2025#40 The Poisonwood Bible (Kingsolver)

 

The Poisonwood Bible by Barbara Kingsolver
My rating: 5 of 5 stars

Some books, possibly the best books, are experiences. That most definitely describes this epic work. Any review I might write here would not match the scale of the book, but I will try to offer some thoughts. I won't take up space with a summary, since that is available elsewhere, but get right to what made the book so powerful for me.

Characterization. I'll focus on the main characters here: The four daughters are very different, starting with the Nellie Oleson-like eldest daughter Rachel, who launches malapropisms at her detractors (real and imagined) as if they were poisoned arrows. We can occasionally laugh at her (one of my favorites: "Thyroid Mary"), but when she isn't overwritten, we might recognize the whiteness of settler colonialism at perhaps its most pernicious, because it comes with such a set of excuses and sense of self-righteousness. There are also moments where she might remind us of certain "leaders":

"Heck, wasn't I the one hollering night and day that we were in danger? It's true that when it happened I was the oldest one there, and I'm sure some people would say I should have been in charge." (465)

Leah strives to be pious (at least initially) and to please her father, but unlike her older sister, we see far more growth in her character. Adah, Leah's twin sister, is physically disabled, but likely the smartest of the bunch and relies upon manufacturing palindromic phrases (the juxtaposition of this linguistic ability against her sister Rachel's is not lost on the reader). The youngest, Ruth May, has probably one of the more "hit-you-over-the-head" narratives in the book, but we learn why. Then there is the father - Pastor Nathan Price, and the mother, Orleana. Except for Rachel, occasionally, no one is a cliché. We grow to care both for their individual narratives, as well as that of the family. Some of the other major characters, like Anatole, for example, we see mostly through the eyes of one (or more) of the daughters and this is important to remember because Kingsolver seems to do this to recognize her own positionality.

There are so many pull quotes -- I'm glad I read this on my kindle so I could easily share them on GR, but aside from the story itself, Kingsolver's gift with language is astounding. Even the simplest description becomes fresh in her words: "In the local market, a bubble of stopped conversation moves with me as I walk." (472) And occasionally, we get something akin to an aphorism: "we are our injuries, as much as we are our successes" (496).

Truly the book deserves an essay-length review, but if I am not up to the task it is for lack of time, not desire. For readers unfamiliar with the history of the Congo in the twentieth century, I'd recommend even just a quick Wikipedia review before launching into this book (and I almost NEVER , as a historian, recommend Wikipedia). This would make a VERY interesting "companion" read to Joseph Conrad's Heart of Darkness.

It took me a good chunk of the summer to finish this book -- not because it is long, but because I had to set it aside occasionally. It is rich, sorrowful, deep, informative -- there's just a lot. But I think it deserves that time and attention.



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2025 #37 Margo's Got Money Troubles (Thorpe)

 

Margo's Got Money Troubles by Rufi Thorpe
My rating: 4 of 5 stars

Lots of folks misuse the word "ambivalent" but I think that's the right word to describe how I feel about this book. Think more 3.75 stars. There were parts of this book I LOVED and parts I really did not love.

Suzie? I kept forgetting she existed and then she'd pop up like a game of whack-a-mole. The mushroom "scene" was off the rails, although I suppose that was the point. But these types of things made the plot feel like a manipulation, as if Thorpe was just interested in having the reader be a yo-yo she could play with. I least enjoyed the descriptions of the OnlyFans content - not that I'm prudish, but if I'm not a consumer of that content, I don't really relish reading about it either, even in a pragmatic, funny way. I did find, however, Margo's "writeups" very amusing. The more surreal content? Not my thing.

Jinx was a GREAT character and his relationship with Margo is largely what pushes this toward 4 stars for me. I also loved the mix of first and third person narration. And for as little as he's actually described, I felt I had a strong picture of Bodhi in my mind.

So, I had to sit with this for a day before writing a review because I did like it and it did make me laugh (and also cry). I think it felt a bit too improvisatory for me in terms of storyline, but some of the characters were gold.


