The Four Winds by Kristin HannahMy rating: 5 of 5 stars
As someone who grew up in California, I find it deeply shameful that my education (which was in many ways excellent) did not address nor talk about the horrors of the Dustbowl and the migrants who came West seeking refuge. Sure, there was mention of Cesar Chavez and the Delano Table Grape strike at some point, but other than that, if you had asked me who the "Okies" were, I could not have told you until much later in life, when Dorothea Lange's famous photograph "Migrant Mother" (1936) finally posted on my radar screen. Kristin Hannah's beautiful novel helps to give voice to the Americans who were so mistreated--by local governments, by the Federal government, by private interests--and in so doing unearths a pattern of power that has plagued us since the first colonists oppressed and stole land from indigenous peoples.
The story is generational as well...Elsa Martinelli works hard not to recommit the sins of her unloving and abusive parents, and each new challenge adds dimension and growth to her character. Elsa's daughter Loreda navigates abandonment while also slowly shaping her own sense of justice. Elsa's in-laws represent the deep connection farmers have to the land, and the faith they hold on to that it will provide--even when it does not. Hannah writes of community in the darkest hours--whether it is a kindred soul in a tent-city, a handful of folks with the courage of their convictions, or a librarian surreptitiously providing access to education. Her characters are strong and vibrant, set against beautifully rendered scenery (some of it gorgeous, some of it awful).
[VERY MILD SPOILER IN NEXT PARAGRAPH]
The American Dream is very real, and Hannah exposes the rips and tattered shreds alongside the hope and abundance. The Great Depression is in the past, yes, but it would be folly not to understand the legacy of its narratives. My only true disappointment with the book is the deaths, as there are but two major ones--both women--and I think it (slightly) undermines the celebration of women that is the spine of the story, but it is recompensed by the unresolved disappearance of someone who seems like he might be a major character. Hannah artfully turns the road of the narrative from where it might have gone at the outset and centers it on the story of Elsa.
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