possibilities." Is it a love story? Sort of. It lacks the maudlin sentimentality of "Somewhere in Time," but also didn't make me care enough about the two main protagonists.

It is certainly a down-the-rabbit-hole experience, but I feel I would have been happy with something a third of the total length. I've reached out to friends who are fans of Murakami because, as I said, I have the distinct impression that this may not have been the best choice of a "starter" in terms of his oeuvre. I'm definitely game for reading more of his work, but this was more of a marathon than I wished.

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2026 #9 Rumour of Heaven (Lehmann)

 

Rumour of Heaven by Beatrix Lehmann
My rating: 3 of 5 stars

Beatrix Lehmann (1903 - 1979) was an English stage actress, well-known in her own right, and sister of novelist Rosamond Lehmann (1901 - 1990). Rumour of Heaven (1934) was Beatrix's second novel, and it initially starts out strong, centering around the Peacock family and its troubled matriarch, former dancer Miranda Mirova. There are many themes to explore here including mental illness and ideas of isolation. We are prepared for a novel about the children--Clare, Hector, and Viola--all of whom survive, but hardly thrive, at the remote country estate known as Prince's Acre. These three characters are fairly vivid, as is Mrs. Humble, the housekeeper. The father flits in and out of the mist.

The middle of the book feels a bit of a misstep. The focus shifts to two (well, three, actually) new strangers who come to Prince's Acre. Gillian Tindall's introduction to the Virago edition notes that Max Ralston is a "Conradian character" and he might have been, but he fizzles out of the narrative, so I suppose in that way he operates as a Kurtz a bit, but I would have liked him to be a bit more present and Paul less so. Once this secondary set of characters enters, things feel a bit off the rails and the ending speeds up with a bit of desperation to tie things together.



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Challenges on Storygraph (@rebcamuse):

2026 Reading Goals 9/60

Tackle your Physical TBR 2026: no. 6

#192030 Challenge: 1934

2025 #52 The Book of George (Greathead)

 

The Book of George: A Novel by Kate Greathead
My rating: 3 of 5 stars

Who is George? Well, while we are treated to almost four decades of his existence, I'm not sure I felt any more confident in answering that question at the end than I did at the beginning. George is, it seems, fairly unremarkable, and I think (THINK) that's the point? This does lead to some humor, and the frustrating inconsistency of George's attitudes is also a plus. I think we are supposed to see him as flawed -- and he is-- but who isn't? He's self-centered and winds up in precarious situations of his own making (I couldn't help but think of another George...Costanza!), yet also seems to be able to interact socially and land a spot in a Super Bowl commercial. So, he's complex, in that ordinary human kind of way. His on-and-off again relationship with Jenny, who is also flawed, provided the most interest, but there were several spots where this threatened to be a do-not-finish for me. I'm glad I persisted, however, because I actually liked the (non-)ending because it was perfect for the book (something I appreciate even when I don't love the book that much). Ultimately I think it probably did not resonate as much with my Gen-Xness as it might with younger folk.


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2025 #50 The Finer Points of Sausage Dogs - Professor Dr. von Igelfeld #2 (McCall Smith)

 

The Finer Points of Sausage Dogs by Alexander McCall Smith
My rating: 3 of 5 stars

I haven't been reading the series in order, but unlike McCall Smith's serials, the experience doesn't really suffer for it. This is light entertainment, following the capers of Professor Dr. von Igelfeld, as he navigates the topsy-turvy world of human interaction. Whimsical and fun, this book was a good palate cleanser in between some weightier tomes. McCall Smith good-naturedly pokes fun at academia without turning Professor Dr. von Igelfeld into a complete caricature. With a fairly zany plot that ranges from operating on a dachshund to being accosted by aggressive widows looking for mates, this installment of the series gently reminds us of the perils of taking ourselves too seriously.

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2025 #47 The Glass Box (Rolli)

 No review for this one. Suffice it to say it was entertaining, but it needed more context and a better editor.  