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2025 #36 James (Everett)

 

James by Percival Everett
My rating: 5 of 5 stars

This is a book that needed to be written and needs to be read. There's no better way to reconcile some of the problems with Mark Twain's Huckleberry Finn than with satire. But while satire comes into play, this is also a truly beautiful novel. And it isn't just simply "The Adventures of Huckleberry Finn as told by Jim", although it has been so many years since I read Twain's book I can't claim knowledge of a side-by-side comparison. The messages aren't subtle, but it is an invitation to think about an old character (or actually old characters--Huck, too), in a new way. There are parts that drag a bit, but overall the novel illuminates the privilege of "adventures" and how characters can reclaim and change the archetypes to which they've been relegated.

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2025 #35 Cocaine Blues -- Phryne Fisher #1 (Greenwood)

 

Cocaine Blues by Kerry Greenwood
My rating: 4 of 5 stars

As a big time fan of the TV series, I was excited to finally start the book series!
Phryne Fisher is delightful, although her character is even more "scandalous" in the book than portrayed on the series (well, at least it is, unsurprisingly, more graphic). I'm impatient to see how Detective Robinson develops, and that is what I get for breaking my own rule about not watching a TV/movie adaptation before reading the book.

This installment is good, if a bit uneven. Firsts are hard -- the author has to hook you on the characters AND tell a good story. Greenwood deftly uses the dancer Sasha and the impressionable Dot to help show us Phryne's character, but also as pivotal plot pushers. Phryne is hedonistic, yes, but not just that, and it is ultimately a pleasure to get some insights beyond her roaring 20s persona. It does bite off a lot, however: poisoning, illegal abortion, drug smuggling, thugs, Turkish Baths. The whirlwind sometimes overwhelmed, but overall I'm happy to continue with the series!

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2025 #34: Liars (Manguso)

 

Liars by Sarah Manguso
My rating: 2 of 5 stars

I think this book is going to land differently depending on the personal experiences of readers. While that's true of any book, I had a really hard time relating to the relentless onslaught of the narrative. I felt like I was a therapist, and I was simply reading a transcript of sessions of a woman in an unhappy marriage. That said, I did appreciate that the post-divorce narrative didn't go the way of the cliché, I suppose. As a child of divorced parents, it did make me think a bit, but mostly the book just tired me out. I needed more shape and direction.

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2025 #32 Espresso Tales (44 Scotland Street #2 - McCall Smith)

 

Espresso Tales by Alexander McCall Smith
My rating: 4 of 5 stars

Well, now I've really gone and messed things up. I started the series with #13 The Peppermint Tea Chronicles, and even thought I had already read Espresso Tales, which was not the case. But now that I've read two books out of order, I think I'll just keep going that route. What was interesting is how my feelings about the characters differed. For example, Bertie and his neurotic and over-protective mother, Irene, were centerpieces of this volume, whereas I was not so interested in them in Peppermint. Despite having skipped the first in the series, I felt that this was a delightful introduction to Bertie, Irene, and Stuart. On the other hand, Ramsey Dunbarton was a dreadful bore, and while I understand that is intended, I needed less proof of it. Big Lou has a larger role to play in Peppermint, but it was nice to see more of her origin story here. It is the characters that give these books a delight, and some of the plots are self-contained, so I think I'm ok to read these out of order.
McCall Smith keeps his characters vivid but also believable (for the most part). This is a wonderful summer read--lighthearted, entertaining, and sure to hook you in to the world of 44 Scotland Street.

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2025 #31 Colored Television (Senna)

 

Colored Television by Danzy Senna
My rating: 4 of 5 stars

Like Yellowface by R.F. Kuang, Colored Television digs into the trials and tribulations of the writing life, especially those compounded by racism. Unlike the former book, however, it doesn't quite go to the same extremes, and the protagonist here, Jane Gibson, is generally more likeable than June in Yellowface.

