My rating: 4 of 5 stars
It is difficult to remember that this book was first published in 1967, as the message of the "massage" is as relevant today as it was then. The use of images to make its point should not detract from the prose, even though it is minimal. McLuhan's "allatonceness" and "global village" take on new resonance in the Internet age. Where it diverges is in thinking we privilege acoustic space--I don't believe that is true. I think we are still largely beholden to the visual, and when in 1967 McLuhan writes:
At the high speeds of electric communication, purely visual means of apprehending the world are no longer possible; they are just too slow to be relevant or effective.
we know that he could not have foreseen social media. But as many have noted, much of what McLuhan says holds up in our age.
This edition is wonderful and beautifully produced, from the Shepard Fairey cover (probably the most apt choice), to the self-referential New Yorker cartoon on the last page. It is both a (brief) history of media, and a harbinger of the future. Quentin Fiore's contributions are stunning, particularly in retrospect, and seem far less counter-culture now than they did in the 1960s. The use of visual images, creative typesetting, and lack of regular pagination help drive home McLuhan's point in this "inventory of effects." We get pulled into the "electrically-configured whirl" no less now than we did then, even if the medium has changed. One wonders if we aren't still "march[ing] backwards into the future." Media continue to be "extensions of some human faculty"--and in that, we see both the frailty and fecundity of our ideas.
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