2025 #29 I Have Some Questions for You (Makkai)

 

I Have Some Questions for You by Rebecca Makkai
My rating: 3 of 5 stars (3.75 stars)

This novel tries to be a lot of things, and it is, but it feels like there is a lack of pacing because of it. I couldn't get a solid grasp on Bodie Kane, but this is, at least in part, due to the fact that the novel is largely about Bodie getting a grasp on Bodie--so, fair enough! Interspersed with the self-reflection is a murder mystery alongside a larger message about how women are treated in/by society--both are worthwhile, but both were somewhat diluted by the lack of focus. The book does offer some real warnings about nostalgia and memory, and this was for me, the core value of the novel. I did not feel any real attachment to any of the characters, but this was a rare case where I think that was useful. Justice is often paraded as some sort of process of objectivity (although we know it isn't), and Makkai's novel helps reveal how justice can only ever be relative in the messy-ness of the human condition. We also come to realize how many details we likely miss in a given day of our lives--what we see, but don't watch, for example. Makkai reminds us that "memory" is a fabrication, and the split of the book into two parts is masterful in driving that home. A worthwhile read, but I suggest lowering expectations for the "mystery" aspect, and allowing the reflections on how we co-exist to be front and center.

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2025 #26 Children of Anguish and Anarchy (Legacy of Orïsha, no. 3)

 

Children of Anguish and Anarchy by Tomi Adeyemi
My rating: 3 of 5 stars

In my review of Children of Virtue and Vengeance, the second of the Legacy of Orïsha trilogy, I wrote: "I am still invested. I want to know where they are headed. I want to be invited back to the world of purples and golds. But I hope that the third book will let me stay awhile before the fighting begins. There's more to say about what lies behind the strife. There's more to tell us about what will be lost before we actually lose it. "

I'm sad to say that the long-awaited book did not fulfill this wish. If anything, there's even more fighting, and less substance. We have new enemies: King Baldyr and The Skulls and new allies: New Gaians. We barely get any time on Orisha to even care about what is happening in healing old wounds. There's a formula applied to the four main characters: Zelie, Tzain, Inan, and Amari -- each has regrets, each thinks about those who have passed, each cuts down and fights enemies...but there's not a lot else that is happening. We see hints of the deeper character studies present in the wonderful first installment, Children of Blood and Bone, particularly with Zélie teetering on the edge of her power being usurped for evil or for good, and there is one particular scene with Tzain, who is going through a similar struggle, that invests in the deeper themes. The book is too short to really get into too much world-building, so the net effect is one of a passive interest in the mythologies and theologies that seemed so crucial in the first book.

I don't know what it is to write a trilogy, and I imagine the creative commitment is immense. Is it still a good read? Sure, and if anything one might benefit more if they haven't read the other two (although I also want to recognize I probably should have gone back and reread the other two books because I was a bit iffy on some of the details). Adeyemi's descriptive writing is a pleasure, and her skill with it enlivens this particular book, especially in how she captures the Green Maidens, Mae'e, and Zélie's transformation(s).

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2025 #22 St. Peter's Fair (Peters) - Brother Cadfael #4

 

Saint Peter's Fair by Ellis Peters
My rating: 3 of 5 stars

Perhaps fairs just aren't my thing, but this particular installment in the series felt like a real slog. It did not hold my interest, but I'm too stubborn to DNF, so thank goodness my library does automatic renewals. I'd be tempted to give it two stars, but I want to honor the writing here, which is, as always, excellent. Only the last 30 pages or so sparked my interest (no pun intended and that is a very weak spoiler). Emma made for an interesting character at the end -- a good balance to the angelic Aline.

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2025 #21: Her Last Moment (James) - Jake Cashen #5

 

Her Last Moment: Jake Cashen Crime Thriller Series, Book 5 by Declan James
My rating: 3 of 5 stars

I seem to be invested in Worthington County, although I think Alexander Cendese's readings are half of it. Poor Jake still doesn't have a longer story arc to save his soul, but we get a clearer sense that he is a ticking time bomb in terms of his pent-up trauma and anger regarding his father. As I listened to the preview when I finished Red Sky Hill: Jake Cashen Crime Thriller Series, Book 4, I was prepared for who the victim was. It felt a bit of a shame -- it isn't like a TV series where they have to write someone off the show. We hardly knew ye...But truly, it made me care less about her secrets since we had to get her entire backstory posthumously.

Things felt a bit formulaic without the interesting characters of the previous installment -- deadbeat ex clichés abound. This one brings back wrestling, albeit in small doses, so I found it tolerable. While I'm glad Birdie and Jake haven't gotten together (I was worried after Kill Season), the former also hasn't had much of a storyline either. In fact, everyone in Blackhand Hills is pretty much where we left them -- Jemma is about the only one with something new and interesting in her life. Grandpa Max gets to be a bit more than grouchy, semi-senile, and obsessed with dinnertime in this one. Meg Landry doesn't shine as much. Zender is starting to bore me.

Still-- a fun read, enough of the usual suspects to feel a comfortable familiarity, and a few new ones that I would hope would return but probably won't (go Grandma!!).