The book gets off to a slow start, where we are treated to the inner workings of Jane's mind before we care too much about her. She's living in someone else's house with her husband Lenny and their two children, Ruby and Finn. Her marriage is slightly less than functional, its success measured by frequency and quality of sex, and Lenny has his own ambitions as an artist that don't always complement Jane's sabbatical wherein she is trying to finish her second book in order to get tenure. Senna does excellent work layering the texture with tension. First and foremost, there is Jane's own mixed-race identity and how it does/doesn't interact with both her personal and professional life. She has dreams of luxury, and she has everything riding on this second novel, Nusu Nusu, to make her financial dreams come true. While we don't have deep dives into the novel, we understand enough to know that it is an intergenerational narrative about mulatto [term as used in the book] people.

 
In some sense, Jane's wishful thinking is enabled by her friend Brett, in whose house they are staying (and whose wine collection they are drinking). While Jane does find success in completing the novel, things go downhill very quickly, when Jane is confronted with the commoditization of identity in the publishing industry.

In not quite a twist--but perhaps a questionable choice--rather than address that core issue, Jane decides to come at it from a different angle, again centering her ideas of "success" rather than her ideologies. She manipulates and deceives, but in rather earthy ways, rather than hyperbolic hysteria. The deceit does drag on a bit too long, but the plot mobility increases so that we aren't drowned in an investigation into inner psyches, and Jane's naivete softens her character a bit. The book is more a tragicomedy than anything else, and the humor is sardonic. There's survival here, and that's an important element of the book. Jane's will to keep going, setting her lack of scruples aside, is a striving to which most readers can relate at some level.




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2025 #29 I Have Some Questions for You (Makkai)

 

I Have Some Questions for You by Rebecca Makkai
My rating: 3 of 5 stars (3.75 stars)

This novel tries to be a lot of things, and it is, but it feels like there is a lack of pacing because of it. I couldn't get a solid grasp on Bodie Kane, but this is, at least in part, due to the fact that the novel is largely about Bodie getting a grasp on Bodie--so, fair enough! Interspersed with the self-reflection is a murder mystery alongside a larger message about how women are treated in/by society--both are worthwhile, but both were somewhat diluted by the lack of focus. The book does offer some real warnings about nostalgia and memory, and this was for me, the core value of the novel. I did not feel any real attachment to any of the characters, but this was a rare case where I think that was useful. Justice is often paraded as some sort of process of objectivity (although we know it isn't), and Makkai's novel helps reveal how justice can only ever be relative in the messy-ness of the human condition. We also come to realize how many details we likely miss in a given day of our lives--what we see, but don't watch, for example. Makkai reminds us that "memory" is a fabrication, and the split of the book into two parts is masterful in driving that home. A worthwhile read, but I suggest lowering expectations for the "mystery" aspect, and allowing the reflections on how we co-exist to be front and center.

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2025 #28 The Book Censor's Library (Al-Essa)

 

The Book Censor's Library by Bothayna Al-Essa
My rating: 4 of 5 stars

While not totally subtle in its satire, Al-Essa's novel succeeds with a dark whimsy befitting Alice and Wonderland, which serves as larger reference for the story in more ways than one. But Al-Essa's looking glass is perhaps more than it seems, and we are easily manipulated into caring for characters even though they bear titles, like stock figures, rather than names. The "Everyman" approach keeps a strange distance, until we come to understand the power of our own imaginations with an ending that has been described as a "narrative rupture" or a "twist worthy of Kafka." The ending made me a bit cranky, initially, but the more I thought about it, it seemed perfect to serve Al-Essa's true narrative, with its hanging threads and all.

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2025 #26 Children of Anguish and Anarchy (Legacy of Orïsha, no. 3)

 

Children of Anguish and Anarchy by Tomi Adeyemi
My rating: 3 of 5 stars

In my review of Children of Virtue and Vengeance, the second of the Legacy of Orïsha trilogy, I wrote: "I am still invested. I want to know where they are headed. I want to be invited back to the world of purples and golds. But I hope that the third book will let me stay awhile before the fighting begins. There's more to say about what lies behind the strife. There's more to tell us about what will be lost before we actually lose it. "

I'm sad to say that the long-awaited book did not fulfill this wish. If anything, there's even more fighting, and less substance. We have new enemies: King Baldyr and The Skulls and new allies: New Gaians. We barely get any time on Orisha to even care about what is happening in healing old wounds. There's a formula applied to the four main characters: Zelie, Tzain, Inan, and Amari -- each has regrets, each thinks about those who have passed, each cuts down and fights enemies...but there's not a lot else that is happening. We see hints of the deeper character studies present in the wonderful first installment, Children of Blood and Bone, particularly with Zélie teetering on the edge of her power being usurped for evil or for good, and there is one particular scene with Tzain, who is going through a similar struggle, that invests in the deeper themes. The book is too short to really get into too much world-building, so the net effect is one of a passive interest in the mythologies and theologies that seemed so crucial in the first book.

I don't know what it is to write a trilogy, and I imagine the creative commitment is immense. Is it still a good read? Sure, and if anything one might benefit more if they haven't read the other two (although I also want to recognize I probably should have gone back and reread the other two books because I was a bit iffy on some of the details). Adeyemi's descriptive writing is a pleasure, and her skill with it enlivens this particular book, especially in how she captures the Green Maidens, Mae'e, and Zélie's transformation(s).

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2025 #25 The Extinction of Irena Rey (Croft)

 

The Extinction of Irena Rey by Jennifer Croft
My rating: 3 of 5 stars

The premise--a translation of a story about translators and translation authored by a translator--is clever, yes. What I didn't expect was the humor that springs up like an unexpected mushroom in a field of moss. That gives it a 3. 75 for me.
There are moments of meta-translation like:
"Her face was the white of a freshly laundered sheet that someone other than me had laundered. (My laundry always turns out beige or gray.)" In this humble offering from Emi, we see how imagery in translation always connects to experience in one way or the other (remembering that the text we are reading was in fact written in Spanish, and we are reading it translated into English). Croft skillfully uses the slightly askew simile to call out some of the challenges of translation. But this is all operating on a deeper level, and occasionally detracts from surface-level enjoyment of the book.

The book is complex, sometimes overly so, and the narrator becomes increasingly unlikeable in her high-school level emotional intelligence (this is, however, somewhat soothed by the occasional footquips (as opposed to footnotes) from the translator (Alexis), who is somewhat of an arch-nemesis figure for the author (Emi) throughout most of the book (although the reason why is never totally clear, save for Emi's need to assign blame somewhere)). Apologies for the excessive parentheses in the previous sentence. The descriptions of nature and fungi are beautiful, but we are quickly yanked out of any idyll of the primeval Polish forest toward a speculative fiction that resembles Mr. Toad's Wild Ride. There's a lot of ideological whiplash and flights of fancy that did not enrich my experience of the book, clever thought it is. There's a mystery too -- the titular Irena Rey goes missing-- but I stopped caring too soon in the book.

I am glad I read it, and there were definitely parts of the book I thought were glorious in prose and imagination. But at the end I felt I had finished putting together a piece of furniture, and found myself looking at several screws and bolt or two that were "left over."

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2025 #24 The Limpopo Academy of Private Detection (McCall Smith) - No. 1 Ladies' Detective Agency #13

 

The Limpopo Academy of Private Detection by Alexander McCall Smith
My rating: 4 of 5 stars

After a fairly long hiatus from this series, I'm not sure if absence made the heart grow fonder or what, but this installment had everything I was looking for. I missed Mma Ramotswe, Mma Makutsi's shoes, Mma Potokwane, and all the sundry characters. This volume is particularly rewarding for devotees of the series, with a guest appearance of some significance (it is on the blurb on the back, people, but I'll not be blamed for spoilers). Mma Makutsi and Mma Ramotswe seem to have (mostly) comfortably settled in as ... associates, and this story shows how friends can band together, laying aside petty differences. The most charming and touching aspect of the book comes at the end, where we see that Mma Ramotswe's true gift is to find the value in most people and things -- maybe not Violet Sepotho, however. :-)

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2025 #23 The Martian (Weir)

 

The Martian by Andy Weir
My rating: 4 of 5 stars

I may be in the minority, but I actually enjoyed Project Hail Mary just a bit more than The Martian. I violated my general "rule" that I don't see movies before reading the book, but I barely remember seeing the movie (vague recollections of Matt Damon and a lot of potatoes), so it is almost as if I was tabula rasa.