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2025 #20: Great Expectations (Cunningham)

 

Great Expectations by Vinson Cunningham
My rating: 3 of 5 stars

Really more 3.5 stars.

Having decided to try to read all the 2025 Tournament of Books shortlist, I started with Great Expectations and I'll resist troping the title in this review.

A debut novel by New Yorker theater critic Vinson Cunningham, it traces the rather passive existence of David Hammond, a twenty-something Black man who almost unwittingly winds up as a staffer on Obama's 2008 presidential campaign (although in the book, the former president is never identified by name). Cunningham was actually a staffer, so one wonders how much of this "novel" might actually be memoir, and that actually becomes important as the "plot" isn't really much of a draw. It isn't about the campaign, to be sure, but we are treated to some smarmier moments of life on the campaign trail, but interspersed with David's musings on his past: his time in the Pentecostal church as a child, his rather incidental fatherhood, his hookups, his childhood in Chicago... It is difficult to get a foothold in the narrative sometimes. There are sentences that sing (and there's a good deal of sonic and musical emphasis in the novel), but then there are more stream-of-consciousness babblings that seem to be aspirational Saramago.

I had a tough time sustaining my attention (two renewals on Libby!), but the last quarter of the book finally seemed to pick up a bit, although I'm hard-pressed to tell you why. There is a little bit of intrigue and controversy that hits the campaign, but David also seems to take that in as a passive observer. It is hard to call him a protagonist as he doesn't seem to be actively or emotionally invested in his own life or observations. They are just there.

It is a good book--and with some of the detritus cleared and perhaps a bit more interest in the trajectory of narrative, it could have been great. Certainly it was enough that I'll be curious to read what comes next from Cunningham, and I hope there is a "next"!


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2025 #14 Birnam Wood (Catton)

 

Birnam Wood by Eleanor Catton
My rating: 3 of 5 stars

3.75 stars
It wasn't until after I read the book that I noted the "A savagely satirical thriller" description provided by a reviewer. This book made me rethink my general strategy of not reading about a book before engaging, although I may have taken that to the extreme here, since the description says "A gripping psychological thriller" so I shouldn't have been in the dark.

And speaking of dark...this book is just that. And it is not *just* a "psychological" thriller, so I feel that isn't exactly a fair description. I enjoyed the book, but felt it lacked subtlety. The (truly) bad guy is so evil that he spells out his nefarious plans for us, while we have to watch as he dupes the other characters in the book. His hand is shown too early on -- I started to feel just a general sense of dread waiting for it all to come to a head. We also are treated to a lot of narration about his scheming (as a personality trait):

"His goal had been to become so ambidextrous when it came to action and reaction, move and countermove, that he would reach the point where half the games he played were won by white, and half by black; only then, he'd told himself, could he really call himself a master."

Overwrought chess analogies aside, the description says "it is an unflinching examination of the human impulse to ensure our own survival" -- that's fair, although there's quite a bit of flinching going on in some respects. There are some real chances for character and relationship development that are stymied by the ending. Mira, the main protagonist, is a fascinating character:

"Like all self-mythologizing rebels, Mira preferred enemies to rivals, and often turned her rivals into enemies, the better to disdain them as secret agents of the status quo."

Catton reveals Mira's layers through passages like this and the complexity of her character pushed the book toward four stars for me. The pacing is frustrating -- slow and leisurely at the beginning and then accelerando at the end. The catalyst for the accelerando makes for a fun (?) plot point, however, and we do get quite some classic suspense moves, and a game of cat and mouse with several mice and several loops.

The premise engages with politics in New Zealand and environmental issues and I felt myself wanting to know a bit more (as a reader not wholly familiar with New Zealand), and not especially via bickering characters. The writing is beautiful and descriptive, and overall gives a great sense of the delicate balance (imbalance, perhaps) in which we operate as a society.

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2025 #6: Dancing with Demons - Sister Fidelma #18 (Tremayne)

 

Dancing with Demons by Peter Tremayne
My rating: 3 of 5 stars

This particular installment of the Sister Fidelma series digs into the tensions between the "old ways" and the "New Faith" with much more detail than the previous books. While occasionally tedious to hear it explained via audiobook, the additional context adds a complexity and richness to the world of Fidelma that is more than just Druids vs. Christians. The plot, however, is very slow, and the reveal (in typical Fidelma fashion) takes almost 40 minutes in the audiobook. The motive itself does provide some twists and turns, but the answer to "whodunnit" was so complex and full of weird afterthoughts that I wasn't that interested in the end. This is often the case when there's an "obvious" murderer at the outset -- in this case Dubh Duin, chieftain of the clan Cinél Cairpre, who cannot unfortunately provide any defense or otherwise since he seems to have taken his own life after seemingly killing the High King Suchnussach in his bedroom. All is, as you might guess, not what it seems. This is the situation in which Fidelma finds herself.