The "sciency" monologue is far greater in The Martian and frankly, it is hard to beat Rocky from PHM. Mark Watney and Ryland Grace share a similar sense of humor, and while that was comforting in some respects, I had hoped the two protagonists would be more different. Still, the overarching theme of human endurance and the will-to-overcome makes both books great palate cleansers for our current state of affairs.

I'd like to recognize Mindy Park for best supporting character -- Weir does this really well. The strongest parts of the book for me were when characters were interacting with each other, and everyone loves the narrative of the "un-noticed" becoming a hero in their own way. So, cheers to Mindy, for sure. That she actually gets character development too, is a nice contrast to Mark, who joke-nerds his way through his predicament basically throughout the book, until we get the post-narrative diary entries.

And...as with PHM...yes, I cried, dear reader. Even having seen the movie, I cheered along at the parts worth cheering. The Martian and PHM are both studies in human isolation in their own way, and I think that the vastness of space invites this inward inquiry: when faced with an expanse beyond our complete comprehension, we indeed might question our life's purpose if we are just blips on the radar screen of the cosmos.

Wil Wheaton's reading is excellent, and to be fair, I'm sure its similarities with Ray Porter's delivery in PHM made the two books seem even more similar to me. I will say that Porter pulled me in to more of science, however, whereas Wheaton had more of a "yada yada yada" delivery for those of us not invested in the intricacies of surviving in space.

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2025 #22 St. Peter's Fair (Peters) - Brother Cadfael #4

 

Saint Peter's Fair by Ellis Peters
My rating: 3 of 5 stars

Perhaps fairs just aren't my thing, but this particular installment in the series felt like a real slog. It did not hold my interest, but I'm too stubborn to DNF, so thank goodness my library does automatic renewals. I'd be tempted to give it two stars, but I want to honor the writing here, which is, as always, excellent. Only the last 30 pages or so sparked my interest (no pun intended and that is a very weak spoiler). Emma made for an interesting character at the end -- a good balance to the angelic Aline.

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2025 #21: Her Last Moment (James) - Jake Cashen #5

 

Her Last Moment: Jake Cashen Crime Thriller Series, Book 5 by Declan James
My rating: 3 of 5 stars

I seem to be invested in Worthington County, although I think Alexander Cendese's readings are half of it. Poor Jake still doesn't have a longer story arc to save his soul, but we get a clearer sense that he is a ticking time bomb in terms of his pent-up trauma and anger regarding his father. As I listened to the preview when I finished Red Sky Hill: Jake Cashen Crime Thriller Series, Book 4, I was prepared for who the victim was. It felt a bit of a shame -- it isn't like a TV series where they have to write someone off the show. We hardly knew ye...But truly, it made me care less about her secrets since we had to get her entire backstory posthumously.

Things felt a bit formulaic without the interesting characters of the previous installment -- deadbeat ex clichés abound. This one brings back wrestling, albeit in small doses, so I found it tolerable. While I'm glad Birdie and Jake haven't gotten together (I was worried after Kill Season), the former also hasn't had much of a storyline either. In fact, everyone in Blackhand Hills is pretty much where we left them -- Jemma is about the only one with something new and interesting in her life. Grandpa Max gets to be a bit more than grouchy, semi-senile, and obsessed with dinnertime in this one. Meg Landry doesn't shine as much. Zender is starting to bore me.

Still-- a fun read, enough of the usual suspects to feel a comfortable familiarity, and a few new ones that I would hope would return but probably won't (go Grandma!!).



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2025 #20: Great Expectations (Cunningham)

 

Great Expectations by Vinson Cunningham
My rating: 3 of 5 stars

Really more 3.5 stars.

Having decided to try to read all the 2025 Tournament of Books shortlist, I started with Great Expectations and I'll resist troping the title in this review.

A debut novel by New Yorker theater critic Vinson Cunningham, it traces the rather passive existence of David Hammond, a twenty-something Black man who almost unwittingly winds up as a staffer on Obama's 2008 presidential campaign (although in the book, the former president is never identified by name). Cunningham was actually a staffer, so one wonders how much of this "novel" might actually be memoir, and that actually becomes important as the "plot" isn't really much of a draw. It isn't about the campaign, to be sure, but we are treated to some smarmier moments of life on the campaign trail, but interspersed with David's musings on his past: his time in the Pentecostal church as a child, his rather incidental fatherhood, his hookups, his childhood in Chicago... It is difficult to get a foothold in the narrative sometimes. There are sentences that sing (and there's a good deal of sonic and musical emphasis in the novel), but then there are more stream-of-consciousness babblings that seem to be aspirational Saramago.

I had a tough time sustaining my attention (two renewals on Libby!), but the last quarter of the book finally seemed to pick up a bit, although I'm hard-pressed to tell you why. There is a little bit of intrigue and controversy that hits the campaign, but David also seems to take that in as a passive observer. It is hard to call him a protagonist as he doesn't seem to be actively or emotionally invested in his own life or observations. They are just there.

It is a good book--and with some of the detritus cleared and perhaps a bit more interest in the trajectory of narrative, it could have been great. Certainly it was enough that I'll be curious to read what comes next from Cunningham, and I hope there is a "next"!


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2025 #19 The Burning Island (Young) - Charlie Cates #3

 

The Burning Island by Hester Young
My rating: 3.75 of 5 stars


As with some other readers, I was surprised to find out that this was no.3 in a series of books that feature Charlie Cates, a journalist with gently paranormal abilities. Set primarily on the Big Island of Hawai'i (and a bit in Arizona), the story leads us to vulcanologist Victor Nakagawa and his family, as Charlie and her BFF Rae travel to Hawaii allegedly for some R&R and a bit of a workcation for Charlie, who is writing an article on Victor. Hester Young has a degree from University of Hawai'i at Mãnoa, so her descriptions are as lush and vibrant as the island itself.

There are a few red herrings, and the characters are generally fairly complex and multi-dimensional, which helps things stay interesting and not obvious. Charlie's inner dialogue occasionally felt tedious, but some of it helped provide backstory so the reader/listener doesn't feel the "series gap". Charlie can be a bit preachy, even just inside her own mind, but is generally strong-willed and a good protagonist. Rae, as the effervescent bestie, provides a good counterpoint without resorting to too much caricature. January LaVoy offers a solid reading, with a particular gift for voicing the surf-loving pothead bro.

I found myself a bit relieved to be wrong about how I interpreted one of Charlie's main visions--the one at the core of why she "takes the case"--although that relief was short-lived in that a related subplot covered the territory I was hoping to avoid. Still, it made for a dynamic story. I wasn't a fan of the ending, although I have to give Young major props for not tying everything up with a neat little bow. And while the ending does seem to hint at perhaps more to come in the series, it is not with a cliffhanger for the major plot points (thank goodness).

3.75 stars for me.

Serious About Series challenge 2025 (May)


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2025 #18 Red Sky Hill (James) - Jake Cashen #4

 

Red Sky Hill: Jake Cashen Crime Thriller Series, Book 4 by Declan James
My rating: 4 of 5 stars

3.75 stars
Well, I guess I'm fairly invested in the citizens of Worthington County by now. Red Sky Hill gives us a better look at the Knoxes and the Bardos, the latter familiar from the previous book. The book opens with the grisliest murder yet in the series, and we soon learn that relativism looms large as we see a whole lot of "wrong place, wrong time" and "in over his head" sorts of explanations for bad behavior. There is a definite red herring, but it turns out to be a bit more interesting than usual, because it calls up some moral questions for our detective Cashen, as well as others. This one does not wallow in wrestling or hunting, so I'm impressed that James has managed to keep these things contained to their respective books (for the most part). There is some sloppy editing--for example, Jake says "We'll burn that bridge when we get there" instead of "We'll cross that bridge when we get there" -- which made me laugh, but I don't think it was meant to. As far as the audiobook goes, Cendese is still great, although I noticed an unevenness and some obvious retakes in the recording.
His voicing of Meg Landry is still my favorite part of the entire series (as is her character) and I'd welcome a Meg-centric installment (or spin-off series). Disappointing here is that we get a Meg-centric subplot that fizzles out, although we hope it will be continued in the next book (Her Last Moment). If you haven't read the synopsis of Her Last Moment yet, do yourself a favor and do NOT, until you've finished this book. That's all I'll say.