Happily, in terms of character development, we start to see an increase in Fidelma's self-awareness, particularly of her treatment of Eadulf, who also seems to be coming more into his own.

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Series About Series Challenge 2025 no. 2 February

2024 #51 Burial of Ghosts (Cleeves

 

Burial of Ghosts by Ann Cleeves
My rating: 3 of 5 stars

Really, this is a 2.75 for me. At first I thought perhaps I was jaded by the fact that I read this before bed, so therefore only got a few pages in at a time. But after reading the reviews of others, I feel my complaints are valid. I generally like Ann Cleeves' work, however, so that's why this is a three, instead of a two.

First, everything from the cover art to the blurb on the front and the back oversell this story. Lizzie Bartholomew's terrifying secrets? Still not sure what they are. I found her character very unlikeable, or at least inconsistent, and none of the other characters were that interesting. Her "past" pops up at the strangest of times, but I didn't care enough about her in the present to be invested. I truly didn't care about either of the main deaths, and the whole premise seemed a bit flimsy. Not my favorite.

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2024 #48 One Corpse Too Many - Brother Cadfael #2 (Peters)

 

One Corpse Too Many by Ellis Peters
My rating: 3 of 5 stars

I might go back to the audiobook format for the series, but I did enjoy this read. The characters are great, including the foe who becomes a friend. The political aspects between Stephen and Maud are left a bit blurry, with King Stephen getting more airtime, but the introduction of Godric near the beginning makes for a fun ride. This is definitely character-driven, although I found Cadfael's manipulation a bit tedious at times. Aline Siward is hard to picture in my mind, and I found it difficult to sympathize with her character, but I did love Godric, Torold Blund, and especially Hugh Beringar, one of the more interesting characters.

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2024 #43: Do Not Disturb (McFadden)

 

Do Not Disturb by Freida McFadden
My rating: 3 of 5 stars

Honestly more of a 2.5 - 2.75 for me. For the first 25 chapters I kept thinking, "Psycho called and wants its story back." I'm all for troping the classics, but it didn't feel clever or original enough to be an interesting take on Psycho, OR, as was often the case with the wonderful TV series Supernatural a tongue-in-cheek parody, which I would also have welcomed. That said, for such a quick listen, I wasn't about to declare it DNF, and was happy that things started to take a turn in Chapter 26. But then....things got a bit wonky--as if the plot was being improvised on the spot. I've read other reviews applauding the "twists and turns" and for me it felt more like a windy road under construction with detours that warranted other detours, until finally arriving at an "Epilogue" which reveals a major plot point, and somehow inexplicably turns it into part of a happy ending tied up with a bow. The detours also don't explain the road we start on when Claudia is first narrating, unless I missed something. I'm just not clear on how a character can narrate actions in one way, only to have them be something else. And I'm being intentionally vague here so I don't give any spoilers. The reason given for the "something else" was all fine and good, but that reason wouldn't cover the early Claudia chapters. Also, loose ends---just one, but I'm unclear on Naomi's raison d'être. There were also long tedious passages that read like the author had attended a writing workshop focused on scenic description of the banal --who knew a TV antenna warranted so much prose? See also: wet socks.

Now, adding to the problems is the audiobook narration. A random chapter given over to a presumably male actor was weird and jarring after habituating Holly Adams's "male" voices. I found her voicing of Quinn to be very grating (and I know I'm not alone in this), and as others have noted, there was a very unique pronunciation of "masseuse" that was not French, nor was it even Franglish. That, however, was a very small issue. Also, Greta, described in the narration as having a "very slight accent" sounded like every stereotypical depiction of a Romani fortune teller since the dawn of depiction of fortune tellers.

I kept listening partially out of incredulity and morbid curiosity. The major plot twist was more like a restart, and the epilogue was cloying, and ultimately rather disturbing. I'm not sure I could come away liking a single character in the story, with maybe the exception of Scott, but everyone seems to have a pretty broken moral compass. I've read reviews that say many of the author's other books are better and I will be happy to try another because I did get a sense that she has some good ideas and writes vivid characters (even if they all wind up rather unlikeable). I'm also going to read the next one in print, because I feel the issues with the audiobook tarnished the experience. But it was a freebie on Audible, so...I'm not sad I tried it!

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