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2025 #17 The Last Town (Crouch) - Wayward Pines #3

 

The Last Town by Blake Crouch
My rating: 4 of 5 stars

This really swings back and forth between 3.75 and 4 stars for me.
No real spoilers here unless you haven't read the other two books in the trilogy, in which case you really shouldn't be reading reviews (any reviews) of this one.

--------------------
Surprisingly, I liked the ending. I even liked the epilogue---I never like epilogues. But, I have questions.

What happened to the solitaire-playing lady and the abbie? Maybe I missed it. I really thought we were going to go somewhere with that--maybe connect it back to Margaret. That was a welcome respite to the relentless violence. I would have rather than have been developed than the saccharine conversation between Ethan and Ben about an idealized future where they'd like to teach the world to sing in perfect harmony.

The first quarter of the book was rough --- much like the endless fugitive scene in the first book (or was it the second?) this one spent way too long with the gory details--and they are truly that, gory.

Teresa gets to join Mae Holland (Dave Eggers's The Circle) in my winner's circle of obnoxious protagonists. The only time I liked her in this book was when she found the chutzpah to tell Ethan the truth and then told him to shut it when he started going all entitled macho man on her. But absolutely cringeworthy was the discussion with Hassler in the jail cell with Ben sitting right there. Have some self-respect, people. I guess maybe some people find that language romantic (Teresa's note, that we learned of in the previous book), but I don't (it isn't that I find it offensive...just doesn't make me feel a strong bond of love between two people...not sure what I was supposed to feel). Also, big UGH on her reasons for staying with Ethan.

I rather loved Kate and Hassler meeting up on the cliff, even if it did feel a bit cliché. David Pilcher's god-complex wore me down a bit, but I have to say that Max Meyers created such a picture in my mind--fantastic voicing.

This was a fun series -- it doesn't have the depth and sophistication of Dark Matter, Recursion, or Upgrade (admittedly, I didn't love the latter)--but it has a pretty good sense of beginning, middle, and end and enough moving parts to hold interest when the story gets too wrapped up in being an action movie.

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2025 #16: Strangers on a Train (Highsmith)

Strangers on a Train by Patricia Highsmith
My rating: 4 of 5 stars

Not having had the benefit of seeing the Hitchcock film, I had no idea what I was getting into, only that I had heard great things about Patricia Highsmith.

What an interesting ride. It is yet another example of the victim-villain paradigm I talk about with my students that we see in twentieth-century opera. I think there are places that are a bit heavy-handed with the philosophical musing, particularly as Guy Haines's own grip on reality starts to loosen, but the book manages to be satisfyingly creepy, even though we are privy to almost everything that happens, as it happens. That Hitchcock took an interest in the novel makes me think he had a thing about boys and their mothers ---I'm not just talking about Charles Bruno, either. Guy Haines also had sort of a weird relationship with his mother. Neither quite at the Norman Bates level, but there does seem to be a theme... Maybe it was just the 1950s/60s...

I had trouble understanding how whiny psycho Bruno could so get under Haines's skin -- this was perhaps exacerbated by Bronson Pinchot's performance. It was, on the whole excellent, but every time Bruno would go into whining mode, I had to turn down the volume. I do get the implication--that we all have this evil switch inside of us that just needs the right set of circumstances to trigger, but I think I'm far enough removed from the social nicety of sharing a train car that I didn't really understand how the ball got rolling in the first place.

Still, it is a really intriguing book where you read with a constant knot in your throat because you know what's coming next, but you aren't sure when or how. In some respects, this is a more artistic type of suspense than the walk down the hallway with dark corners and spooky music. The hallway in this case is our own potential psychotic path.

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